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Waxed - Record Review from Issue #26 March-April 2000

Gorky’s Zygotic Mynci – Spanish Dance Troupe

Prog-rock acts such as Genesis, Jethro Tull, and Emerson, Lake & Palmer are most remembered for the often unbearable pretension with which they attempted to mold rock ‘n’ roll onto classical music frames. But they had another, worthier mission: to move British pop music away from the crusty, city-bound, dance-hall tradition, and to find instead [...]

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Waxed - Record Review from Issue #26 March-April 2000

Sara Hickman – Spiritual Appliances

The triumphs and travails of Sara Hickman in the music industry are the stuff of minor legend. The budding folk-pop diva established herself with her 1989 debut Equal Scary People and was musically aligned with rising artists such as Tracy Chapman and Michelle Shocked, but her focus on the politics of the heart placed her [...]

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Waxed - Record Review from Issue #26 March-April 2000

Robin & Linda Williams – In the Company of Strangers

No strangers to hard traveling, Robin & Linda Williams once again find themselves on treacherous terrain, where familiar faces turn into masks, words confound the listener, and that hooded guy with the scythe lurks in the shadows.
Drifting across the landscape, never quite connecting with each other or even themselves, are broken-down bar musicians, hell-bound gunslingers, [...]

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Waxed - Record Review from Issue #26 March-April 2000

Wagon – Beauty Angel Queen

Wagon emerged in 1996 with the Lloyd Maines-produced No Kinder Room on HighTone, following with more low-key country-rock in 1998 with Anniversary on overseas label Glitterhouse. Given that they hail from St. Louis, it’s no surprise this sturdy quartet displays imprints of their hallowed homeboys, Uncle Tupelo, as well as pre-split Jayhawks. Of course, you [...]

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Waxed - Record Review from Issue #26 March-April 2000

Dan Janisch – Weeds

Testimonial #1: This record was the first outside project released on the imprint started by Kepi and Roach from punk-popsters Groovie Ghoulies. Testimonial #2: Dusty Wakeman and the Maddog crew provided support for three of the album’s eleven tracks. Testimonial #3: I like it (yes, this would probably be the least significant of the three).
Not [...]

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Waxed - Record Review from Issue #26 March-April 2000

Dickel Brothers – Volume One

When heard from a distance, the debut CD from Portland, Oregon, band the Dickel Brothers owes more than a passing nod to some of the Stones’ first attempts at country material (think of the tongue-in-cheek rendering of “Dear Doctor” and you’re getting there). Upon closer inspection, however, this surface similarity fades, replaced by a sound [...]

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Waxed - Record Review from Issue #26 March-April 2000

Robert Burke Warren – …To This Day

Georgia born and Manhattan savvy, Robert Burke Warren is a storyteller of depth and complexity. Accessing heartfelt memories and elusive images like a dusty old scrapbook, Warren showcases a variety of American folk forms with clear-eyed enthusiasm and dutiful craftsmanship.
…To This Day is filled with songs written from mature experience and authentic perspective, blending back-porch [...]

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Waxed - Record Review from Issue #26 March-April 2000

Amy Crenshaw & The Crosstown Boys – Self-Titled

For the last couple of years, this rocking retro-countrypolitan band has shined like a klieg light between the cracks of Dallas’ college rock vs. swing vs. honky-tonk music scene. In this case, defying categories allows them to be booked into just about any joint seeking a spirited original band that’ll have dancers spinning and [...]

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Waxed - Record Review from Issue #26 March-April 2000

Alex Chilton – Set

Over the last twenty years most of us have given up on Alex Chilton ever recapturing the soul-deep, emotional bull’s eye of songs such as Big Star’s “What’s Goin’ Ahn.” Maybe Alex has, too. Once upon a time, he could do “lonely” as well as anybody who ever sang into a microphone. Sinatra, Gram Parsons, [...]

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Waxed - Record Review from Issue #26 March-April 2000

Cat Power – The Covers Record

While nowhere as sprawling, haunted and ambitious as her 1998 breakthrough Moon Pix, Cat Power’s latest, The Covers Record, finds Chan Marshall bewitching listeners with a quiet, understated charm. Both elegant and raw, The Covers Record draws one in slowly, nearly to be dismissed as an uninspired underachievement.
From the Stones’ “Satisfaction”, to Michael Hurley’s [...]

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From the Blogs

  • The Felice Brothers On Tour
    The Felice Brothers will be hitting the road again this summer with a stop at the Newport Folk Festival August 1st before heading to Europe for several engagements. Upon their return to the U.S. in September the band will perform shows in Nashville, Sante Fe, San Francisco, Denver, Detroit, Washington and… […]
  • Freight Train Boogie podcast #80
    TIM O'BRIEN's new CD, Chicken & Egg is featured on show #80. Also new music from ROMAN CANDLE, STONEHONEY and CHATHAM COUNTY LINE. The full playlist is posted below. Check the artist's w… […]
  • Hot Rize / Red Knuckles tour announced
    Eight shows in late October early November. Featuring the astounding Bryan Sutton, Tim O'Brien, Nick Forster and Pete Wernick. This outfit rarely plays more than a few festivals per year so catch them when they stop at your local honky tonk. ' /> […]

Join the Discussion

  • Most depressing albums of all time?
    A sad song on an album is expected, but an album full of depression and substance abuse is genius. I'm wondering, what are some of your favourite albums - sad or not - that manage to tear you up/depress the hell out of you? […]
  • A review of Mark Erelli's "Hillbilly Pilgrim"
    "Turn the lights off, close your eyes, and you might actually think you're sitting at a stage-side table in a roadhouse on a two-lane somewhere between, say, Austin and Laredo." Read the rest of the review here: http://www.countrystandardtime.com/d/cdreview.asp?xid=1896 The album's been out for a while. Anyone have an favorite tracks? I […]
  • What is the best Son Volt album?
    I'm kinda digging these guys. A local record store has a bunch of their CDs used ($5 each). I might run by after work and grab one or two. What would you say are their best albums? In case they don't have what you consider to be their top album, what are the next best ones? Also, I'll go ahead and welcome myself to the board. I'm just st […]

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