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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Clarence "Gatemouth" Brown

Not Fade Away - Reissue Review from Issue #65 Sep-Oct 2006

Clarence “Gatemouth” Brown – Down South In The Bayou Country

The 1960s were unkind to Gatemouth Brown. The blues being revived weren’t his kind of big-band postwar boogie, and a brief stay in Nashville confirmed only that the door had been closed right behind Charley Pride. So he settled first in Bogotá, Colombia; then Denver, Colorado; and then, improbably, as a sheriff in Farmington, New [...]

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Farther Along - Obituary from Issue #60 Nov-Dec 2005

Clarence “Gatemouth” Brown: 1924 to 2005

This magazine exists largely to draw attention to undervalued artists, and yet in ten years we have managed to devote only one feature and a few small reviews to Gatemouth Brown, who died September 10 at age 81. He should have been on our cover at some point, and I am ashamed that it never [...]

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Waxed - Record Review from Issue #54 Nov-Dec 2004

Clarence “Gatemouth” Brown – Timeless

The first time I saw Clarence “Gatemouth” Brown play live some years back, I was amused to see him puffing away on the same kind of pipe as my dad. The joke got even better when I went back to interview Brown between sets, and discovered the tobacco he’d been stuffing into that pipe wasn’t [...]

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Miked - Live Reviews from Issue #51 May-June 2004

Clarence “Gatemouth” Brown – Barns at Wolf Trap (Vienna, VA)

A cold and drizzly Thursday night found the Barns at Wolf Trap imbued with a bit of an early spring chill. The 18th-century barns — relocated from upstate New York more than 20 years ago and turned into a rustic cavern of timber one musician favorably likened to “playing inside an old guitar” — had [...]

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The Long Way Around - Feature from Issue #36 Nov-Dec 2001

Clarence “Gatemouth” Brown – Sittin’ on the dock, with the world at bay

Friday, September 14, 2001. At the University of Wisconsin in Madison, 20,000 people are shoulder to shoulder on the Library Mall, honoring victims of the attacks in New York and Washington. The air is cool, but the sun is high and bright, intensifying all the red, white and blue. A man wielding a tall flag [...]

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Waxed - Record Review from Issue #23 Sept-Oct 1999

Clarence “Gatemouth” Brown – American Music Texas Style

Late in life, Gatemouth Brown has returned to the brass and elegance with which he began recording in the late 1940s. His latest reprises much he learned in the interim, stirring the stew of Texas music that forever spices his playing, turning his still considerable skills toward a set of mostly jazz standards. No longer [...]

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Not Fade Away - Reissue Review from Issue #21 May-June 1999

Clarence “Gatemouth” Brown – Blackjack

Though hardly an unknown, Clarence “Gatemouth” Brown has rarely been the beneficiary of the kind of elder-statesman adulation that has attended the waning years of John Lee Hooker. True, Brown’s never had a hit the size of “Boogie Chillun”, but more importantly, he’s been too country for blues. Born in 1924 in Vinton, Louisiana, Brown [...]

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Waxed - Record Review from Issue #4 Summer 1996

Clarence “Gatemouth” Brown – Long Way Home

Gatemouth Brown is 72 years of lean American history. His music remains vital, despite his age, and spans an enormous repertoire of styles. Legend has it he picked up T-Bone Walker’s ax during a break at Houston’s Golden Peacock in 1947, and made $600 (and an enemy) in 15 minutes. He sings in an easy, [...]

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From the Blogs

  • Hearth Music Guide to Northwest Folklife Festival 2013
    We're back again with our annual guide to the hugely humongous Northwest Folklife Festival, this Memorial Day Weekend, May 24-27, 2013. This is the largest community music festival in the nation, with (last I checked) 800+ bands, 25+ stages, and so much music and dance that it's physically impossible to see even a small fraction of the things you […]
  • CD Reissue Review: Swamp Dogg - Gag a Maggott (Stone Dogg/Alive, 1973/2013)
    Funky soul from 1973, with two bonus tracks After his innovative 1970 debut, Total Destruction to Your Mind, Swamp Dogg (born Jerry Williams, Jr.) continued to cut fine soul albums, despite a lack of big label distribution, chart action or major sales. His deep… […]
  • Americana Music Association Honors and Award Nominations-A Rundown
    There is a subtle difference in the nominating categories for the Americana Honors & Award Nominations from the rest of the awards in the music industry. Most give a ranking, which usually begins with ‘best.’  No where in the nominations… […]
  • CD Review - Stacie Collins and the Al-Mighty Band "Shinin' LIVE!"
    SHININ’ LIVE is the DVD and the ass-kickin', hip-grinding and smile making soundtrack CD of the concert at Bootleggers Bar in Kendal, England is included as a free Extra. I can remember the night, as if it was yesterday, when I was standing in front of a packed crowd who had come from all over the UK to see this special gig in a Bar that appeared to hav […]
  • Interview: Kurt Marschke of Deadstring Brothers on "Cannery Row"
    In the spring of 2012, two years since his move to Nashville from Detroit, Kurt Marschke connected with another Motor City transplant, JD Mack (formerly of Whitey Morgan & the 78s). After searching for new musical blood to make a new record with, Kurt and JD partnered up with Brad Pemberton (Ryan Adams & The Cardinals), Mike Webb (Poco), Pete Finney […]
  • Wakarusa 2013: Just a Week Away!
    As you can imagine, I am getting very excited for Wakarusa. I would like to say thank you again to No Depression for making this adventure possible. I cannot wait to share my experiences with all of you. As the final countdown begins, I am hard at work researching and preparing so I can bring you the best coverage of the event. Through this process, I have s […]

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