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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: BR549

Waxed - Record Review from Issue #61 Jan-Feb 2006

BR549 – Dog Days

You knew a band as seasoned as BR549 would recover from another lineup change without missing a beat, and sure enough, Dog Days, produced by John Keane, picks up where 2004′s Tangled In The Pines left off despite the departure of guitarist Chris Scruggs and bassist Geoff Firebaugh (who themselves were replacements). Principal songwriters Chuck [...]

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The Long Way Around - Feature from Issue #50 March-April 2004

BR549 – Back to Broadway

BR549 found its future by returning to its past. Forced to reconsider the band’s prospects when two key members departed at the end of 2001, the remaining members of BR549 put things on hold instead of hanging it up. Rumors circulated that the band was finished, and no one involved corrected or confirmed them. “We [...]

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Waxed - Record Review from Issue #44 March-April 2003

BR549 – Temporarily Disconnected

Don’t let the title fool you. On its first release with a new lineup, BR549 is connected as strongly as ever with the honky-tonk sound of yesteryear. The three originals and two covers that make up this EP showcase the band’s shift away from the more slick production of their recent recordings and toward a [...]

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Miked - Live Reviews from Issue #42 Nov-Dec 2002

BR549 – Johnny D.’s (Somerville, MA)

The dilemma facing BR549 is a credibility problem: With two original members gone, can this be considered the same group? Taking the stage at Johnny D.’s with Chris Scruggs (yes, he’s related) replacing founding partner Gary Bennett on guitar and vocals, and Jeff Firebaugh taking the place of Smilin’ Jay McDowell on slap bass, BR549 [...]

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Waxed - Record Review from Issue #34 July-Aug 2001

BR549 – This Is BR549

On May 17, the day of its grand reopening in a stunning new building, I toured the Country Music Hall of Fame and Museum in Nashville, Tennessee. There’s much to quibble with inside regarding omissions and emphases, but maybe that’s just how it is when you’re dealing with something as rich and varied as country [...]

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The Long Way Around - Feature from Issue #16 July-Aug 1998

BR5-49 – Touch Acts To Follow

It’s the eve of a stormy Memorial Day weekend, high in the Clinch Mountains of Southwestern Virginia. Jimmy Martin’s enormous green tour bus has just barged its way up the winding road to Ralph Stanley’s Hills of Home park, a rough and tumble campground, surrounded by lush, knobby hills and weathered chain link. Hand-painted plywood [...]

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Miked - Live Reviews from Issue #8 March-April 1997

BR5-49 – Johnny D’s (Boston, MA)

I always jokingly refer to Boston as the alternative-country capital of the United States. You see, we don’t have much of that hip twang up here. We’ve got a lot of alternative rock, hardcore, folk (boy, do we have folk — yawn), and even some good bluegrass. What we don’t have is the grange. The [...]

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Waxed - Record Review from Issue #5 Sept-Oct 1996

BR5-49 – Self-Titled

By now you’ve probably seen the hype about this Nashville band, everywhere from CMJ (College Music Journal) to JCM (Journal Of Country Music). When I heard Live At Robert’s, an EP the band released earlier this year, I was a little put off: They had that great Johnny Horton honky-tonk sound down cold, but the [...]

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Waxed - Record Review from Issue #4 Summer 1996

BR5-49 – Live from Robert’s (EP)

All kinds of ink has been spilled recently heralding this Nashville combo as a welcome return to a time when country music could be found in its rawest and purest form — and totally line-dance free. And after listening to the band’s debut, Live At Robert’s, there’s no questioning the members’ passionate reverence for the [...]

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Town and Country - Shorter Artist Feature from Issue #3 Spring 1996

BR5-49 – Honky-tonk heroes of the western world

In the shadow of the new metroplex behemoth (what one distinguished local has dubbed “Y’all Hall”) emerging from a block-wide hole lies a serious strip of American music history. Known as Lower Broad, this is where giants once walked among us, stomping on the terra from the back door of the Opry to Tootsie’s World [...]

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From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

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