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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Giant Sand

Waxed - Record Review from Issue #62 Mar-Apr 2006

Howe Gelb – ‘Sno Angel Like You

The impetus for Howe Gelb’s latest was an appearance he made a few years ago at the Ottawa Bluesfest. On a bill with numerous gospel choirs, he met the Voices Of Praise, who appear throughout on this disc. Recorded in Canada, these fourteen songs are a mix of new ones and earlier Giant Sand numbers [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Giant Sand – Is All Over the Map

Anyone even remotely familiar with the Giant Sand story knows what to expect by now. Howie Gelb and his ever-evolving collective of players continue to dance playfully around the periphery of American songcraft, prolifically delivering platters that veer from beatific to self-indulgent to ramshackle, taking in everything from bent Neil Young & Crazy Horse shadings [...]

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The Long Way Around - Feature from Issue #39 May-June 2002

Howe Gelb – It’s that sonic evolution

It’s all probably a Zen thing, or that resolution of crisis and opportunity promised by a single Chinese symbol. When Howe Gelb was flat broke with a baby on the way, he qualified for the City of Tucson to foot the bill to outfit his 1902 adobe with an indoor bathroom, and to rig it [...]

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Waxed - Record Review from Issue #37 Jan-Feb 2002

Howe Gelb – Lull (Some Piano)

Howe Gelb’s instrumental Lull (Some Piano) might just make believers of those put off by previous outlets for his mainline to the muse. Somehow, with Gelb turned loose on keys, the sonic meandering that occasionally jars and wrenches from his electric guitar turns serene, and his affinity for incidental noise — a fragment of idle [...]

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Waxed - Record Review from Issue #32 March-April 2001

Howe Gelb – Confluence

Howe Gelb’s career may seem intended to prove the adage that a million monkeys tapping on typewriters would, by sheer chance, produce one Shakespeare. Except Howe alone is the million monkeys. But that analogy sells the Giant Sandman short. His successes are careful gestures that only look like shrugs, the product of abundant talent in [...]

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Waxed - Record Review from Issue #27 May-June 2000

Giant Sand – Chore Of Enchantment

Photos in the liner notes of Chore Of Enchantment present Howe Gelb’s home, a spare, organically random assemblage of gear and everyday objects, within graceful, discreetly painted and inviting rooms, dated only by the lintels, which as much as stamp “genuine hardwood” on the door and window frames. The only unifying themes are structural angles, [...]

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Waxed - Record Review from Issue #5 Sept-Oct 1996

Giant Sand – Official Bootleg Series, Vol. 1

Will Giant Sand ever be a smidgen more definable? Will they ever sound slightly more commercial? Will they ever behave in an ambitious manner that behooves their potential greatness? It doesn’t seem likely. Flying in the face of corporate assembly-line logic, Giant Sand records music, somehow manages to release the recordings and quietly moves on. [...]

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Waxed - Record Review from Issue #3 Spring 1996

Giant Sand – Backyard Barbecue Broadcast

What does one do with a band like Giant Sand? After 18 albums in various incarnations, everything has been said and not much has changed. Oh well, here we go again. Howe Gelb, leader of Giant Sand, is a freakin’ genius. His fluid guitar style and creaky voice frame an improvisational rock music, thinly disguised [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]

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