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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Greg Brown

The Long Way Around - Feature from Issue #66 Nov-Dec 2006

Greg Brown – Hallelujah anyway

When as a young child you are called by the Lord to rise from your metal folding chair in the basement of the Moose Hall and commit your life to Christ upon the commencement of the final chorus of “Close Thy Heart No More”, you remain forever susceptible to the lexicon of faith. All subsequent [...]

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Waxed - Record Review from Issue #54 Nov-Dec 2004

Greg Brown – In The Hills Of California

Greg Brown has the rare gift of creating songs that unwind with the roundabout informality of a thoughtful yet unstructured conversation. Regardless of how much work may or may not have gone into a particular tune’s genesis, the resulting piece feels of-the-moment, complete with interjections and sparky, synaptic sidebars. Over the course of nearly 25 [...]

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Waxed - Record Review from Issue #50 March-April 2004

Greg Brown – Honey In The Lion’s Head

This isn’t Greil Marcus’ or Harry Smith’s old, weird America. This is Richard Dyer-Bennet’s, Pete Seeger’s, and Burl Ives’ — in other words, songs for parlors and hootenannies that no longer exist, commonplace songs that aren’t so commonplace anymore. Some are sentimental, most are archetypes; all are more subtle and complex than you might remember [...]

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Not Fade Away - Reissue Review from Issue #49 Jan-Feb 2004

Greg Brown – If I Had Known: Essential Recordings, 1980-1996

“If I had it all to do again, I’m not sure I would play the poet game,” sings Greg Brown on one of the best tracks on this superb retrospective disc. Notwithstanding that proclamation (which was probably a fleeting sentiment, anyway), Brown has, for the past two decades, been one of roots music’s most poetic [...]

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Waxed - Record Review from Issue #39 May-June 2002

Greg Brown – Milk Of The Moon

Believing that fast and steady wins the race, or at least trusting it’s the surest way to hone your craft and satisfy your soul, Greg Brown releases his eighteenth album in nineteen years. Milk Of The Moon finds Brown further developing his art in a rare but welcome direction: He’s a folk-inclined singer-songwriter who’s unafraid [...]

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Waxed - Record Review from Issue #28 July-Aug 2000

Greg Brown – Covenant

Blessed with a warm, glassware-rattling baritone rumble and a gift for illuminating life’s small moments with freeze-frame, close-quarter intimacy, Greg Brown has drawn heavily on his family ties and the people, rural hamlets and seemingly endless fields of his native eastern Iowa for inspiration, somehow managing to extrude universal appeal from patently parochial sources. The [...]

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Miked - Live Reviews from Issue #27 May-June 2000

Ani Difranco / Gillian Welch / Greg Brown – Massey Hall (Toronto, Ontario)

Just to prove the gods of concert promotion have a sense of mischief, consider the two shows competing for the public’s attention in Toronto on this night. At the cavernous SkyDome, Ricky Martin was shaking his bon-bon atop a vintage car in a gaudy, prefab spectacle. Mere blocks away at the century-old classical recital venue [...]

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Not Fade Away - Reissue Review from Issue #23 Sept-Oct 1999

Greg Brown – One Night

Recorded 17 years ago at the since-departed Minneapolis folk haven Coffeehouse Extempore, One Night was first released a year later on that club’s seldom-used, self-named house label. Brown was in the first flush as the toast of the Twin Cities, and his material, intimate delivery, and rambling monologue displayed a confident and crafty artist in [...]

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The Long Way Around - Feature from Issue #12 Nov-Dec 1997

Greg Brown – Slant of Enchantment

Leaving St. Louis in late September, Highway 61 takes one north, Missouri into Iowa, along the Mississippi, twin lanes unraveling past cornfields dying or not quite ready to die, silos overrun with reddening vines, beanfields, the river appearing aquamarine for seconds, disappearing, the bluffs, land putting the lie to Midwestern flatness, sinking and rising, carved [...]

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Waxed - Record Review from Issue #6 Nov-Dec 1996

Greg Brown – Further In

Baby boomer balladeer Greg Brown is like one of those friends you had back in school, the one you would always go to for advice because they could look at what seemed a complicated dilemma and extract an obvious answer. Brown’s wisdom cuts through the fog with amazing clarity. Further In contains 12 songs typical [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]

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