Archives for 1995 » September
Waxed - Record Review from Issue #1 Fall 1995
Vic Chesnutt – Is the Actor Happy?
Where earlier albums have seemed slightly disjointed, Vic Chesnutt’s latest, Is the Actor Happy?, shows a new maturity and musical coherence. Although he says he just wants to be Aaron Neville, his wish has not yet come true, and lucky for us. An elegiac feel has been added to the amused sur-realism that [...]
Waxed - Record Review from Issue #1 Fall 1995
Emmylou Harris – Wrecking Ball
Though Emmylou Harris’ new album is titled Wrecking Ball, that could also be the description of the tool Daniel Lanois brings into the producer’s booth and attacks Harris’ past efforts with. This album is so unlike Harris’ other albums that when I played it at a recent backyard barbecue, all eight people there came up [...]
Not Fade Away - Reissue Review from Issue #1 Fall 1995
Wynn Stewart – The Best of the Challenge Masters
A misleadingly little-known figure from the West Coast country scene of the 1950s and ’60s, Stewart first came to my attention via his 1959 hit “Wishful Thinking” included on Rhino Records’ indispensable Hillbilly Fever series. That song is the first of 29 tracks on this exemplary reissue that attempts, quite successfully, to make a case [...]
Not Fade Away - Reissue Review from Issue #1 Fall 1995
The Louvin Brothers – When I Stop Dreaming: The Best of the Louvin Brothers
It’s easy to hear hints of the Louvin Brothers’ sweet, high harmonies in the music of the Flying Burrito Brothers, the Jayhawks and others. Now it’s easy to hear the Louvins themselves on this 24-cut best of collection. The Louvins — Ira on vocals and mandolin and Charlie on vocals and guitar — played a [...]
Not Fade Away - Reissue Review from Issue #1 Fall 1995
Hazel Dickens & Alice Gerrard – Hazel and Alice
Released in 1976 and available for the first time on compact disc, Hazel and Alice is an old-time country music album that ranges from blues to hymns to a capella ballads and has influenced artists from Emmylou Harris to Bob Dylan to the Judds. Hazel and Alice originally were a bluegrass duo, but by [...]
Not Fade Away - Reissue Review from Issue #1 Fall 1995
Don Walser and the Pure Texas Band – The Archive Series, Vols. 1 and 2
Who is the best country music vocalist working today? Well now there’s a question to spur endless debate. But of course, it’s fairly predictable which names will immediately surface — Johnny Cash, George Jones, Dwight Yoakam, Don Walser …. wait. Don who?
Unfortunately, there [...]
Not Fade Away - Reissue Review from Issue #1 Fall 1995
Buck Owens – box set
First of all, this is not a history lesson on Buck Owens and the Buckaroos. For that and many other wonderful things, check out the Buck Owens box set on Rhino Records. What follows is merely an attempt to spread the word on what might have been the baddest band of their time. To wit: [...]
Town and Country - Shorter Artist Feature from Issue #1 Fall 1995
Steve Owen – Bastard on a budget
The San Francisco country “scene” is a misnomer. Yes, a growing number of bands play their own blend of country-rock/hillbilly-folk/ alternative-twang, but the idea that these bands belong to some sort of badge-carrying Bay Area alternative-country collective and sit around the front porch jamming together is a misconception. If you’re not one of the three [...]
Town and Country - Shorter Artist Feature from Issue #1 Fall 1995
Crop Circles – Counterculture Country comes calling
Earl Brooks of Seattle band the Crop Circles did what any self-respecting musician would do. He dropped an advance of his band’s first CD by the radio station in his hometown in Idaho. And after a few days, he called the guy and asked if he could have it back. “It was pretty apparent that [...]
Town and Country - Shorter Artist Feature from Issue #1 Fall 1995
Waco Brothers – Mekon delta blues
A few years back, rock ’n’ roll survivor Jon Langford transplanted himself from Leeds, England, to Chicago for love and money. His past and present band, the Mekons, have been around for more than 15 years and occupy a musical and cultural realm somewhere between that of the Clash and the Pogues, their bohemian-socialist rants [...]
