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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Bill Frisell

Miked - Live Reviews from Issue #75 May-June 2008

Bill Frisell’s Disfarmer Project – Duke University (Durham, NC)

Those rough-hewn faces…that rolling river of sound… For a still-evolving enterprise, Bill Frisell’s Disfarmer Project displayed a mighty solid foundation at Duke University. Inspired by the unconventional portrait photography of Mark Disfarmer, Frisell’s music was designed to illuminate a set of early 20th-century images, effectively making the case for their timeless quality. Frisell and company [...]

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The Long Way Around - Feature from Issue #43 Jan-Feb 2003

Bill Frisell – A new intersection at the crossroads

When people talk about alternative-country, they usually mean country music that’s been influenced by rock ‘n’ roll. Similarly, when folks use the term jazz-fusion, they usually mean jazz that borrows from rock. But there’s another kind of alternative-country and another kind of jazz-fusion that bring together American rural music and improvisation — and this country-jazz [...]

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Waxed - Record Review from Issue #41 Sept-Oct 2002

Bill Frisell – The Willies

The Willies would have been the ideal title for a Bill Frisell album years ago, when his dark and brooding work refused to sit still for stylistic typecastings. Frisell still performs with a diverse array of musicians, but increasingly his newer albums are of a piece; not quite jazz, not quite country, appealing major-key slices [...]

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Waxed - Record Review from Issue #26 March-April 2000

Bill Frisell – Ghost Town

Bill Frisell’s Ghost Town is not a desolate place where hopes blow around like tumbleweeds and memories have dried to dust, but a lyrical Utopia where the one-of-a-kind guitarist can indulge his love of glowing heartland melodies in splendid isolation. Taking a break from the illustrious crossover bands with which he has traveled through Nashville [...]

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The Long Way Around - Feature from Issue #25 Jan-Feb 2000

Bill Frisell – The Places Where There Are Connections

One might not be too surprised to learn that Danny Barnes of the Bad Livers has given guitar lessons to someone who once gave lessons to Lucinda Williams’ ace guitarist Kenny Vaughan — but few would fathom that the “someone” in the middle of that equation would be Bill Frisell, one of the most renowned [...]

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Waxed - Record Review from Issue #10 July-Aug 1997

Bill Frisell – Nashville

Bill Frisell is a guitar genius. Any of his multitude of collaborators — from John Zorn and Arto Lindsay to Elvis Costello and Marianne Faithfull — can attest to that. What’s becoming increasingly clear, though, is that he is also a brilliant composer. A bona fide American original, Frisell has found kindred spirits in the [...]

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From the Blogs

  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]
  • Crowd-sourcing to crowd-pleasing: The rise of Kat Edmonson
    If Kat Edmonson ever becomes a household name, she can put it down not just to her talent as a jazz singer, but to some decidedly modern financing as well. The 29-year-old Texan, an old-school chanteuse with a contemporary lilt, has funded production of her second album via a community workshop and through… […]
  • When to get your ass saved and when to drown
    How does the co-writing song process differ from the alone songwriting process you just wrote about? Co-writing is quite different from writing alone. When I'm working on something alone I have complete freedom. Freedom to experiment, to make mistakes, to try things I'm quite sure won't work and the freedom to reconstruct whatever has come bef […]
  • CD Review - Fiddleworms "See The Light"
    The ambitious new album See The Light, from Alabama quintet Fiddleworms is a cavalcade of styles with literally a parade of guest musicians including the University of North Alabama marching Band. The eleven original tracks are interspersed with snippets of radio sound effects and spoken word segments that flow from jazzy blues to stomping country rock fusio […]
  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]

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