Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Waxed - Record Review from Issue #59 Sept-Oct 2005

Jimmie Dale Gilmore

Come On Back (Rounder)

Jimmie Dale Gilmore’s new disc begins as a tribute to the sturdiness of thirteen classic (and familiar) honky-tonk songs especially loved by his late father, most of them from the 1950s. These tunes were at times the strongest connection between the two of them, and it appears that in homing in on some of Brian Gilmore’s favorites, Jimmie Dale has located material extraordinarily right for his own unmistakable style.

Gilmore renews the Harlan Howard standard “Pick Me Up On Your Way Down” with a take that has him sound both downed enough to call from below, and resilient enough to make the cheeky request. He brings the right percentage of insolence to Jimmie Rodgers’ “Blue Yodel #9″ (“Memphis Blues”).

On restless, itchy songs from “Gotta Travel On” to “I’m Movin’ On” and even to the more exasperated “Walkin’ The Floor Over You”, he makes you see the good-natured but real dislocation in that urge for going — which is much like saying, the Jimmie Dale in them. And he’s even more strikingly at home and on-point with tunes as varied but related in their stuck in-place, world-weary resignation as “Four Walls”, “I’ll Never Get Out Of This World Alive”, and “Don’t Worry ‘Bout Me”.

This album’s interpretations make you believe that Gilmore’s knowing “Country & Eastern” flavor of fatalism has always lurked in honky-tonk. And his re-covering of Johnny Cash’s “Train Of Love” or Marty Robbins’ “Don’t Worry ‘Bout Me” clarify where the stoicism or wistfulness of earlier honky-tonk stylists is modified for new uses in his own distinctive style.

It’s been said that great art creates its own precursors. Come On Back can pass that test, and also the more important one: It’s going to get played time and time again.

Enjoy the ND archives? Consider making a donation. Advertising helps defray our basic expenses, but doesn’t touch the over $150,000 invested to get this content online. Just $10 (or more!) from 15,000 of our fans and we will reach our goal. Thanks for your support.

Or send a check to: No Depression, PO Box 31332, Seattle, WA 98103

Discuss

Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #59 Sept-Oct 2005

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »


From the Blogs

  • Enter to win a signed copy of 'Steve Earle: The Warner Bros. Years' box set
    Ever since his 1986 debut (and, in some ways, even before that), Steve Earle has been one of the most prolific and distinctive singer-songwriters on the Amerciana/alt/country/rock scene. His 15 studio albums have encompassed political protest music, bluegrass, rock and roll, Townes Van Zandt covers, and just flat-out, darn-good genre-defying music. His work […]
  • Guy Clark's "My Favorite Picture of You" is touching and topical
    By Ken Paulson Like Kris Kristofferson’s recent Feeling Mortal, Guy Clark’s  My Favorite Picture of You reflects the years. On the new album,  due July 23 on Dualtone,  Clark’s voice is softer and weathered. But if time has  taken a physical toll, it’s made the music matter more. This… […]
  • Bruce Springsteen and the E Street Band, Wembley Stadium (London, UK. June 15th 2013)
    I hate large stadium arenas but I adore Bruce Springsteen. I’m with the purists who argue that shows in such venues are much less satisfying than in smaller, intimate venues but, but, but….Springsteen is one of those artists who make a large venue seem small. For him it’s all about the music and the energy of the performance – no laser beams, no pyrotechnics […]
  • When politics met Americana in 1976
    One of the pleasures of being of a certain age is that you can literally rack up decades of seeing great musicians and attending gigs of all shapes and sizes. A recent BBC documentary about The Eagles jarred my memory about one such event in (gulp) 1976.  I was a Brit newbie in America and was taken to a political fund raiser for then (and now) California Go […]
  • Father's Day: Songs About Dad
    This is the weekend where we examine the impact great fathers have made upon history.  From the Bible, where the landscape is littered with the actions of fathers.  Who could forget the long walk Abraham and his son took in Genesis?  Adam, the first father, raised a fine bunch of stand-up children.  And what about the Big Father himself -- Jesus' daddy […]
  • Album Review: The Human Experience ft. Rising Appalachia - Soul Visions
    The Human Experience, an artist I’ve come to know much about recently, will be releasing a new album on Monday, featuring sisters Leah and Chloe Smith of Rising Appalachia. The album is called Soul Visions, and, upon listening, truly resonates as the vision of three creative souls collaborating to produce something highly elevated. David Block, the mind behi […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter