Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Waxed - Record Review from Issue #35 Sept-Oct 2001

Michael Nesmith

Papa Nez: A Loose Salute To The Work Of Michael Nesmith (Dren)

Often it seems that only devoted Nez-heads are aware that Michael Nesmith was, or is, anything besides a Monkee. Hoping to correct that is this tribute featuring nineteen artists offering takes on some of Nesmith’s best-known tracks.

Papa Nez leans toward Nesmith’s countrified Monkees tracks rather than his later efforts with the First National Band and as a solo artist. Nine of its first thirteen tracks are from Monkees albums, another five on Papa Nez were recorded (if not released) during that 1966-1969 period. Consequently, some of his intriguing later works, from the sorrowful 1970 hit “Joanne” to the quirky “Cruisin’”, go unexplored. Instead, the focus is on Nesmith’s initial forays into country-flavored rock, which helped set the stage for the similarly styled efforts of the Eagles and Poco.

Buddy Woodward kicks off the set with a faithful rendition of “You Told Me” — so faithful, in fact, that it replicates the goofs which opened the track on the 1967 Headquarters album. A nice, energetic performance that stays unwaveringly, if annoyingly, true to the original, it embodies everything that is good and bad about this collection.

From Scott McKnight’s note-for-note recap of “Sunny Girlfriend” to Last Train Home’s spirited but textbook take on “Good Clean Fun”, many tracks are well-done but don’t take Nesmith’s efforts to a new place. The album is so reverential as to be almost timid, its artists fearing to experiment with Nesmith’s structures and pacings.

Not everything is so by-the-book, though. Frog Holler attempts the most drastic reworking of the bunch, slowing “Different Drum” (a sprightly hit for Linda Ronstadt & the Stone Poneys in 1968) to a snail’s pace. It’s a thoughtful rendition, though the arrangement highlights the relative immaturity of one of Nesmith’s earliest lyrical efforts. Nice treatments are also afforded “Daily Nightly” (a singular dip into near-psychedelia, rendered spasmodically by Jamie Holiday) and the raved-up “Papa Gene’s Blues” by Two-Fisted Tales.

Nesmith’s strongest suit as a songwriter — his ability to summarize relationships and large truths in brief, often poetic rhymes — shines through in several spots. Simon Raymonde’s elegant take on “Here I Am”, a pretty piano ballad with steel guitar overlay, is the set’s grandest moment, while the pure harmonies of the Rust Kings on “Texas Morning” and the Mary Janes on “Prairie Lullaby” highlight Nesmith’s impeccable sense of song structure. The poetry of “Nine Times Blue” (Sixty Acres) and “St. Matthew” (Mark McKay) lose nothing in their carbon-copy arrangements; one wishes the sweet-voiced Meredith Ochs had lent her talents to the similarly ballady “While I Cry” or “The Crippled Lion” instead of her ill-advised muting of the majestic “Listen To The Band”.

The one big letdown is that few of the vocalists involved come across as ambitious or gifted as Nesmith himself, whose earnest twang and measured falsetto went largely unnoticed throughout his recording career. Where Papa Nez succeeds, though, is that it may well convince you to track down Nesmith’s original versions of his many touching, concise songs.

Enjoy the ND archives? Consider making a donation with PayPal or send a check to:
No Depression, 460 Bush St., San Francisco, CA 94108

Discuss

Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #35 Sept-Oct 2001

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »


From the Blogs

  • Rod Kennedy (1930-2014) and the Kerrville Folk Festival - Interview & Remembrance
    Rod Kennedy’s legacy is incalculable for those who truly love music, he departed this earthly plane on Monday 14th April 2014. R.I.P. The following “warts and all” late May 1986 interview with Mr. Kennedy, the founder of the Kerrville Folk Festival, was the lead feature in the debut issue of the Kerrville Kronikle fanzine sometime around 1988. No serendipity […]
  • Katie Herzig - Walk Through Walls (Album Review)
    Once upon a time, Katie Herzig wore her heart on her sleeve and wielded an acoustic guitar, both apropos of being a singer/songwriter. These days, though, she keeps company with synthesizers and drum loops. Yeah, the heart is still right there on the sleeve, but now you can groove to its beat. Herzig's new collection, Walk Through Walls, is a song cycle […]
  • Exclusive Premiere of Cowboy Jack Clement's "Let the Chips Fall"
    Cowboy Jack was one of the most beloved country and Americana artists of his generation. For proof, just look at the list of artists who showed up to lend a hand on his final album: John Prine, Emmylou Harris, Bobby Bare, Duane Eddy, T Bone Burnett, Vince Gill, Marty Stuart, Rodney Crowell, Buddy Miller, Dan Auerbach, Leon Russell, Gillian Welch, Dave Rawlin […]
  • Reagan Boggs on Americana Music Show #187
    On episode 187 of the Americana Music Show, Reagan Boggs plays 3 tracks from Quicksand and talks about writing songs about tough ladies and the value of simple songs. Also on this episode, heartland rock & roll from Chuck Ragan, indie rock from Jonny Two Bags, southern rock from Jimbo Mathus, honky… […]
  • Easy Ed's Sideshow of Solos, Duets and Ensembles: Session #42
    Welcome to the 42nd installment of random thoughts, trivial facts. occasional fiction, poetry, haikus, photos, artwork, stories of fleeting fame and dastardly deeds, and videos or tunes that may have caught my attention or fancy of late. As you can see by the picture at the side, I've got dessert on my mind, and in particular...pies. The Oxford Companio […]
  • St. Vincent in Concert: As Performance Artist, Annie Clark Shows Her True Colors
    One of the most intriguing aspects about attending a St. Vincent concert is the anticipation. What will Annie Clark do next? That’s what one high-strung son of someone was thinking for the rest of us while pressed up against the barrier leaving just enough breathing room between entertainer and her target audience as March wound down while that inevitable da […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter