Artist: Elliott Smith
Not Fade Away - Reissue Review from Issue #70 July-August 2007
Nick Drake – Family Tree / Elliott Smith – New Moon
Pop sainthood isn’t all it’s cracked up to be. When you die young, in the full flush of your talent, you may claim a spot in the mythology of interrupted genius. You may draw more attention to your work, and, yes, fare better commercially, than had you remained alive. But shadowed by your premature passing, [...]
Waxed - Record Review from Issue #54 Nov-Dec 2004
Elliott Smith – From A Basement On The Hill
Let this dignified CD not be the start of a multi-label Elliott Smith refabrication issuing forth several unsatisfactory “best-of” collections bittersweetened with rarities and “never-before-heard” vault finds and overdubbed demos. Fans of Tupac, Nick Drake, Johnny Cash, the Beatles and Jeff Buckley may maintain a philosophy of the-more-the-merrier regarding posthumous releases, but I’m always reminded [...]
Farther Along - Obituary from Issue #49 Jan-Feb 2004
Elliott Smith: 1969 to 2003
“I never really heard Nick Drake,” Elliott Smith said back in 1996, just before the frenzy of stardom glanced by. “I mean, I had heard a Nick Drake song after I’d recorded the last record, and I thought it was cool.” Inevitably, however, Smith’s dark, delicate, revealing songs — and the timbre of his voice [...]
Waxed - Record Review from Issue #27 May-June 2000
Elliott Smith – Figure 8
A figure 8 is formed by a single line of indefinite origin and infinite length, always heading somewhere but endlessly retracing its own steps. Similarly, Elliott Smith has made much of his music’s continuing evolution but still clutches close a particularly dog-eared scrap of emotional territory in his lyrics. Whether in the Portland grunge-punk combo [...]
Waxed - Record Review from Issue #17 Sept-Oct 1998
Elliott Smith – XO
Incorporating lush strings and vibrant horns into his sonic dreamscapes, Elliott Smith uses his fourth solo album to bridge past works to the future. XO finds Smith slipping easily from his hallmark quiet moodiness into brighter, bigger sounds, suggesting that the melancholy singer-songwriter may ultimately fulfill his musical destiny as the one-man Simon & Garfunkel. [...]
Waxed - Record Review from Issue #7 Jan-Feb 1997
Elliott Smith – self-titled
It’s hard to imagine, after three records with Portland’s Heatmiser (the newest and perhaps last of which, incidentally, is quite good), and what with two fine solo records under his Texas-born belt, that Elliott Smith should still drift so far below the radar. Some of that has to do with the diffidence with which he [...]
