Archives for 1997 » September
Waxed - Record Review from Issue #11 Sept-Oct 1997
Paul Williams – Ain’t God Good / Doyle Lawson & Quicksilver – Kept & Protected
Until arriving in Tennessee a few months back I had no notion that the entire thriving subgenre of gospel bluegrass existed. That gospel was part of the bluegrass canon was inescapable, for one inevitably reads about the influence of shape note gospel singing on the formulation of the genre, but that specialists existed, had [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Greg Klyma & Stone Church – Mmmm! Pie
Greg Klyma wears his influences on his sleeve—literally, on the CD sleeve—on his group’s second CD. As the group sits around a table, a Bob Dylan songbook is cracked open. On the floor is a Dylan poster, a Waylon & Willie album jacket, and 8×10 photos of all four Beatles.
That may reveal where [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Tom Skinner – Times Have Changed / Bob Childers – Nothin’ More Natural
In Oklahoma there is a spirited roots-oriented music that is simply referred to as “red dirt music.” The tag didn’t come from any record company publicist or music journalist but from the musicians themselves, who all migrated to the college town of Stillwater, Oklahoma in the ‘70’s and ‘80’s. This loosely knit group [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Grand Street Cryers – Steady on the Shaky Ground
The story reads like a publicist’s dream come true: “Local band records a song for a compilation album put out by the Business of Music class at a Community College. Song becomes huge radio hit. Band records album with former Tom Petty drummer Stan Lynch as producer. The result is one of [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Abra Moore – Strangest Places
Abra Moore’s acclaimed 1995 album Sing may have been ahead of the wave. Joan Osborne hadn’t made a market for her voice, west-Brit techno-ballad innovators had not fully hippified new age digitality, and Americana radio had yet to break the surface. Strangest Places might just catch on, but then, it could be a [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Janet Martin – Cloud Cover
Thanks to so much homogenized music populating the airwaves, country-pop has somewhat of a bad name—but it needn’t be that way, as this record by Richmond, Virginia, singer-songwriter Janet Martin proves. The 12 tracks on Cloud Cover encompass a variety of styles and genres. Tammy Rogers’ spirited fiddling turns an ordinary pop song into a [...]
Miked - Live Reviews from Issue #11 Sept-Oct 1997
George Jones / Sara Evans – Ryman Auditorium (Nashville, TN)
One is rarely privileged to see an authentic high priest in the cathedral of country music. But as so often seems the case with organized religion, the distance between the preaching and the practicing is the space between rapture and reality.
It will do no good to complain that he was badly mixed, for he [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Gary Lucas – Evangeline
In the liner notes to Evangeline, Gary Lucas says, “I just want to give you an orgasm with the guitar.” A bold mission, but one that Lucas almost manages to carry out over the album’s 15 tracks.
Lucas was the guitarist for Captain Beefheart before an ongoing career that has encompassed both solo albums and a [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Julie Doiron – Loneliest In The Morning
On her sophomore solo disc, Canadian songstress Julie Doiron comes out swinging — not with fists, but from a porch swing on a Sunday morning. Formerly of disbanded pseudo-psychedelic popsters Eric’s Trip, Doiron previously had released an album on her own label, Sappy, under the moniker of Broken Girl. She has now dropped that tag [...]
Waxed - Record Review from Issue #11 Sept-Oct 1997
Scott Joss – Souvenirs
It’s been 23 years since Dan Fogelberg released his Souvenirs, so it’s probably okay for Scott Joss to use the title. Not that there’s any resemblance between Fogelberg’s heavily-produced, angelic-choir folk-rock and Joss’ spare California country. The fiddler in Dwight Yoakam’s touring band, Joss has the same throwback mentality, and echoes of Hank Williams, Merle [...]
