Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Artist: Dale Watson

Waxed - Record Review from Issue #70 July-August 2007

Dale Watson – The Little Darlin’ Sessions

For die-hard honky-tonk fans, few things make life worth living more than Dale Watson crooning about how life isn’t worth living. On The Little Darlin’ Sessions, Watson re-creates vintage tears-’n’-beers numbers from Nashville’s Little Darlin’ label, with label founder Aubrey Mayhew on board as producer. Also in tow are session sidemen from the day, including [...]

Read More…

Waxed - Record Review from Issue #69 May-June 2007

Dale Watson – From The Cradle To The Grave

After years of tilting at windmills, Dale Watson has rechristened his brand of country as “Ameripolitan” — but it’s not a musical change, just a doubling-down on the directness, intimacy, fiddle, steel, guitar and shuffle beats for which he’s known. Watson’s short-lived relocation to Baltimore and his hungry return to Austin provided a timely hiatus [...]

Read More…

Waxed - Record Review from Issue #63 May-June 2006

Dale Watson – Whiskey Or God

The word “crazy” and the idea of a person being driven insane by love has been used frequently in country music songs, but Dale Watson’s powerful “I Wish I Was Crazy Again” has a special resonance. “They say I went crazy/And by crazy, I mean mentally insane,” Watson sings, and he really means it. Watson [...]

Read More…

The Long Way Around - Feature from Issue #52 July-Aug 2004

Dale Watson – Open up the honky-tonk

It hits you, after listening to Dreamland for a while: It’s the first Dale Watson record done in the mode his ardent admirers appreciate most in seven years. If that surprises, it’s because he’s let loose so many other recordings in that time. There have been theme collections, often released first in Europe, some of [...]

Read More…

Waxed - Record Review from Issue #42 Nov-Dec 2002

Dale Watson – Live in London…England!

It takes three things to make a strong live record: great songs, good sound and a clever frontman to fill in the blank spaces with jokes and stories. All of those qualities are present in abundance here. Recorded over two nights in August 2000, the album is a long (20 tracks, 69 minutes) and rollicking [...]

Read More…

Waxed - Record Review from Issue #35 Sept-Oct 2001

Dale Watson – Every Song I Write Is For You

Since 1990, Dale Watson has been laying down a series of harder-than-hard, more-country than-country originals that have made him an alternative country star, on the verge of recognition even by the elements in the country establishment his songs have so often decried. His albums have been filled with songs widely admired as professional, but you [...]

Read More…

Waxed - Record Review from Issue #26 March-April 2000

Dale Watson & His Lone Stars – People I’ve Known, Places I’ve Been

On People I’ve Known, Places I’ve Been, Dale Watson writes a song about the crease in somebody’s cowboy hat, for gosh sakes, and not only gets away with it, but turns in a memorable honky-tonker with a heartfelt twist at the end. On this disc, his fifth, Watson wrote all the songs, plays all the [...]

Read More…

Miked - Live Reviews from Issue #24 Nov-Dec 1999

Dale Watson / Hangdogs – Lynagh’s (Lexington, KY)

Dale Watson is as close as there is these days to a pure, old-fashioned country performer. He looks, dresses, sings and writes the part. Hell, he even acts the part, most recently in a new video for Johnny Cash’s “Folsom Prison”. (“They shot it in Dallas,” Watson announced from the stage. “They had me in [...]

Read More…

Waxed - Record Review from Issue #22 July-Aug 1999

Townes Van Zandt / Dale Watson / Neko Case / Kelly Hogan / Tift Merritt And The Carbines

A decade ago the major labels decreed the death of vinyl, somehow setting off a flood of 7-inch singles that, at one point, arrived at the rate of 200 a month. It’s a slow trickle now, but there’s still reason to move the fax machine off the turntable and pay attention. “Riding The Range”/”Dirty Old [...]

Read More…

Waxed - Record Review from Issue #14 March-April 1998

Dale Watson – Good Luck N’ Good Truckin’

If I correctly recall the sticker that was adhered to the shrink-wrap of this cassette-only release when it showed up in my postbox late last year, it advised music reviewers to pull over at the next exit, as this release was strictly for the fans. Of course, I mail-ordered the thing solely out of self-interest, [...]

Read More…

From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Jim Lauderdale: Americana's Country Journeyman Returns to L.A.
    With a career as diverse as the emerging genre we call ‘Americana,’ Jim Lauderdale continues on the same track toward collaboration, generosity and an imagination fused with the influence of Country and Bluegrass traditions. His December, 2012 release with musical cohort, Buddy Miller, is a collection of songs, some covers and some originals, that focuses on […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter