Jump to Content

Artist: Blackie & The Rodeo Kings

Record Review from web archive March 22, 2009

Blackie & the Rodeo Kings

Is it permissible to have a mulligan in music? In casual golf, if you miss a shot you sometimes get a do-over, known as a mulligan. I ask because in September 2004 I said this about Blackie & the Rodeo Kings in The Washington Post: “. . . a band that was never intended to [...]

Read More…

Column from web archive February 25, 2009

A Rodeo King embraces his inner Lee Harvey Osmond

Last summer, a series of odd videos began circulating around the internet. They were shot against nondescript backgrounds around Hamilton, Ontario, and featured a hirsute guitarist in a lime green disco suit frozen in frame, with a hyperkinetic young man nearby dancing furiously to some soulful, groovy, dark music. The clips were attributed to Lee [...]

Read More…

Town and Country - Shorter Artist Feature from Issue #72 Nov-Dec 2007

Blackie & The Rodeo Kings – Getting their kicks on Highway 6

To that list of storied musical roads — Route 66, Highway 61, Broadway — Blackie & the Rodeo Kings’ Tom Wilson wants to add Highway 6. It’s a less-heralded stretch of blacktop that knifes through southern Ontario and, according to Wilson, should properly cut an even bigger swath through cultural history. “When I think of [...]

Read More…

Waxed - Record Review from Issue #51 May-June 2004

Blackie & The Rodeo Kings – Bark

Blackie & the Rodeo Kings formed from a love for the songs of William P. Bennett. After its 1996 tribute to Bennett, High Or Hurtin’, the Canadian band has periodically reunited on the sturdy foundation of songs that still owe something to Bennett’s hard-won provincial wisdom, no matter who wrote them. The group’s third album, [...]

Read More…

Waxed - Record Review from Issue #7 Jan-Feb 1997

Blackie & The Rodeo Kings – High Or Hurtin’

Much of country music is about landscape and travel, the road serving as a metaphor for the ups and downs of life. And if a country song is not about movin’ on down the road, it’s likely about hanging around honky-tonks. High Or Hurtin’ speaks the language of both the road and the honky-tonk in [...]

Read More…

From the Blogs

  • Gonzo Country: How to Write a Hit Country Song (Tractors,Trucks, Fishing, Beer and Jesus)
    Turnstyled Junkpiled's How To Write A Hit Country Song Tractors, Trucks, Fishing, Beer and Jesusby Courtney Sudbrink, Editor Many of today’s young,up-and-coming Country 
songwriters may be scratching their heads, wondering why Nashville isn’t biting. Bobby Bare once sang of the “Sure Hit Songwriter's Pen,” but unless that pen bleeds… […]
  • Interview: Singer/Songwriter Keith Betti
    For all the bittersweet twang and folksy melodies on singer/songwriter Keith Betti’s latest album,
Company Loves Misery, the ghost of George Harrison haunts the premises like no other. Harrison isn’t named-checked on Betti’s biography and nor is he mentioned on his store page.
 Nevertheless, the soaring melodies of “Found a Love” and the sunny warmth of “It’ […]
  • The Birth of British Folk Rock - 45 Years On
    It is always dangerous to claim the birth of a particular genre of music, but a case can be made that 45 years ago on May 27 there was a major delivery -- the arrival of British 
folk rock. The midwives at this event were the members of  Fairport Convention, a group that is still wildly popular among aficionados of the genre and which spawned many others fro […]
  • Stackridge, Farncombe Music Club (UK, 5/18/12)
    I first started going to live gigs in my early teens. I was underage. I lied about my date of birth so that I could become a member of Friars, a music club based in Buckinghamshire and Bedfordshire. Life membership was 25p. I still have my member’s card. Wild Turkey in June 1971 was the first live band I saw and some forty one years later I am still occupyin […]
  • Bonnie Raitt, John Prine & Tom Waits at Opryland (circa '74)
    Bonnie, Johnny & Tom Visit Opryland, USA — an interview-article by W. Conrad for Buddy Magazine (March, 1976)

 
 
Backstage and on stage at Nashville's Opryland, Ben Fong-Torres, rock journalist from 
Rolling Stone, was shadowing Bonnie Raitt, the star of the evening's attraction. In the shadows, lurking inside his cheap suit and a cloud of to […]
  • The Last Time I Saw Gram Parsons
    By Bill Conrad (His Prep School Pal)

 Summer of 1969, I was in London when I saw a flyer advertising the Byrds at Royal Albert Hall. Melody Maker, the local music news, suggested that a few Beatles and Stones might attend. That was incentive enough for me.
  The Byrds took the stage and launched into "Turn, Turn, Turn."  Other than band leader Rog […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter