Artist: Doc Watson
Not Fade Away - Reissue Review from Issue #61 Jan-Feb 2006
Doc Watson Family – Tradition
From child ballads and British broadsides, to fiddle-and-banjo-driven dance tunes, this album offers a cross-section of mountain sounds that seem to resurface with surprising regularity. The Freight Hoppers recorded “How Many Biscuits Can You Eat This Morning?” for their debut release. “Pretty Saro” and “Am I Born To Die?” were included on the soundtracks of [...]
Waxed - Record Review from Issue #46 July-Aug 2003
Earl Scruggs / Doc Watson / Ricky Skaggs – The Three Pickers
Count this recording of a December 2002 North Carolina concert as one of the dividends of O Brother, Where Art Thou? Without that soundtrack’s reach into the PBS audience — the show is being broadcast on the network’s “Great Performances” series, and there’s a DVD with bonus tracks coming, too — it’s unlikely this collaboration [...]
Not Fade Away - Reissue Review from Issue #45 May-June 2003
Doc Watson – Trouble In Mind: The Doc Watson Country Blues Collection1964-1998
The producers of this new compilation remind us that with all the trouble would-be categorizers have had trying to peg Doc Watson as a folk, country, bluegrass or even (if they know their Doc history) rockabilly musician, they generally fail to bring up the one musical form he has never stopped turning to and has [...]
Not Fade Away - Reissue Review from Issue #36 Nov-Dec 2001
Doc Watson – At Gerdes Folk City
“We got microphones of all kinds here,” declares Doc Watson. “This one must be the tape recorder mike.” It’s a right clever way to begin this document of the legendary blind singer/guitarist’s first solo engagement. Recorded over four weeks in late 1962 and early 1963 at New York’s Gerdes Folk City, these 15 never-before-released tracks [...]
Waxed - Record Review from Issue #18 Nov-Dec 1998
Mac, Doc & Del/ Doc & Merle Watson – Home Sweet Home
Among traditional American country blues singers and guitar players, Doc Watson is without peer. When he sings in his unadorned baritone, it is as if the entire Anglo-Saxon folk tradition had been fermented in the Appalachian Mountains only to be channeled through him. Doc has been recorded and honored more than just about anyone else [...]
The Long Way Around - Feature from Issue #13 Jan-Feb 1998
Doc Watson – Way Down Watson
To begin with, the end, or pretty much so: A man named Sherman Cooper. Abandoned heir to a decaying Southern elite, he now tends the 40 square miles of the Mississippi Delta his family once owned, before they sold it off in parcels. His family, the Taylors, left him a hundred acres and some warped [...]
Waxed - Record Review from Issue #12 Nov-Dec 1997
Doc Watson & David Grisman – Doc & Dawg
Back in the early ’60s, as the folk movement took hold in New York City, a relatively unknown guitar player by the name of Arthel “Doc” Watson played regular opening gigs at Gerde’s Folk City. On one occasion, Doc invited a 17-year-old mandolinist named David Grisman onstage for a rendition of “In the Pines”. As [...]
Not Fade Away - Reissue Review from Issue #3 Spring 1996
Doc Watson – The Vanguard Years
Doc Watson may have recorded for many labels over the years, but the folks at Vanguard Records have wisely recognized their cut of the pie (from 1963 to 1971) as some of Watson’s most seminal work. As a result, they’ve issued this cohesive and complex document of Watson’s most influential period of artistic growth. By [...]
