Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Hello Stranger - Editor's Note from Issue #74 March-April 2008

Hello Stranger

Dear Friends:

Barring the intercession of unknown angels, you hold in your hands the next-to-the-last edition of No Depression we will publish. It is difficult even to type those words, so please know that we have not come lightly to this decision.

In the thirteen years since we began plotting and publishing No Depression, we have taken pride not only in the quality of the work we were able to offer our readers, but in the way we insisted upon doing business. We have never inflated our numbers; we have always paid our bills (and, especially, our freelancers) on time. And we have always tried our best to tell the truth.

First things, then: If you have a subscription to ND, please know that we will do our very best to take care of you. We will be negotiating with a handful of magazines who may be interested in fulfulling your subscription. That is the best we can do under the circumstances.

Those circumstances are both complicated and painfully simple. The simple answer is that advertising revenue in this issue is 64% of what it was for our March-April issue just two years ago. We expect that number to continue to decline.

The longer answer involves not simply the well-documented and industry-wide reduction in print advertising, but the precipitous fall of the music industry. As a niche publication, ND is well insulated from reductions in, say, GM’s print advertising budget; our size meant they weren’t going to buy space in our pages, regardless.

On the other hand, because we’re a niche title we are dependent upon advertisers who have a specific reason to reach our audience. That is: record labels. We, like many of our friends and competitors, are dependent upon advertising from the community we serve. That’s how niche magazines work.

That community is, as they say, in transition. In this evolving downloadable world, what a record label is and does is all up to question. What is irrefutable is that their advertising budgets are drastically reduced, for reasons we well understand. It seems clear at this point that whatever businesses evolve to replace (or transform) record labels will have much less need to advertise in print.

The decline of brick and mortar music retail means we have fewer newsstands on which to sell our magazine, and small labels have fewer venues that might embrace and hand-sell their music. Ditto for independent bookstores. Paper manufacturers have consolidated and begun closing mills to cut production; we’ve been told to expect three price increases in 2008. Last year there was a shift in postal regulations, written by and for big publishers, which shifted costs down to smaller publishers whose economies of scale are unable to take advantage of advanced sorting techniques.

Then there’s the economy…

The cumulative toll of those forces makes it increasingly difficult for all small magazines to survive. Whatever the potentials of the web, it cannot be good for our democracy to see independent voices further marginalized. But that’s what’s happening. The big money on the web is being made, not surprisingly, primarily by big businesses.

ND has never been a big business. It was started with a $2,000 loan from Peter’s savings account (the only monetary investment ever provided, or sought by, the magazine). We have five more or less full-time employees, including we three who own the business. We have always worked from spare bedrooms and drawn what seemed modest salaries.

What makes this especially painful and particularly frustrating is that our readership has not significantly declined, our newsstand sell-through remains among the best in our portion of the industry, and our passion for and pleasure in the music has in no way diminished. We still have shelves full of first-rate music we’d love to tell you about.

And we have taken great pride in being one of the last bastions of the long-form article, despite the received wisdom throughout publishing that shorter is better. We were particularly gratified to be nominated for our third Utne award last year.

Our cards are now on the table.

Though we will do this at greater length next issue, we should like particularly to thank the advertisers who have stuck with us these many years; the many writers, illustrators, and photographers who have worked for far less than they’re worth; and our readers: You.

Thank you all. It has been our great joy to serve you.

Enjoy the ND archives? Consider making a donation. Advertising helps defray our basic expenses, but doesn’t touch the over $150,000 invested to get this content online. Just $10 (or more!) from 15,000 of our fans and we will reach our goal. Thanks for your support.

Or send a check to: No Depression, PO Box 31332, Seattle, WA 98103

Discuss

Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #74 March-April 2008

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »


From the Blogs

  • Interview: Kurt Marschke of Deadstring Brothers on "Cannery Row"
    In the spring of 2012, two years since his move to Nashville from Detroit, Kurt Marschke connected with another Motor City transplant, JD Mack (formerly of Whitey Morgan & the 78s). After searching for new musical blood to make a new record with, Kurt and JD partnered up with Brad Pemberton (Ryan Adams & The Cardinals), Mike Webb (Poco), Pete Finney […]
  • Wakarusa 2013: Just a Week Away!
    As you can imagine, I am getting very excited for Wakarusa. I would like to say thank you again to No Depression for making this adventure possible. I cannot wait to share my experiences with all of you. As the final countdown begins, I am hard at work researching and preparing so I can bring you the best coverage of the event. Through this process, I have s […]
  • CD Review - I See Hawks in L.A. "Mystery Drug"
    Cinematic and atmospheric Alt-Country After nearly 50 years as a music fan and 15 as a reviewer I still get excited about discovering new bands and having my breath taken away by songs and tunes that I’ve not heard before. I was aware of I See Hawks in L.A. but only owned 3 tracks on VA compilations when this album arrived, so was only mildly interested at t […]
  • CD Review - John Reischman "Walk Along John"
    As a west coast Canadian, bluegrass has always seemed like an exotic musical form.  When I hear it, I think of mountains, forests, rivers, and a rural lifestyle that has long past and gone.  Artists like Ralph Stanley and the Monroe Brothers loom like Biblical characters in my imagination, leathery, rugged and indisputably American. In the same way that I al […]
  • CD/DVD Review - Leonard Cohen "Live At The Isle Of Wight"
    Good new for those awaiting the release of more old Leonard Cohen from the days when he was still depressed and very much on the edge. In 2009, a CD/DVD package was released on Columbia of a concert that took place on The Isle Of Wight for the English version of Woodstock in 1970. Both the CD & DVD are complete with many charming Leonard songs from his s […]
  • An Interview with Bahhaj Taherzadeh of We/Or/Me
    We/Or/Me is Bahhaj Taherzadeh, a Chicago-based, Irish-born artist whose music has quietly and gradually been attracting the attention of critics over recent years. Jon Martin calls it “the soundtrack to your most quiet moments”, Sean Michaels says, it's a salve and a peace, and Robin Hilton at NPR has been a consistent advocate of the “wise and slightly […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter