Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Not Fade Away - Reissue Review from Issue #44 March-April 2003

Green On Red

Self-Titled (Restless)

After relocating from Tucson in 1982, Green On Red joined the Dream Syndicate, Long Ryders, Bangles and others in a Hollywood scene soon to be dubbed the Paisley Underground. The first three releases in that era have been dusted off and reissued: 1983′s Gravity Talks arrived in January on Wounded Bird, while its self-titled 1982 EP predecessor and its follow-up, 1985′s Gas Food Lodging, are cobbled together in a February release on Restless.

While Green On Red’s compatriots were relatively quick to hone their (sometimes painfully derivative) sounds — the Dream Syndicate mined the Velvet Underground, the Long Ryders offered a Byrds/Buffalo Springfield amalgam, the Bangles did a girl-pop update of Nuggets-era garage rock — Green On Red took longer to percolate.

Their 1982 EP, issued under the guidance of the Dream Syndicate’s Steve Wynn on his Down There Records, captures what is only a semi-realized swath of lo-fi neo-psychedelia, colored mostly by Dan Stuart’s nasally, indie-flat vocals, Chris Cacavas’ keyboard swirl and the 4/4 chug of bassist Jack Waterson and drummer Alex MacNicol. Interesting and energetic, but not really there. Hearing it twenty years later, the song remains the same.

The group graduated to then-coveted Slash Records for its full-length debut, Gravity Talks, available on CD for the first time here with the extra track “Alice”. GOR also gravitated further from its hodgepodge of ’60s grooviness to more of a folk-rock style. More importantly, songs began to take on some real shape, including the raucous “Abigail’s Ghost” and the anthemic “That’s What You’re Here For”. Better playing and production helped the cause. But worthy of revisiting? Only if you want to go the distance.

However, Gas Food Lodging is the right place to start, be it again or for the first time. Originally released by Enigma in 1985 as most of GOR’s paisley compatriots had graduated to the big time — to wit: Dream Syndicate were working with longtime Blue Oyster Cult and one-time Clash producer Sandy Pearlman, the Bangles with a guy named Prince — Gas Food Lodging finds the group finally finding itself. Ample credit goes to new arrival Chuck Prophet, whose sharp and soulful fretwork pulled the band’s sound from the psychedelic ghetto into a greater multi-dimensional vein. The San Francisco transplant was also credited, according to the reissue’s liner notes, with teaching the others a thing or two about arrangements.

It shows. Gas Food Lodging is a confident, picturesque effort plucked from the Neil Young school of edgy, loose-limbed rock. Frontman Stuart compounds the comparison, coming off as Young’s younger, drunker and wider-eyed brother, complete with warbly notes perhaps not meant for the squeamish. The album is essentially a road document — “Black River” and the manic “Hair Of The Dog” consider indie-rock touring and the booze that enhances it, respectively — but its real resonance is in its sense of the restlessness and dissolution experienced by many in the Reagan era. Still, songs such as “That’s What Dreams Were Made For” and “We Shall Overcome”, the latter a cover of the famed protest song that succeeds against all odds, sound perfectly applicable again here in 2003.

That Gas Food Lodging is coupled most jarringly with the ’82 EP is a bit of an oddity — a random result of a record label having the rights to both releases but none other. While it would have made more sense for the EP to tag along instead with Gravity Talks, take it for what it is — a curious bonus that shows how far Green On Red came.

Enjoy the ND archives? Consider making a donation. Advertising helps defray our basic expenses, but doesn’t touch the over $150,000 invested to get this content online. Just $10 (or more!) from 15,000 of our fans and we will reach our goal. Thanks for your support.

Or send a check to: No Depression, PO Box 31332, Seattle, WA 98103

Discuss

Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #44 March-April 2003

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »


From the Blogs

  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]
  • CD Review - The Cash Box Kings "Black Toppin’"
    It’s 2013, and most of the blues and R&B performers who once recorded for labels like Vee-Jay, Specialty, Chess, Aladdin, Duke and Peacock have departed for hopefully happier shores. However, the music that once emanated from these vintage labels – by Larry Williams, Louis Jordan, Wynonie Harris, Gatemouth Brown, Memphis Slim, Mama Thornton, Lightnin’ Ho […]
  • CD Review - Various Artists "Music Is Love (A musical tribute to CSN&Y)"
    For what it’s worth; long may they run. Crosby, Still, Nash and Young have been a part of my musical life since my early teenage years with my brother wearing out his first copy of DÉJÀ VU on the family radiogram. Subsequently I’ve become a tireless fan of Mr. Young and adding tracks from the others to VA recordings for sunny days in the garden. So; it was w […]
  • Willie & Lukas Nelson - Just Breathe
    Last June, with what felt like a last breath of grief, my brother, sister-in-law and I drove down the Abilene Highway that runs between Dallas and Abilene, Texas. With the hot summer wind on our backs, we rolled toward a small town, Winters, where my mother’s casket waited for burial between my 46 year-old brother and 34 year-old dad. It was a lonely trip.   […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter