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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Blue Rodeo

Waxed - Record Review from Issue #73 Jan-Feb 2008

Blue Rodeo – Small Miracles

Greg Keelor and Jim Cuddy, the Lennon & McCartney of Canadian roots-rock, have been writing and performing together for 25 years. While there’s nothing to indicate that Small Miracles represents the end of the road, it does feel like it was written from a vantage point where that end is visible. References to mortality and [...]

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The Long Way Around - Feature from Issue #60 Nov-Dec 2005

Blue Rodeo – On the way to everywhere

“Just when it seems like it’s absolutely pointless and useless to continue, there’s that little glimmer of the eternal that shines through and you realize that you’re going to make it through this thing.” The sticker continues to hang tough on my copy of Blue Rodeo’s Lost Together even though it’s been thirteen years since [...]

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Miked - Live Reviews from Issue #48 Nov-Dec 2003

Blue Rodeo / Oh Susanna – Cat’s Cradle (Carrboro, NC)

For a number of years, the names Graham Parker, Alejandro Escovedo, and Blue Rodeo were at the top of the list of solo artists and bands I’d long admired but had never seen perform. However, since 1997 I’ve caught Parker three times and Escovedo at least a half dozen, but until this calm September night, [...]

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Waxed - Record Review from Issue #46 July-Aug 2003

Blue Rodeo – Palace Of Gold

Consistency is a strange quality — so esteemed in some careers (say, designated hitters or stock portfolio managers) and so undervalued in music. Artists who achieve creative summits or tumble into the bad record abyss are inclined to snatch our attention, for better or worse. Meanwhile, acts that reliably, quietly deliver quality work without the [...]

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Miked - Live Reviews from Issue #33 May-June 2001

Blue Rodeo – Bowery Ballroom (New York City, NY)

Blue Rodeo hits the Bowery Ballroom stage with the jagged aura of a group that has bussed all over the U.S. in recent months (supporting their latest album, The Days In Between), sweeping into New York City on the back of a formidable Nor’Easter. Even the typically sunny Jim Cuddy carries himself with more gravity [...]

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Waxed - Record Review from Issue #29 Sept-Oct 2000

Blue Rodeo – The Days In Between

Toronto’s Blue Rodeo was hailed as a promising young roots-conscious rock band early in its career, but more than a decade later, they’ve yet to make any major dent in the U.S. (though they were one of Canada’s biggest-selling bands of the 1990s). This is perhaps partially because of their clockwork-like modus operandi: Release a [...]

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Miked - Live Reviews from Issue #25 Jan-Feb 2000

Blue Rodeo / Sadies – Schubas (Chicago, IL)

The sub-genre might be called Americana, but would it exist without Canadians? Not as we know it anyway — consider the contributions of Great White Northerners Neil Young and (most of) The Band. Maybe it should be “North Americana.” Fans of Toronto’s Blue Rodeo, who’ve long fretted over the band’s failure to garner a stateside [...]

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The Long Way Around - Feature from Issue #11 Sept-Oct 1997

Blue Rodeo – Beyond the blues

It’s a predictable ending for Tremolo, a seven-minute song titled “Frog’s Lullaby” that slowly, quietly fades-to-black the hour-long musical excursion that preceded it. Such conclusions have been a trademark of most Blue Rodeo records, so you almost come to expect such a denouement, letting you go gentle into that good night. Twenty seconds later, an [...]

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Waxed - Record Review from Issue #2 Winter 1995

Blue Rodeo – Nowhere to Here

On Blue Rodeo’s Five Days In July album of a couple years back, the band consistently produced track after track of terrific country-flavored rock ‘n’ roll. A very successful, very talented quintet with platinum sales in their Canadian homeland, they’ve been trying to crack the States now for nearly a decade, issuing five albums that [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]

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