Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Not Fade Away - Reissue Review from Issue #41 Sept-Oct 2002

Glen Campbell

Rhinestone Cowboy / Bloodline: The Lambert & Potter Sessions, 1975-1976 (Raven)

Glen Campbell’s Rhinestone Cowboy and Bloodline, originally released by Capitol in 1975 and ’76, respectively, represent both a highpoint for countrypolitan and the beginning of the genre’s sad, slow, painful decline. You could say something similar about the roles they played within Campbell’s career, too. In the recent past for Campbell were masterpieces of Jimmy Webb-penned country-pop such as “Wichita Lineman” and “Galveston”; a starring role with the Duke in True Grit; and his own television variety series, “The Glen Campbell Goodtime Hour”. Ahead were addiction, tabloid coverage of his stormy relationship with Tanya Tucker, and a theater in Branson, Missouri.

Charting lower and less often than just a few years before, Campbell turned in 1975 to the production team of Dennis Lambert and Brian Potter, two former Motown producers who found success with insanely catchy middle-of-the-road fare — Hamilton, Joe Frank & Reynolds’ “Don’t Pull Your Love”, for instance. On Rhinestone Cowboy, the pair’s Elton-John-visits-Vegas arrangements make the lush and soulful soundscapes of Al DeLory (who produced Campbell’s early hits) sound downright naked by comparison.

Still, with Campbell’s agreeable tenor sounding as supple as ever, and with savvy song selection that included covers of Smokey Robinson’s “My Girl” and Randy Newman’s “Marie”, the album pushes at the boundaries between country and pop with real aplomb. It doesn’t hurt that its best songs are about this precise country-pop dilemma: “Country Boy (You Got Your Feet In L.A.)”, “Comeback”, and of course the unforgettable “Rhinestone Cowboy”. Also included here is that crossover smash’s marvelous non-album B-side, the Rockpile-lite “Record Collector’s Dream”.

Campbell, now sporting a beard, teamed with Lambert & Potter again the following year for Bloodline, an album that traverses similar sonic territory — but with far less memorable results. With just a few exceptions (notably a version of Jimmy Webb’s “Christiaan No”), the album includes, unlike its predecessor, everything adult contemporary would encompass in the era of Kenny Rogers and Christopher Cross: lush but static arrangements, insipid lyrics, rinky-dink grooves, smarmy keyboards, and an emotional punch about as enlivening as Novocain.

Enjoy the ND archives? Consider making a donation with PayPal or send a check to:
No Depression, 460 Bush St., San Francisco, CA 94108


Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #41 Sept-Oct 2002

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »

From the Blogs

  • Rod Kennedy (1930-2014) and the Kerrville Folk Festival - Interview & Remembrance
    Rod Kennedy’s legacy is incalculable for those who truly love music, he departed this earthly plane on Monday 14th April 2014. R.I.P. The following “warts and all” late May 1986 interview with Mr. Kennedy, the founder of the Kerrville Folk Festival, was the lead feature in the debut issue of the Kerrville Kronikle fanzine sometime around 1988. No serendipity […]
  • Lydia Loveless - Somewhere Else (Album Review)
    I’ve heard a lot of really unique descriptions of Lydia Loveless's new album, "Somewhere Else".  It’s always X + Y that supposedly equals a new sound.  None of them seem to capture the essence of the record for me.  On Loveless’s Facebook page, her sound is described as “Loretta Lynn and Patti Smith slamming shots at a Midwestern dive bar whil […]
  • Q and A with Miss Tess and the Talkbacks
    Miss Tess and the Talkbacks are an edgy band.  Edgy in a good way.  From song to song you never know what kind of potion the band will cook up for the listener.  They are masters at so many different styles and when all is said and done, they’re just plain awesome.  Grooving modern vintage music is what they sometimes call their genre and that’s perfect.  It […]
  • Bridie Jackson and the Arbour - New Skin (Album Review)
    Who knew that Choral flavoured Folk music could be this cool? When I first encountered Bridie Jackson and the Arbour three years ago they were like a breath of fresh air blowing across a very stale and dusty Folk music scene; and nothing has changed in the intervening years; apart from them getting better. For once it is genuinely difficult to point you to i […]
  • Blair Dunlop - House of Jacks (Album Review)
    Young folksinger finds a voice to match his impressive words Even at the tender age of 22, Blair Dunlop already has all the hallmarks of a seasoned pro: fronting the reformed and regenerated Albion Band, touring solo virtually non-stop, winning plaudits and awards for his debut album in 2012; all of which all brings us to what they call ‘the difficult second […]
  • Katie Herzig - Walk Through Walls (Album Review)
    Once upon a time, Katie Herzig wore her heart on her sleeve and wielded an acoustic guitar, both apropos of being a singer/songwriter. These days, though, she keeps company with synthesizers and drum loops. Yeah, the heart is still right there on the sleeve, but now you can groove to its beat. Herzig's new collection, Walk Through Walls, is a song cycle […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!

Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter