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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Ed Pettersen

Waxed - Record Review from Issue #68 Mar-Apr 2007

Ed Pettersen – The New Punk Blues Of Ed Pettersen

It’s fair to refer to singer/songwriter/multi-instrumentalist Ed Pettersen as a journeyman, especially if you downplay any negative connotations the tag carries and emphasize the journey part. During the course of his wanderings, Pettersen has refined an appealingly straightforward writing approach, staked out comfort zones for a variety of styles, and developed winning relationships with a [...]

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Waxed - Record Review from Issue #46 July-Aug 2003

Ed Pettersen – Two T’s All E’s

Befitting its howdy-do title, this album is a get-acquainted session with Ed Pettersen, gathering tracks from his previous releases as well as new songs, and even several demos. It’s also quite the learning experience: while the title provides instructions for tackling Pettersen’s oft-misspelled last name, the collection’s contents serve as a primer for creating meat-and-two-sides [...]

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Waxed - Record Review from Issue #11 Sept-Oct 1997

Ed Pettersen & The High Line Riders – Somewhere South Of Here

If all the songs on Somewhere South Of Here were as good as “Changing Faces”, this album’s last song, this would be one of the albums of the year. Unfortunately, the other nine tracks are so formulaic, they seem like covers even though they aren’t. The first song, “What a Little Love Can Do”, had [...]

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Waxed - Record Review from Issue #10 July-Aug 1997

Ed Pettersen & The High Line Riders – Somewhere South Of Here

There are records that absolutely blow you away and knock your socks off from the git go, and there are records that may take several listens before you recognize their brilliance. And then there are those records that from the first note just sound as comfortable as a pair of worn old blue jeans. Somewhere [...]

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Waxed - Record Review from Issue #2 Winter 1995

Ed Pettersen – Desperate Times

Ed Pettersen is a singer/songwriter from New York and this nearly exclusively acoustic 8 song EP is his first record. The album kicks off with its most up-tempo song, and the only song to utilize drums, “How Can A Poor Man Stand Such Times And Live” which is vaguely reminiscent of John Hiatt circa “Slow [...]

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From the Blogs

  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, it's impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]
  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]
  • Crowd-sourcing to crowd-pleasing: The rise of Kat Edmonson
    If Kat Edmonson ever becomes a household name, she can put it down not just to her talent as a jazz singer, but to some decidedly modern financing as well. The 29-year-old Texan, an old-school chanteuse with a contemporary lilt, has funded production of her second album via a community workshop and through… […]
  • When to get your ass saved and when to drown
    How does the co-writing song process differ from the alone songwriting process you just wrote about? Co-writing is quite different from writing alone. When I'm working on something alone I have complete freedom. Freedom to experiment, to make mistakes, to try things I'm quite sure won't work and the freedom to reconstruct whatever has come bef […]
  • CD Review - Fiddleworms "See The Light"
    The ambitious new album See The Light, from Alabama quintet Fiddleworms is a cavalcade of styles with literally a parade of guest musicians including the University of North Alabama marching Band. The eleven original tracks are interspersed with snippets of radio sound effects and spoken word segments that flow from jazzy blues to stomping country rock fusio […]

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