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Waxed - Record Review from Issue #68 Mar-Apr 2007

Graham Parker – Don’t Tell Columbus

Graham Parker has been unfairly tagged as an angry young man who never grew past his venom-spewing days, but over the years, he’s written and recorded some of the most tender declarations of love, some of the most earnest cries for connection, and some of the downright sweetest songs of hope. While Don’t Tell Columbus [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Mary Chapin Carpenter – The Calling

Mary Chapin Carpenter looks inward and outward on The Calling, a baker’s dozen of original songs that is her first new album in three years. At 49, she’s still on a quest for a place in the world, to borrow an earlier album title, be it on a personal, political or spiritual level. Carpenter continues [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Martha Scanlan – The West Was Burning

We’re told that this is the first solo album by Tennessee singer and songwriter Martha Scanlan, but such is the cool assurance and earthy authority of these performances, it could well be her sixth or tenth collection. Projecting a sense of isolation that is as powerful as its sense of place — the pull of [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Po’ Girl – Home To You

Po’ Girl has the same womanly (not girlish, mind you) croon of the 1920s and ’30s blues mamas — yet their music isn’t of another era, despite the banjo backing, woodsy clarinet licks and Wurlitzer. On their third album, Po’ Girl — which includes Trish Klein of the Be Good Tanyas — draws heavily on [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Last Town Chorus – Wire Waltz

Can you still be an effective chorus when you go from two members to only one? That’s the situation singer/songwriter/lap steel guitarist Megan Hickey finds herself in as she releases a second album under the name Last Town Chorus. No longer working as a duo with guitarist Nat Guy, Hickey is carrying the load almost [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Kings Of Leon – Because Of The Times

There’s a point past fatigue where non-essential functions shut down and you exist in an elemental, almost trancelike state. It’s the starting point for Kings Of Leon’s third album, and no wonder: The Followill family band spent much of the past two years on the road, headlining clubs and opening for the likes of U2 [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Spanic Boys – Sunshine

Tom and Ian Spanic, a father-son duo whose rich harmonic blend is as sweet as the Everly Brothers crying in the rain, could pull off a roots-rocking treasure such as “Honey” or “I Hear You Talking” without even breaking a sweat. And they’ve certainly mastered the fine art of coaxing the twang out of an [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Ed Pettersen – The New Punk Blues Of Ed Pettersen

It’s fair to refer to singer/songwriter/multi-instrumentalist Ed Pettersen as a journeyman, especially if you downplay any negative connotations the tag carries and emphasize the journey part. During the course of his wanderings, Pettersen has refined an appealingly straightforward writing approach, staked out comfort zones for a variety of styles, and developed winning relationships with a [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Ted Leo & The Pharmacists – Living With The Living

Ted Leo just isn’t like most other current-gen punk rockers. He understands the distinction between childish folly and youthful vigor. He knows that artistic ambition doesn’t equal cranking up the amps and hiring an orchestra. And he will likely never replace political consciousness with momentary “relevance.” On Living With The Living, Leo’s fifth album with [...]

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Waxed - Record Review from Issue #68 Mar-Apr 2007

Dolorean – You Can’t Win

Don’t be fooled by the industrial thunk ‘n’ drone mantra of the title (and lead) track. Alex James can win, and mostly does — but not by departing dramatically from the acoustic guitar and piano vignettes of 2004′s remarkable Violence In The Snowy Fields. The intermittent Wilco-esque deformations are really just interludes. This is an [...]

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From the Blogs

  • Gonzo Country: How to Write a Hit Country Song (Tractors,Trucks, Fishing, Beer and Jesus)
    Turnstyled Junkpiled's How To Write A Hit Country Song Tractors, Trucks, Fishing, Beer and Jesusby Courtney Sudbrink, Editor Many of today’s young,up-and-coming Country 
songwriters may be scratching their heads, wondering why Nashville isn’t biting. Bobby Bare once sang of the “Sure Hit Songwriter's Pen,” but unless that pen bleeds… […]
  • Interview: Singer/Songwriter Keith Betti
    For all the bittersweet twang and folksy melodies on singer/songwriter Keith Betti’s latest album,
Company Loves Misery, the ghost of George Harrison haunts the premises like no other. Harrison isn’t named-checked on Betti’s biography and nor is he mentioned on his store page.
 Nevertheless, the soaring melodies of “Found a Love” and the sunny warmth of “It’ […]
  • The Birth of British Folk Rock - 45 Years On
    It is always dangerous to claim the birth of a particular genre of music, but a case can be made that 45 years ago on May 27 there was a major delivery -- the arrival of British 
folk rock. The midwives at this event were the members of  Fairport Convention, a group that is still wildly popular among aficionados of the genre and which spawned many others fro […]
  • Stackridge, Farncombe Music Club (UK, 5/18/12)
    I first started going to live gigs in my early teens. I was underage. I lied about my date of birth so that I could become a member of Friars, a music club based in Buckinghamshire and Bedfordshire. Life membership was 25p. I still have my member’s card. Wild Turkey in June 1971 was the first live band I saw and some forty one years later I am still occupyin […]
  • Bonnie Raitt, John Prine & Tom Waits at Opryland (circa '74)
    Bonnie, Johnny & Tom Visit Opryland, USA — an interview-article by W. Conrad for Buddy Magazine (March, 1976)

 
 
Backstage and on stage at Nashville's Opryland, Ben Fong-Torres, rock journalist from 
Rolling Stone, was shadowing Bonnie Raitt, the star of the evening's attraction. In the shadows, lurking inside his cheap suit and a cloud of to […]
  • The Last Time I Saw Gram Parsons
    By Bill Conrad (His Prep School Pal)

 Summer of 1969, I was in London when I saw a flyer advertising the Byrds at Royal Albert Hall. Melody Maker, the local music news, suggested that a few Beatles and Stones might attend. That was incentive enough for me.
  The Byrds took the stage and launched into "Turn, Turn, Turn."  Other than band leader Rog […]

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