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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Guy Clark

Miked - Live Reviews from Issue #69 May-June 2007

Lyle Lovett – State Theatre (Cleveland, OH)

You have to start at the end — where they paid respects to Townes Van Zandt, the songwriter/compadre who captured the essence of life after being on the lam in “Pancho & Lefty” with the snippet, “The desert’s quiet and Cleveland’s cold.” Indeed it was cold, very cold, in downtown Cleveland the night Guy Clark, [...]

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Miked - Live Reviews from Issue #66 Nov-Dec 2006

Guy Clark (& Friends) – Country Music Hall of Fame Ford Theater (Nashville, TN)

The Country Music Hall of Fame’s annual Artist-in-Residence series has, in its four years, developed its own traditions. A longstanding ace of live performance is selected, one with legend-in-progress status and unquestionable accomplishment — who happens, also, to have a knack for planning and putting together some shows. The artist works up three different programs [...]

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Waxed - Record Review from Issue #65 Sep-Oct 2006

Guy Clark – Workbench Songs

Judging by the evidence here, a “workbench song” is one that Guy Clark has lovingly cobbled together, usually with an old friend or new, for no other reason than it sure is fun to cobble together songs while nursing cups of Old Crow or trading tokes of, uh, “Worry B Gone.” I say “cobbled together” [...]

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Miked - Live Reviews from Issue #43 Jan-Feb 2003

Guy Clark / Mary Gauthier – Old Town School of Folk Music (Chicago, IL)

With his grainy, agreeably aged voice and country gentleman looks, Guy Clark can seem like he’s from another day and time. When he sings of a Civil War combatant’s miseries on “Soldier’s Joy, 1864″, he has no trouble convincing you he’s singing from memory as much as invention. But don’t credit his time-traveling tricks to [...]

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The Long Way Around - Feature from Issue #41 Sept-Oct 2002

Guy Clark – Built to last

Guy Clark lives on a quiet cul de sac in West Nashville. There’s a garden out front, woods out back, and the lot slopes so the basement looks out on the trees. Clark and his wife Susanna, a fine songwriter herself, live on the first floor, but Guy works in the basement. And it’s there [...]

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Waxed - Record Review from Issue #36 Nov-Dec 2001

Steve Earle / Townes Van Zandt / Guy Clark – Together At The Bluebird Café

The suspicion lingers that somewhere in Nashville — a front porch, a living room, a converted garage with a well-stocked refrigerator — the best songwriters sit and trade works-in-progress late into the night, and magic happens. Well, some of ‘em do hang out together, and sometimes there are rumors of spectacular picking parties. But mostly [...]

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Miked - Live Reviews from Issue #31 Jan-Feb 2001

Guy Clark/Jesse Winchester – Appel Farm Arts & Music Center (Elmer, NJ)

At concerts, opening acts can be treated like the Rodney Dangerfields of the world: They don’t get no respect. Short sets, sound problems and inattentive audiences are among the unpleasant fates often endured by openers. On this night, Jesse Winchester sidestepped such problems and delivered a performance that was nothing but a breeze, to borrow [...]

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Waxed - Record Review from Issue #24 Nov-Dec 1999

Guy Clark – Cold Dog Soup

Guy Clark’s performances are striking for the charisma they put on display, but perhaps even more so for what they hold in reserve. When his massive frame resonates with his outoorsman’s voice, you don’t hear the laying bare of a folksinger soul; rather, it is like being briefly taken under the wing of a sage. [...]

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The Long Way Around - Feature from Issue #8 March-April 1997

Guy Clark & Mickey Newbury – Old friends

It’s a cloudy January afternoon when I first get Mickey Newbury on the phone. “How’s the weather down there?” he asks. I’m in San Francisco, he’s in Oregon, and we’re both patiently awaiting what excitable weather reporters have predicted to be another massive rainstorm. It’s ironic, though, that the first thing we talk about is [...]

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Miked - Live Reviews from Issue #4 Summer 1996

Guy Clark / Townes Van Zandt – The Ark (Ann Arbor, MI)

“I think I’m going stark, raving mad,” announced Townes Van Zandt by way of opening his portion of a double bill with old friend Guy Clark at Ann Arbor’s venerable folk music club. “For real.” Anyone familiar with Van Zandt knows the demons that have haunted him for decades are never far from the surface [...]

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From the Blogs

  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]
  • Crowd-sourcing to crowd-pleasing: The rise of Kat Edmonson
    If Kat Edmonson ever becomes a household name, she can put it down not just to her talent as a jazz singer, but to some decidedly modern financing as well. The 29-year-old Texan, an old-school chanteuse with a contemporary lilt, has funded production of her second album via a community workshop and through… […]
  • When to get your ass saved and when to drown
    How does the co-writing song process differ from the alone songwriting process you just wrote about? Co-writing is quite different from writing alone. When I'm working on something alone I have complete freedom. Freedom to experiment, to make mistakes, to try things I'm quite sure won't work and the freedom to reconstruct whatever has come bef […]
  • CD Review - Fiddleworms "See The Light"
    The ambitious new album See The Light, from Alabama quintet Fiddleworms is a cavalcade of styles with literally a parade of guest musicians including the University of North Alabama marching Band. The eleven original tracks are interspersed with snippets of radio sound effects and spoken word segments that flow from jazzy blues to stomping country rock fusio […]
  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]

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