Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Waxed - Record Review from Issue #35 Sept-Oct 2001

Michael Nesmith

Papa Nez: A Loose Salute To The Work Of Michael Nesmith (Dren)

Often it seems that only devoted Nez-heads are aware that Michael Nesmith was, or is, anything besides a Monkee. Hoping to correct that is this tribute featuring nineteen artists offering takes on some of Nesmith’s best-known tracks.

Papa Nez leans toward Nesmith’s countrified Monkees tracks rather than his later efforts with the First National Band and as a solo artist. Nine of its first thirteen tracks are from Monkees albums, another five on Papa Nez were recorded (if not released) during that 1966-1969 period. Consequently, some of his intriguing later works, from the sorrowful 1970 hit “Joanne” to the quirky “Cruisin’”, go unexplored. Instead, the focus is on Nesmith’s initial forays into country-flavored rock, which helped set the stage for the similarly styled efforts of the Eagles and Poco.

Buddy Woodward kicks off the set with a faithful rendition of “You Told Me” — so faithful, in fact, that it replicates the goofs which opened the track on the 1967 Headquarters album. A nice, energetic performance that stays unwaveringly, if annoyingly, true to the original, it embodies everything that is good and bad about this collection.

From Scott McKnight’s note-for-note recap of “Sunny Girlfriend” to Last Train Home’s spirited but textbook take on “Good Clean Fun”, many tracks are well-done but don’t take Nesmith’s efforts to a new place. The album is so reverential as to be almost timid, its artists fearing to experiment with Nesmith’s structures and pacings.

Not everything is so by-the-book, though. Frog Holler attempts the most drastic reworking of the bunch, slowing “Different Drum” (a sprightly hit for Linda Ronstadt & the Stone Poneys in 1968) to a snail’s pace. It’s a thoughtful rendition, though the arrangement highlights the relative immaturity of one of Nesmith’s earliest lyrical efforts. Nice treatments are also afforded “Daily Nightly” (a singular dip into near-psychedelia, rendered spasmodically by Jamie Holiday) and the raved-up “Papa Gene’s Blues” by Two-Fisted Tales.

Nesmith’s strongest suit as a songwriter — his ability to summarize relationships and large truths in brief, often poetic rhymes — shines through in several spots. Simon Raymonde’s elegant take on “Here I Am”, a pretty piano ballad with steel guitar overlay, is the set’s grandest moment, while the pure harmonies of the Rust Kings on “Texas Morning” and the Mary Janes on “Prairie Lullaby” highlight Nesmith’s impeccable sense of song structure. The poetry of “Nine Times Blue” (Sixty Acres) and “St. Matthew” (Mark McKay) lose nothing in their carbon-copy arrangements; one wishes the sweet-voiced Meredith Ochs had lent her talents to the similarly ballady “While I Cry” or “The Crippled Lion” instead of her ill-advised muting of the majestic “Listen To The Band”.

The one big letdown is that few of the vocalists involved come across as ambitious or gifted as Nesmith himself, whose earnest twang and measured falsetto went largely unnoticed throughout his recording career. Where Papa Nez succeeds, though, is that it may well convince you to track down Nesmith’s original versions of his many touching, concise songs.

Enjoy the ND archives? Consider making a donation with PayPal or send a check to:
No Depression, 460 Bush St., San Francisco, CA 94108


Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #35 Sept-Oct 2001

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »

From the Blogs

  • SummerTyne Americana Festival #9 - Jumping Hot Club Stage (Gateshead, U.K. - July 18-20, 2014)
    photos from this Festival are available here - http://www.harrisonaphotos.co.uk/Music/SummerTyne-2014/ Wow, it’s taken nearly two weeks for me to get my breath back after another frantic and wonderful SummerTyne Americana Festival. As I say every year, the crowds turn up not knowing anyone on the Jumping Hot Club… […]
  • The Song's the Thing: An Interview with Robby Hecht
    Robby Hecht sings like a whisper, like a hesitant truth that simply can’t go unsung anymore. His songs can invoke starry nights and fog rolling in on the beach. Lights turning off. Front porch silences and morning walks alone. Holding hands for the first time, letting go for the last. Across his three indie releases, Hecht has distinguished himself as the se […]
  • What Happens When a Band on the Rise Finds Out Its Name Is an Obscure Racial Stereotype? Meet Parsonsfield (Formerly Poor Old Shine).
    For Poor Old Shine, it started with a song… a traditional prison work song of the American South, called “Ain’t No Cane on This Brazos.” It’s been interpreted by everyone from Dylan and the Band, to the Low Anthem, Lyle Lovett and the Wood Brothers. And it was the song in one of the great scenes in the movie “Festival Express,” as a completely blotto Rick Da […]
  • The Infamous Stringdusters on Country Fried Rock
    The Infamous Stringdusters tour so much that they even have their own festival, the Festy, with a fabulous lineup including our alumni, New Country Rehab. Chris Pandolfi and Andy Hall are so in sync that they alternate answering questions and finish each others' sentences. For their fifth album, Let It Go, the… […]
  • Jillpoke Bohemia: An Interview with the Author, Conducted by Himself - Part 2
    Let’s talk about the music behind Jillpoke Bohemia. Webcomics don’t typically have soundtracks, but one can imagine that a Jillpoke Bohemia soundtrack might sound pretty cool. Sure.  Maybe the comic could be represented by a virtual band, in the tradition of the Archies and the Gorillaz.  If we could find a couple of unknown musicians who sound the way I ima […]
  • Getting to Know Wendy Cahill -- Falcon Ridge Emerging Artist
    Wendy Cahill has a voice.  She’s got a voice that is captivating and beguiling.  She’s got soul.  And like I said above, man-oh-man, she has got a Voice.  It’s raw and powerful and is definitely meant to be heard! Wendy Cahill is one of 24 Emerging Artists chosen for this year’s Falcon Ridge Folk Festival.  The Emerging Artist showcase is always one of the h […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!

Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter