Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

The Long Way Around - Feature from Issue #29 Sept-Oct 2000

Allison Moorer

Loving, Leaving, LivingAllison Moorer lays it all on the line with a suite of songs about a sad, sad world

1. Decorated lies

Everything that truly matters — music, art, life — finds expression within her extraordinary voice, a bold, slightly husky, thoroughly fearless instrument. The words come impeccably phrased, modestly adorned, smart and direct. And yet, even if Allison Moorer couldn’t sing a note, the songs she writes, mostly with her husband, Butch Primm, would still be striking in their simplicity, ambition, and beauty.

Very little matters in music right now — it’s all some weird, decorative dot.com dance between commerce and art that keeps tripping over itself, too clever by half, and thoroughly compromised. So Moorer’s second album, The Hardest Part, is a relief, a sharp, chill wind. It is, by present standards, audacious in its assertion that truth count for as much as the chorus.

It does. Actually, it does.

And so even if these words become unwanted hyperbole, and arguable, they are no less true for all that: There is no better singer at work today, and only a very few are her equal. The Hardest Part is her truth, and hard-won. Hardest won. Nothing else could hurt that much, and precious little art comes from joy.

Such a sad, sad world, and glorious.

2. The day you said goodbye

“This is a love story,” Allison says, her husband at her side and Mermaid Avenue playing on the bar stereo. “The first song on the record, ‘The Hardest Part’, makes a statement about love: ‘The hardest part of living is loving, ’cause loving turns to leaving every time.’ That is what I believe to be true. No matter if you’re in a love relationship, in a relationship with parents or siblings, whatever it may be, it’s gonna end.

“Some people think I’m cynical, some people think that’s a hard way of looking at things. I just see it as reality. That’s the truth to me. Tracks two through ten back that up, for me. By the time you get to the end of the record, you know why I said that.”

She speaks calmly, directly, and Butch nods, looking nowhere in particular, for it is by now old ground, and the story of the album which she will repeat to the press for the next months; the story of an album they co-wrote, co-produced (with Kenny Greenberg), and finished almost a year before its September 26 U.S. release.

The story of the album is also that the album dares to tell a story. A country music concept album. On MCA, one of the few, the proud, the still-dominant players in mainstream country music. Long-time star Marty Stuart’s critically acclaimed concept album, The Pilgrim, released by the same label last year, sold 26,000 copies (according to SoundScan), and then he was dropped.

The Hardest Part doesn’t much draw attention to its internal links, though its lyrics are presented in paragraph form. It is not necessary, perhaps, to know that all ten songs watch a relationship disintegrate from the same woman’s point of view; they can simply be country love songs, and one can quite contentedly ride along with Moorer’s voice for the duration.

The ride along the way includes everything from hard country fiddle to swelling strings, reflecting throughout the singer’s almost encyclopedic awareness of country’s myriad traditions while simultaneously achieving the spotless sound of today’s hits. Supporting musicians include Jay Bennett (Wilco), Harry Stinson (Dead Reckoner), and Buddy Miller.

All of this, especially in Nashville, and especially today, demonstrates an extraordinary amount of creative freedom. Used wisely.

Enjoy the ND archives? Consider making a donation with PayPal or send a check to:
No Depression, 460 Bush St., San Francisco, CA 94108


Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #29 Sept-Oct 2000

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »

From the Blogs

  • Rod Kennedy (1930-2014) and the Kerrville Folk Festival - Interview & Remembrance
    Rod Kennedy’s legacy is incalculable for those who truly love music, he departed this earthly plane on Monday 14th April 2014. R.I.P. The following “warts and all” late May 1986 interview with Mr. Kennedy, the founder of the Kerrville Folk Festival, was the lead feature in the debut issue of the Kerrville Kronikle fanzine sometime around 1988. No serendipity […]
  • MerleFest - Wilkesboro, North Carolina - April 24-27 2014
    While there are quite a few notable festivals that begin earlier than late April, many of us kick off the festival season by trekking to not your normal community college, the Wilkes Community College in the rolling hills of north central North Carolina where MerleFest has been held every year since 1988. Named in honor of Merle Watson who lived nearby, 2014 […]
  • Americana Boogie new releases for the week of April 15th... Rodney Crowell, Bobby Bare Jr, Moot Davis, Secret Sisters, Ray Bonneville and more
    BOBBY BARE JR. Undefeated (Bloodshot) Bobby Bare, Jr. could've phoned in a career. He could've exploited the fact that he s the son of Country Music Hall of Famer Bobby Bare, instead, he blazed a path of unique songwriting… […]
  • Five Questions: Kris Orlowski
    With his new album, Believer, Seattle's Kris Orlowski steps forward in two new directions. First, it's a full-length record (after three EPs) and, second, he's a band (not just a singer/songwriter). Listening to the depth and breadth of Believer, both points ring out loud and clear -- it's a solid collection of songs rendered in big sonic […]
  • Catie Curtis - Flying Dream (Album Review)
    Curtis’ Flying Dream is carpeted wall-to-wall by songs that explore the many shades of ‘love.’ This year Maine bred Catie Curtis celebrates quarter-of-a-century as a recording artist. Commencing with the self-released, cassette-only album Dandelion (1989), Curtis’… […]
  • Lydia Loveless - Somewhere Else (Album Review)
    I’ve heard a lot of really unique descriptions of Lydia Loveless's new album, "Somewhere Else".  It’s always X + Y that supposedly equals a new sound.  None of them seem to capture the essence of the record for me.  On Loveless’s Facebook page, her sound is described as “Loretta Lynn and Patti Smith slamming shots at a Midwestern dive bar whil […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!

Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter