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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Elliott Smith

Not Fade Away - Reissue Review from Issue #70 July-August 2007

Nick Drake – Family Tree / Elliott Smith – New Moon

Pop sainthood isn’t all it’s cracked up to be. When you die young, in the full flush of your talent, you may claim a spot in the mythology of interrupted genius. You may draw more attention to your work, and, yes, fare better commercially, than had you remained alive. But shadowed by your premature passing, [...]

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Waxed - Record Review from Issue #54 Nov-Dec 2004

Elliott Smith – From A Basement On The Hill

Let this dignified CD not be the start of a multi-label Elliott Smith refabrication issuing forth several unsatisfactory “best-of” collections bittersweetened with rarities and “never-before-heard” vault finds and overdubbed demos. Fans of Tupac, Nick Drake, Johnny Cash, the Beatles and Jeff Buckley may maintain a philosophy of the-more-the-merrier regarding posthumous releases, but I’m always reminded [...]

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Farther Along - Obituary from Issue #49 Jan-Feb 2004

Elliott Smith: 1969 to 2003

“I never really heard Nick Drake,” Elliott Smith said back in 1996, just before the frenzy of stardom glanced by. “I mean, I had heard a Nick Drake song after I’d recorded the last record, and I thought it was cool.” Inevitably, however, Smith’s dark, delicate, revealing songs — and the timbre of his voice [...]

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Waxed - Record Review from Issue #27 May-June 2000

Elliott Smith – Figure 8

A figure 8 is formed by a single line of indefinite origin and infinite length, always heading somewhere but endlessly retracing its own steps. Similarly, Elliott Smith has made much of his music’s continuing evolution but still clutches close a particularly dog-eared scrap of emotional territory in his lyrics. Whether in the Portland grunge-punk combo [...]

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Waxed - Record Review from Issue #17 Sept-Oct 1998

Elliott Smith – XO

Incorporating lush strings and vibrant horns into his sonic dreamscapes, Elliott Smith uses his fourth solo album to bridge past works to the future. XO finds Smith slipping easily from his hallmark quiet moodiness into brighter, bigger sounds, suggesting that the melancholy singer-songwriter may ultimately fulfill his musical destiny as the one-man Simon & Garfunkel. [...]

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Waxed - Record Review from Issue #7 Jan-Feb 1997

Elliott Smith – self-titled

It’s hard to imagine, after three records with Portland’s Heatmiser (the newest and perhaps last of which, incidentally, is quite good), and what with two fine solo records under his Texas-born belt, that Elliott Smith should still drift so far below the radar. Some of that has to do with the diffidence with which he [...]

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From the Blogs

  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]
  • CD Review - The Cash Box Kings "Black Toppin’"
    It’s 2013, and most of the blues and R&B performers who once recorded for labels like Vee-Jay, Specialty, Chess, Aladdin, Duke and Peacock have departed for hopefully happier shores. However, the music that once emanated from these vintage labels – by Larry Williams, Louis Jordan, Wynonie Harris, Gatemouth Brown, Memphis Slim, Mama Thornton, Lightnin’ Ho […]
  • CD Review - Various Artists "Music Is Love (A musical tribute to CSN&Y)"
    For what it’s worth; long may they run. Crosby, Still, Nash and Young have been a part of my musical life since my early teenage years with my brother wearing out his first copy of DÉJÀ VU on the family radiogram. Subsequently I’ve become a tireless fan of Mr. Young and adding tracks from the others to VA recordings for sunny days in the garden. So; it was w […]
  • Willie & Lukas Nelson - Just Breathe
    Last June, with what felt like a last breath of grief, my brother, sister-in-law and I drove down the Abilene Highway that runs between Dallas and Abilene, Texas. With the hot summer wind on our backs, we rolled toward a small town, Winters, where my mother’s casket waited for burial between my 46 year-old brother and 34 year-old dad. It was a lonely trip.   […]
  • CD Review - Jason Isbell "Southeastern"
    It's dark, gritty and personal, and perhaps the clearest glimpse yet into the imagination of a brilliant singer-songwriter who just gets better and better. Southeastern, Jason Isbell's fourth studio record, listens like a collection of musical short stories.  Isbell's characters speak with clear voices, and generally in first person.  In sever […]
  • Lissie Draws Outside the Rock Island Lines
    Professionally known as Lissie, Elisabeth Corrin Maurus identifies with another one-word pop-culture phenomenon not named Madonna, Beyonce or Pink. The rock-pop singer-songwriter who was raised in the Midwest still has googly eyes for Annie, the spunky fictional character she played as a precocious 10-year-old at Circa ’21 Dinner Playhouse in her hometown of […]

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