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Artist: Buddy & Julie Miller

Record Review from web archive March 11, 2009

Buddy & Julie Miller

[Editor's note: The following review appears in No Depression #77, the second in a series of "bookazines" edited by Grant Alden and Peter Blackstock and published by University of Texas Press. The bookazine can be ordered here.] When news began trickling out that the next Buddy Miller album — the first since 2004′s widely acclaimed [...]

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Column from web archive January 22, 2009

What else is new in ’09

Nine (Musical) Things That Will Almost Certainly Not Disappoint You In 2009: Besides the whole Obama-is-President thing, it turns out there’s a lot to look forward to this year, like a host of new releases. What follows is a very subjective list of potential highlights, but please bear in mind: Many of release dates are [...]

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Waxed - Record Review from Issue #36 Nov-Dec 2001

Buddy & Julie Miller – Self-Titled

Frame of reference is the conundrum of alternative country, this loose grouping of artists simultaneously celebrated as radically ahead of the times and dismissed as studied anachronism. That issue really hit home for me with the first album billed equally to Buddy & Julie Miller. By “hit home,” I mean literally, for it was plain [...]

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The Long Way Around - Feature from Issue #23 Sept-Oct 1999

Buddy Miller – Hearts on fire

Our hearts are restless until they find their rest in thee. – St. Augustine How many times have you read a record review with the word “longing” in it? “The longing in her voice was palpable.” “Few write with such longing.” “On this wrenching ode to longing and loss, blah, blah, blah.” The word is [...]

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Miked - Live Reviews from Issue #20 March-April 1999

Buddy & Julie Miller / Cry Cry Cry – Theatre Cedar Rapids (Cedar Rapids, IA)

A crowd of just over 500 braved the bracing cold to pack the lavishly restored Theatre Cedar Rapids, a two-tiered, turn-of-the-century wedding cake of a room newly available to concert performances. Unfortunately, the steep pitch of the aisles dictates a theater policy of not seating people once the house lights have dimmed, so a handful [...]

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Miked - Live Reviews from Issue #17 Sept-Oct 1998

Buddy & Julie Miller / Peter Case – Kentucky Folk Festival (Bardstown, KY)

“We’re in D, Buddy — we’re playing in D,” Peter Case hollered between songs from the sidestage where he was playing over to the mainstage, where Buddy & Julie Miller were performing at the same time. “We send this song out to Peter Case,” came the playing-along response from Julie Miller. It was a surreal [...]

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Miked - Live Reviews from Issue #14 March-April 1998

Steve Earle / Buddy & Julie Miller – The Phoenix (Toronto, Ontario)

As dramatic spectacles go, it would be hard to top the opening moments of Steve Earle’s Toronto stop on the El Corazon tour. At 9 p.m. EST, U.S. President Bill Clinton was before Congress, delivering a State Of The Union address and fighting for his political life. At that same moment, Earle was onstage at [...]

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From the Blogs

  • Gonzo Country: How to Write a Hit Country Song (Tractors,Trucks, Fishing, Beer and Jesus)
    Turnstyled Junkpiled's How To Write A Hit Country Song Tractors, Trucks, Fishing, Beer and Jesusby Courtney Sudbrink, Editor Many of today’s young,up-and-coming Country 
songwriters may be scratching their heads, wondering why Nashville isn’t biting. Bobby Bare once sang of the “Sure Hit Songwriter's Pen,” but unless that pen bleeds… […]
  • Interview: Singer/Songwriter Keith Betti
    For all the bittersweet twang and folksy melodies on singer/songwriter Keith Betti’s latest album,
Company Loves Misery, the ghost of George Harrison haunts the premises like no other. Harrison isn’t named-checked on Betti’s biography and nor is he mentioned on his store page.
 Nevertheless, the soaring melodies of “Found a Love” and the sunny warmth of “It’ […]
  • The Birth of British Folk Rock - 45 Years On
    It is always dangerous to claim the birth of a particular genre of music, but a case can be made that 45 years ago on May 27 there was a major delivery -- the arrival of British 
folk rock. The midwives at this event were the members of  Fairport Convention, a group that is still wildly popular among aficionados of the genre and which spawned many others fro […]
  • Stackridge, Farncombe Music Club (UK, 5/18/12)
    I first started going to live gigs in my early teens. I was underage. I lied about my date of birth so that I could become a member of Friars, a music club based in Buckinghamshire and Bedfordshire. Life membership was 25p. I still have my member’s card. Wild Turkey in June 1971 was the first live band I saw and some forty one years later I am still occupyin […]
  • Bonnie Raitt, John Prine & Tom Waits at Opryland (circa '74)
    Bonnie, Johnny & Tom Visit Opryland, USA — an interview-article by W. Conrad for Buddy Magazine (March, 1976)

 
 
Backstage and on stage at Nashville's Opryland, Ben Fong-Torres, rock journalist from 
Rolling Stone, was shadowing Bonnie Raitt, the star of the evening's attraction. In the shadows, lurking inside his cheap suit and a cloud of to […]
  • The Last Time I Saw Gram Parsons
    By Bill Conrad (His Prep School Pal)

 Summer of 1969, I was in London when I saw a flyer advertising the Byrds at Royal Albert Hall. Melody Maker, the local music news, suggested that a few Beatles and Stones might attend. That was incentive enough for me.
  The Byrds took the stage and launched into "Turn, Turn, Turn."  Other than band leader Rog […]

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