Artist: Blackie & The Rodeo Kings
Record Review from web archive March 22, 2009
Blackie & the Rodeo Kings
Is it permissible to have a mulligan in music? In casual golf, if you miss a shot you sometimes get a do-over, known as a mulligan. I ask because in September 2004 I said this about Blackie & the Rodeo Kings in The Washington Post: “. . . a band that was never intended to [...]
Column from web archive February 25, 2009
A Rodeo King embraces his inner Lee Harvey Osmond
Last summer, a series of odd videos began circulating around the internet. They were shot against nondescript backgrounds around Hamilton, Ontario, and featured a hirsute guitarist in a lime green disco suit frozen in frame, with a hyperkinetic young man nearby dancing furiously to some soulful, groovy, dark music. The clips were attributed to Lee [...]
Town and Country - Shorter Artist Feature from Issue #72 Nov-Dec 2007
Blackie & The Rodeo Kings – Getting their kicks on Highway 6
To that list of storied musical roads — Route 66, Highway 61, Broadway — Blackie & the Rodeo Kings’ Tom Wilson wants to add Highway 6. It’s a less-heralded stretch of blacktop that knifes through southern Ontario and, according to Wilson, should properly cut an even bigger swath through cultural history. “When I think of [...]
Waxed - Record Review from Issue #51 May-June 2004
Blackie & The Rodeo Kings – Bark
Blackie & the Rodeo Kings formed from a love for the songs of William P. Bennett. After its 1996 tribute to Bennett, High Or Hurtin’, the Canadian band has periodically reunited on the sturdy foundation of songs that still owe something to Bennett’s hard-won provincial wisdom, no matter who wrote them. The group’s third album, [...]
Waxed - Record Review from Issue #7 Jan-Feb 1997
Blackie & The Rodeo Kings – High Or Hurtin’
Much of country music is about landscape and travel, the road serving as a metaphor for the ups and downs of life. And if a country song is not about movin’ on down the road, it’s likely about hanging around honky-tonks. High Or Hurtin’ speaks the language of both the road and the honky-tonk in [...]
