Archives for 1997 » January
Not Fade Away - Reissue Review from Issue #7 Jan-Feb 1997
Sammi Smith – The Best Of Sammi Smith
Sammi Smith is most frequently cited as a member of country’s Outlaw movement — her friend and touring partner Waylon Jennings dubbed her “Girl Hero” — but her music, at least on the surface, didn’t sound a thing like Waylon’s or Willie’s. In fact, she most often recorded in the very style that’s usually considered [...]
Not Fade Away - Reissue Review from Issue #7 Jan-Feb 1997
Billy Jack Wills And His Western Swing Band – Self-Titled
While Billy Jack Wills may not be nearly as well-known as brothers Bob and Johnnie Lee, he and his short-lived band created some of the most exciting and innovative Western swing ever recorded.
The youngest of the Wills brothers, Billy Jack got his start playing in his older brothers’ bands — first for Johnnie Lee in [...]
Not Fade Away - Reissue Review from Issue #7 Jan-Feb 1997
Billy Joe Shaver – Old Five and Dimers Like Me
Billy Joe Shaver is the real deal. Born in Corsicana, Texas, raised in Waco. Mother worked in a honky-tonk. Shaver himself worked as a bull rider and a bronco buster, in addition to more pedestrian go-rounds as a gas station attendant, car salesman and sawmill worker, where he lost parts of four fingers on his [...]
Not Fade Away - Reissue Review from Issue #7 Jan-Feb 1997
Bobby Fuller – Shakedown! The Texas Tapes Revisited
Bobby Fuller has always been one of rock ‘n’ roll’s great mysteries. His death at age 24, caused by asphyxiation from gasoline, was ruled a suicide, a verdict commonly thought to be incorrect. Fuller had gasoline all over his body, and other clues from the crime scene hint strongly that it was a murder, though [...]
Bound - Book Review from Issue #7 Jan-Feb 1997
Ernest Tubb: The Texas Troubadour
Truth is, I know next to nothing about Ernest Tubb. I should, of course, and so the arrival of this 456-page opus from Ronnie Pugh, who spends his days as head of reference at the Country Music Foundation, seemed a good start.
Ernest Tubb is all that last sentence suggests: comprehensive, well-researched, and a good start. [...]
Not Fade Away - Reissue Review from Issue #7 Jan-Feb 1997
Gene Autry – Blues Singer 1929-1931: Booger Rooger Saturday Nite! / Riders in the Sky – Public Cowboy #1: The Music Of Gene Autry
While Gene Autry is best-known for his classic Western songs, it may surprise some of his fans to discover that at the beginning of his career, he was an unabashed Jimmie Rodgers imitator who sang the blues with gusto.
A number of the songs included on Blues Singer 1929-1931 are Rodgers covers, though the bulk are [...]
Miked - Live Reviews from Issue #7 Jan-Feb 1997
Vigilantes Of Love – Mercury Lounge (New York City, NY)
Framed against a backdrop of heavy steel duct work and red brick and mortar that recalled their late, great hometown club the Flying Buffalo, the Athens, Ga. trio Vigilantes of Love seemed eerily at home at the New York date of a monthlong tour.
Frontman Bill Mallonee opened the show with a pair of solo acoustic [...]
Miked - Live Reviews from Issue #7 Jan-Feb 1997
Always…Patsy Cline – Barber Theatre (Evanston, IL)
Louise Seger would scrimp on groceries for a month to be able to don her red cowboy boots and yellow fringed skirt and go see the Northlight Theatre’s Chicago production of “Always…Patsy Cline”. Seger became Cline’s most famous fan with the 1981 publication of Ellis Nassour’s biography Patsy Cline, reissued in 1993 as Honky Tonk [...]
Miked - Live Reviews from Issue #7 Jan-Feb 1997
Amy Rigby / Jim Lauderdale – Southgate House (Newport, KY)
Alternative-country artists visit the Cincinnati area all too rarely, so it was a real treat to catch a double bill featuring these two talented songwriters, who have turned out heartfelt and original country gems that shine without the need of Nashville’s glare.
Amy Rigby opened the show with her folksy brand of familiar and comfortable [...]
Miked - Live Reviews from Issue #7 Jan-Feb 1997
Marlee MacLeod – Abbey Pub (Chicago, IL)
When No Depression last visited with Marlee MacLeod back in the second issue, she spoke of “playing for six to 10 people a night” and “converting the nation three people at a time.” She was still at it on this Saturday night gig at the Abbey Pub, a neighborhood tavern in a very untrendy neighborhood [...]
