Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Miked - Live Reviews from Issue #40 July-Aug 2002

Jimmy Lafave

Black Sheep Inn (Wakefield, Quebec), May 14, 2002

At 60 people, it wasn’t exactly standing room only (but then it was a Tuesday night). The Black Sheep Inn is a good half-hour drive from Ottawa into the Gatineau Hills. It was do or die in the Ottawa Senators’ run for hockey glory (they died). And snug as we were, Jimmy LaFave’s choice of Dylan’s “Buckets Of Rain” as his leadoff song reminded us that, outside, it was cold and wet.

LaFave couldn’t have been less worried. With Danny Click on lead guitar, Will Landin on bass and Wally Doggett on drums, the Austin singer-songwriter fired up two hours of ballads, rock and soulful blues. Keeping between-song banter to a minimum, LaFave drew on a selection of new and old, covers and originals. When he did chat, it was in the same manner that he performs, time the least of his concerns.

“This is just the kind of place Townes would be real comfortable in,” he mused. “When I saw these beautiful green hills up here, I thought of this Townes Van Zandt song.” But then that reminded him of pulling into a truck stop on the drive from his previous night’s show in Montreal, and how they had wound up talking about life on the road. A cover of Townes’ “Snowin’ On Raton” was the eventual punch line.

That jaw about road life was for the benefit of Serena Ryder. She’s the girl LaFave heard singing in a hallway at last year’s Folk Alliance convention in Jacksonville, Florida, and has taken under his wing. Barely out of high school and accompanying LaFave on his Canadian tour, the Toronto-born Ryder, who opened the show, struck one audience member as a combination of Patsy Cline and Janis Joplin. Add a little Tracy Chapman and Etta James, and you’ve got the picture. Pipes. Presence. Potential.

Another youngster inspired a bit more stage talk. Born during his dad’s current tour, Jackson Delaney is Jimmy’s first child. “I’m still waiting for the FedExed pictures of him,” said LaFave, seemingly bemused at becoming a father at 46. “I’ll send this song out to my kid,” he added, and “Never Is A Moment”, from last year’s Texoma album, had suddenly been written for a child, not a woman: “From your head down to your toes/You are beautiful divine/If you hear music in the wind/My melody I hope you’ll find.”

And so it went. “Only One Angel”. “The Weight”. Blistering rock ‘n’ roll with Jimmy barely breaking a sweat. It was 1:20 Wednesday morning by the time he wrapped up “Mercury Blues” and the clutch of dancers packed it in. Another working day for most us, we headed back to the city, the rain over and stars glittering.

Enjoy the ND archives? Consider making a donation with PayPal or send a check to:
No Depression, 460 Bush St., San Francisco, CA 94108

Discuss

Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #40 July-Aug 2002

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »


From the Blogs

  • No Depression Is Getting a Facelift: A Note About What's Around the Bend
    Ever since we announced that No Depression had been acquired by FreshGrass back in March, we’ve heard from many of you with questions, concerns, and ideas about the future of this website and the community that gathers here. We created a forum topic at that time so we could organize these comments and refer to them frequently, which we have done as we’ve dev […]
  • Learning Songwriting at the Feet of Steve Earle
    Steve Earle has his eye on the history books. Not for himself, necessarily - though I doubt he’d object - but for his art form, “songwriting as literature.” With Camp Copperhead, Steve seemed to be trying to secure this form a place in history. “Four days of singing and songwriting,” the marketing materials promised. “Hard core.” I’m a non-professional songw […]
  • Led Zeppelin - Led Zeppelin I, II & III 2014 Remasters (Album Review)
    Has any music reviewer ever missed the mark more than John Mendelsohn in his 1969 Rolling Stone critique of Led Zeppelin’s scorching, finely honed debut? After calling the album self-indulgent, he labeled Jimmy Page “a very limited producer and a writer of weak, unimaginative songs” and dismissed Robert Plant’s “strained and unconvincing shouting.” The album […]
  • Shawn Amos - The Reverend Shawn Amos Tells It (Album Review)
    The only thing wrong with the six-song EP The Reverend Shawn Amos Tells It, is that there are only six songs. Like James Brown said, "let’s hit it, and quit," Amos gathered together what he calls a "Gutbucket power trio," of Chris Roberts (guitar),Don Medina (drums),and Ed Terrio (bass) then threw down the tracks old school -- live, with […]
  • New Country is Boring Me
    My early music education was in classical and jazz. Through orchestration classes, composition, Baroque theory, etc., I learned a lot of music rules. Some of them have stayed with me, even though I don’t write music on a regular basis. In jazz improv, never sit on the fourth scale degree. In orchestration, don’t cross your voices. In composition, never repea […]
  • Hook & Anchor - Self-titled (Album Review)
    Hook & Anchor are a new Portland, Ore.-based band with something of a pedigree. Bringing together Blind Pilot’s Kati Claborn, Luke Ydstie, and Ryan Dobrowski with veteran old time specialist Gabrielle Macrae (of the Macrae Sisters), and Erik Clampitt of Clampitt, Gaddis & Buck and Power of County, all of the individual members of the band… […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter