Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Artist: Avett Brothers

Live Reviews from web archive January 4, 2009

Avett Brothers

The Avett Brothers find themselves in an unusual situation at the dawning of 2009. Much of the country has just been through an extraordinarily difficult year. The music industry is morphing into an entirely different animal, with the value of recorded works continuing its spectacular nosedive toward zero. The Concord, North Carolina, band has strong [...]

Read More…

The Long Way Around - Feature from Issue #74 March-April 2008

Various Artists – Tradition in transition

It’s Saturday morning at Merlefest in late April 2007, and the main stage is a whirlwind of rapid-fire musical collaborations. Leonard Podolak of Canadian string band the Duhks is playing ringmaster to what has been billed the “New Generation Super Jam” — an hour-and-a-half free-for-all featuring members of the Duhks, Uncle Earl, the Infamous Stringdusters [...]

Read More…

The Long Way Around - Feature from Issue #69 May-June 2007

Avett Brothers – Sing out!

It all starts, and ends, with the voices. Shorthand attempts to classify the Avett Brothers usually go something along the lines of “punk bluegrass” or “thrash folk” or “high-energy hillbilly.” None of which are necessarily improper; Scott and Seth Avett will be the first to acknowledge their debt to ’90s grunge, even as they take [...]

Read More…

Waxed - Record Review from Issue #67 Jan-Feb 2007

Avett Brothers – The Gleam

A six-song postscript to their recent long-player Four Thieves Gone, this EP shows only the softer side of the fast-rising North Carolina acoustic trio, but to splendid effect. While in concert the Avetts catch fire largely on the spark of their more strident and fiery stompers, they also clearly have an affinity for ballads. The [...]

Read More…

The Long Way Around - Feature from Issue #62 Mar-Apr 2006

The Avett Brothers – Blast from the grass

One year, just before the International Bluegrass Music Association left Louisville’s Galt House hotel complex for Nashville, the Avett Brothers were invited to join the festivities. “For three or four days the hotel is bluegrass central,” remembers bassist Bob Crawford. “It’s really fun, just a big party. So one day we decided to set up [...]

Read More…

Waxed - Record Review from Issue #57 May-June 2005

Avett Brothers – Live, Volume 2

Creating an original sound in Americana is not easily accomplished, but that’s what the Avett Brothers have done. The band’s music is not quite bluegrass, not quite country and not quite rock, but it combines elements of each to form an all-acoustic hybrid. Though the Avetts have made impressive studio albums over the last few [...]

Read More…

Town and Country - Shorter Artist Feature from Issue #52 July-Aug 2004

Avett Brothers – Raggedy Righteousness

“Screaming my lungs out with nothing to say.” So goes the key line of “Please Pardon Yourself”, a song of almost palpable yearning and hope from the Avett Brothers’ new album Mignonette. I’ll give them the first part of that lyric: The trio’s harmonies do involve a certain degree of hollering, much more so than [...]

Read More…

Miked - Live Reviews from Issue #47 Sept-Oct 2003

Martin Stephenson / Avett Brothers – Riverside House Concert (Durham, NC)

On this night, Martin Stephenson didn’t choose to play his lovely song “We Are Storm” from 1990′s Pete Anderson-produced (and recently reissued) Salutation Road, but it would have fit. Courtesy of the format for this house concert, which found the North Carolina’s Avett Brothers playing between Stephenson’s two sets, he and his guitar-playing, dobro-dabbling accompanist [...]

Read More…

Waxed - Record Review from Issue #46 July-Aug 2003

Avett Brothers – A Carolina Jubilee

On this live-wire debut, the work of Seth and Scott Avett and their standup-bass-playing friend, Bob Crawford, exudes much of the same exhilarating sense of discovery that characterized Uncle Tupelo’s March 16-20, 1992 and the Gourds’ Dem’s Good Beeble. It’s as if the Concord, North Carolina, group stumbled upon a stack of recordings from fellow [...]

Read More…

From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter