Jump to Content

Waxed - Record Review from Issue #75 May-June 2008

Drunk Stuntmen

State Fair (self-released)

This quintet’s name always takes me back to 1979 and a friend’s house out by the airport. His single-parent dad was often on the road, meaning plenty of parties. Those nights would inevitably end with a bunch of guys deeply under the influence of $1.29 six-packs of Genny White Death pretending to be Burt Reynolds in Hooper. The main prop was a sofa that came to be known as the stunt couch, and the combination of beer and dramatic tumbles left us dazed and confused.

Guess it’s fitting that the latest disc from the Drunk Stuntmen can leave you a little disoriented. For starters, three of the first four cuts abruptly change tempo mid-song, and throughout there are more Brian May-like guitar solos and prog-rock-keyboard echoes than one would expect from a band with a rockabilly/country-rock reputation and moniker. Roots rock, in fact, doesn’t show up until song five, the Go To Blazes-ish “Silver City.

Other dizzying curves come in the form of “Still My Baby” and “Find You”, a winning pair that can only be described as power ballads Stuntmen-style, and the title track, a winding yet winsome instrumental. Then there’s the comical incongruity between the affection and wistfulness found in some of the words (most notably on “Halcyon Days”, a co-highlight along with the expert pop-rocker “Underground”) and this sentiment from the twangy romp “Buy Your Love”: “I give you all my money, all my drugs/And 100 dollar bills instead of kisses and hugs.”

All told, it’s an entertaining 45-minute walk down the mind’s midway, equal parts intriguing and perplexing. You also get the feeling the songs would be even more entertaining when presented live and rowdier — ideally with a couple beers under your belt and the threat of a concussion.

Enjoy the ND archives? Consider making a donation. Advertising helps defray our basic expenses, but doesn’t touch the over $150,000 invested to get this content online. Just $10 (or more!) from 15,000 of our fans and we will reach our goal. Thanks for your support.

Or send a check to: No Depression, PO Box 31332, Seattle, WA 98103

Discuss

Did you enjoy this article? Start a discussion about it, or find out what others are saying in the No Depression Community forum.

Join the Discussion »

Find out what's going on in roots music. Share concert photos and videos, learn about new artists, blog about the music you love.

Join the No Depression Community »

Originally Featured in Issue #75 May-June 2008

Buy our history before it’s gone!

Each issue is artfully designed and packed full of great photos that you don‘t get online. Visit the No Depression store to own a piece of history.

Visit the No Depression Store »


From the Blogs

  • Gonzo Country: How to Write a Hit Country Song (Tractors,Trucks, Fishing, Beer and Jesus)
    Turnstyled Junkpiled's How To Write A Hit Country Song Tractors, Trucks, Fishing, Beer and Jesusby Courtney Sudbrink, Editor Many of today’s young,up-and-coming Country 
songwriters may be scratching their heads, wondering why Nashville isn’t biting. Bobby Bare once sang of the “Sure Hit Songwriter's Pen,” but unless that pen bleeds… […]
  • Interview: Singer/Songwriter Keith Betti
    For all the bittersweet twang and folksy melodies on singer/songwriter Keith Betti’s latest album,
Company Loves Misery, the ghost of George Harrison haunts the premises like no other. Harrison isn’t named-checked on Betti’s biography and nor is he mentioned on his store page.
 Nevertheless, the soaring melodies of “Found a Love” and the sunny warmth of “It’ […]
  • The Birth of British Folk Rock - 45 Years On
    It is always dangerous to claim the birth of a particular genre of music, but a case can be made that 45 years ago on May 27 there was a major delivery -- the arrival of British 
folk rock. The midwives at this event were the members of  Fairport Convention, a group that is still wildly popular among aficionados of the genre and which spawned many others fro […]
  • Stackridge, Farncombe Music Club (UK, 5/18/12)
    I first started going to live gigs in my early teens. I was underage. I lied about my date of birth so that I could become a member of Friars, a music club based in Buckinghamshire and Bedfordshire. Life membership was 25p. I still have my member’s card. Wild Turkey in June 1971 was the first live band I saw and some forty one years later I am still occupyin […]
  • Bonnie Raitt, John Prine & Tom Waits at Opryland (circa '74)
    Bonnie, Johnny & Tom Visit Opryland, USA — an interview-article by W. Conrad for Buddy Magazine (March, 1976)

 
 
Backstage and on stage at Nashville's Opryland, Ben Fong-Torres, rock journalist from 
Rolling Stone, was shadowing Bonnie Raitt, the star of the evening's attraction. In the shadows, lurking inside his cheap suit and a cloud of to […]
  • The Last Time I Saw Gram Parsons
    By Bill Conrad (His Prep School Pal)

 Summer of 1969, I was in London when I saw a flyer advertising the Byrds at Royal Albert Hall. Melody Maker, the local music news, suggested that a few Beatles and Stones might attend. That was incentive enough for me.
  The Byrds took the stage and launched into "Turn, Turn, Turn."  Other than band leader Rog […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter