Archives for 2002 » March
Miked - Live Reviews from Issue #38 March-April 2002
Ryan Adams – Forum Theatre (Melbourne, Australia)
“You love me?” Ryan Adams asked one of the girls who were pushed up in the front row of the lavishly gothic, Victorian-era Forum Theatre.
“I love you back,” he grinned, “and I apologize in advance.”
As it turns out, Australia did love Ryan Adams. This was his first visit, and there was a genuine atmosphere of [...]
Bound - Book Review from Issue #38 March-April 2002
Fender Benders
The cover of Fender Benders, the fourth novel by Bill Fitzhugh, shows a skeletal hand on an electric guitar, a visual reminder of the title’s double meaning. It’s a foreshadowing of what’s to come: murder, romantic betrayal, revenge, drug use, power struggles and shady business deals set against the backdrop of the country music industry.
With [...]
Waxed - Record Review from Issue #38 March-April 2002
Various Artists – Americana Motel
From my own wide perch here in the Midwest, I’ve generally felt fairly well informed on the Austin, Nashville, Southwest, Pacific Northwest, Mississippi, Georgia and Carolina scenes — but when this extraordinarily sprawling, undeniably mature overview of unfiltered American pop/rock/soul/country from the D.C./Virginia/Maryland region hit my music box, it sparked my plugs with something new.
Not [...]
Waxed - Record Review from Issue #38 March-April 2002
Various Artists – Evangeline Made: A Tribute to Cajun Music
Though the Cajun musical tradition celebrates the spirit of a tightly knit community, Evangeline Made invites a diverse array of visitors to its crawfish boil. Singing in the French patois common in the countryside of southwest Louisiana, backed by the accordion and fiddle that call waltzers and two-steppers to the dance floor, an variety of [...]
Bound - Book Review from Issue #38 March-April 2002
Bluegrass Odyssey: A Documentary In Pictures And Words 1966-1986
Bluegrass may have been born on the stage of the Grand Ole Opry, but it grew to adulthood in a complicated setting, sustained by audiences found in country music parks, urban hillbilly dives, and — especially after the mid-1960s — festivals devoted to the music. All of these and more may now be seen — [...]
Waxed - Record Review from Issue #38 March-April 2002
Ken Stringfellow – Touched
I should probably tell you how the Posies’ Frosting On The Beater nursed me through a particularly bad breakup, but that’s private and you don’t need to know. Suffice to say anything Ken Stringfellow does is likely to have a special place in my heart, and Touched bends over backward to earn every inch of [...]
Waxed - Record Review from Issue #38 March-April 2002
Weary Boys – Self-Titled
When twentysomething Californians find country music, it’s generally through identifiable local heroes such as the Byrds and Gram Parsons and the Flying Burrito Brothers. That must have seemed like the long way to get to the country for the Weary Boys, who preferred to draw a straight line to Hank Williams and Bill Monroe and [...]
Waxed - Record Review from Issue #38 March-April 2002
Yonder Mountain String Band – Town By Town
From the hippie-infested hills of Nederland, Colorado, comes Yonder Mountain String Band, purveyors of “Colorado’s Nakedest Bluegrass.” With Town By Town, the band’s second studio disc (there’s a live record as well), the hard-touring foursome seems poised for success.
Produced by genre guru Tim O’Brien, who sits in on fiddle and bouzouki, Town By Town features [...]
Waxed - Record Review from Issue #38 March-April 2002
David Andersen – Countrypolitan
Nashville guitarist David Andersen nicely blends jazz and country influences into a cool, yet energetic and harmonically imaginative approach. Andersen is able to execute intricate, dazzling runs, deliver crisp turnbacks in mid-solo, or craft elegant, clean melody runs and sweeping answering rhythms. But he displays his more sentimental side on Countrypolitan, a self-produced solo disc [...]
Waxed - Record Review from Issue #38 March-April 2002
Crop Circles – Home Sweet Home
“Daddy drinks because you cry,” sings Earl Brooks on “Daddy Drinks”. The song is a sweetly shuffling number with a nimble banjo line, Brooks’ voice hovering between hurt and humor without ever showing its hand. It perfectly encapsulates the charm of the Crop Circles’ approach, mixing rural heart and urban irreverence into its country-rock blend.
Brooks [...]
