On his second release, Cole Guerra sounds like the third member of a pop triangle with Aimee Mann and Michael Penn. There’s the art-form moodiness of the former, the solid if occasionally stealthy hookcraft of the latter, and the moonlit symphonic sweep of both. As for the writing, instead of depicting slices of life, Guerra’s pen reveals slices of emotions; call it stream-of-subconsciousness. Even a song titled “Gina” turns out to me more psychological profile than character sketch, perhaps reflecting Guerra’s clinical psychology back-ground. J.D. Foster co-produced Scarves & Knives and plays bass, and there are contributions from Dave Schramm and drummer Steve Goulding, but it’s clearly Guerra’s show. He displays impressive confidence, even courage, whether engaging in flights of falsetto (or thereabouts) on “Left Coast Hopes” or letting the bottom drop out of the grabby “Hocus Pocus” for an oddly compelling moment of over-the-top vocalizing.
Waxed - Record Review from Issue #59 Sept-Oct 2005
Cole Guerra
Scarves & Knives (Cleave)
Enjoy the ND archives? Consider making a donation. Advertising helps defray our basic expenses, but doesn’t touch the over $150,000 invested to get this content online. Just $10 (or more!) from 15,000 of our fans and we will reach our goal. Thanks for your support.
Or send a check to: No Depression, PO Box 31332, Seattle, WA 98103
Discuss
Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.
Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.
Originally Featured in Issue #59 Sept-Oct 2005
Buy our history before it’s gone!
Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

