Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Waxed - Record Review from Issue #65 Sep-Oct 2006


In Concert Vol. One (Yep Roc)

Is there such a thing as distinctly Canadian music? If so, the Sadies would be among its foremost purveyors. One thing’s for sure: This eclectic band has no intention of carpetbagging in the States. The double-disc In Concert Vol. One has a conspicuously Canadian flavor. Recorded during a two-night stand in February 2006 at Lee’s Palace in Toronto, the collection offers a wide-angle view of the band, replete with special guests and a range of cover songs.

Few other outfits would have the nerve (or, for that matter, the talent) to cover the Louvin Brothers, Roger Miller, Bob Wills, the Mekons, The Band, Flat Duo Jets, and Syd Barrett-era Pink Floyd in the course of a single evening. On hand to represent the Great White North are The Band’s Garth Hudson, members of Blue Rodeo and the Deadly Snakes, and the extended Good family (parents and uncles of Sadies frontmen Dallas and Travis Good). Neko Case, Kelly Hogan, Jon Spencer, and the Jayhawks’ Gary Louris spearhead the American contingent, while Jon Langford represents England.

Travis Good is joined by Case on vocals and Hudson on accordion for a spirited reading of The Band’s “Evangeline”. Hudson joins in on keys for a romp through “Leave Me Alone”, an obscure rockabilly rave-up recorded in 1964 by the Canadian Squires, an early configuration of The Band. Case (a onetime Canadian resident) also sings her own “Hold On, Hold On” and nails a pair of lesser-known Roger Miller gems, “Home” and “Jason Fleming”. Louris contributes the Jayhawks’ “Tailspin” and helps attack Floyd’s “Lucifer Sam”.

Of course, the Sadies’ own impressive blend of sparkling surf-rock, crisp country picking, and dreamy psychedelic folk is also well-represented. Rugged, multidimensional, and full of vivid scenery, the Sadies’ music is state-of-the-art Canadiana, and their countrymen ought to be proud.

Enjoy the ND archives? Consider making a donation with PayPal or send a check to:
No Depression, 460 Bush St., San Francisco, CA 94108


Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #65 Sep-Oct 2006

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »

From the Blogs

  • No Depression Is Getting a Facelift: A Note About What's Around the Bend
    Ever since we announced that No Depression had been acquired by FreshGrass back in March, we’ve heard from many of you with questions, concerns, and ideas about the future of this website and the community that gathers here. We created a forum topic at that time so we could organize these comments and refer to them frequently, which we have done as we’ve dev […]
  • Freight Train Boogie Show #263 featuring The Duhks, Seth Walker, Jacob Thomas Jr, Amy Lavere and The Felice Brothers
    FTB Show #263 features the new album by The Duhks called Beyond the Blue. Also new music from Jacob Thomas Jr, Amy Lavere and The Felice Brothers.  Here's the direct link to listen now! Show #263… […]
  • Eric Clapton - Unplugged, 2CD+DVD (Album Review)
    Here’s a slightly unusual candidate for reissue: Eric Clapton‘s 1992 Unplugged album. To my knowledge, this massively commercially successful album has never gone out of print, which begs the question: why reissue it? To be fair, this 2014 reissue does include some bonus material. But first, let’s take a look at the original… […]
  • Getting to Know Jesse Terry -- Falcon Ridge Emerging Artist
    I first got to hear Jesse Terry at NERFA (North East Regional Folk Alliance) two years ago.  I was captivated by his songs and he had such a nice, easy rapport with his audience that it was impossible to ignore his presence at a conference full of hundreds of other singer-songwriters. One listen wasn’t enough. Two listens wasn’t enough. You get the… […]
  • Getting to Know Ashley Sofia -- Falcon Ridge Emerging Artist
    Have you ever had the feeling that a musician may have traveled through space and time during a recording project?  Music critics and fans are hailing Ashley Sofia as a 21st century reincarnation of the Laurel Canyon folk-rock sound  on the early 1970s. Ashley’s songwriting and captivating voice make for a great combination; she’s definitely worth a… […]
  • Learning Songwriting at the Feet of Steve Earle
    Steve Earle has his eye on the history books. Not for himself, necessarily - though I doubt he’d object - but for his art form, “songwriting as literature.” With Camp Copperhead, Steve seemed to be trying to secure this form a place in history. “Four days of singing and songwriting,” the marketing materials promised. “Hard core.” I’m a non-professional songw […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!

Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter