Artist: Hem
Waxed - Record Review from Issue #65 Sep-Oct 2006
Hem – Funnel Cloud
Somehow the term “countrypolitan” is becoming increasingly less adequate to describe Hem’s music. While main songwriter Dan Messe has said the band creates “alt-country, pop-rock orchestral lullabies for adults,” the influence of Tin Pan Alley and musicals from the ’60s are just as evident as, say, the orchestral albums of Ray Charles and Glen Campbell. [...]
Waxed - Record Review from Issue #62 Mar-Apr 2006
Hem – No Word From Tom
The first thing you notice about Sally Ellyson’s voice is the almost overwhelming warmth, the fulsome heat of her tone. The second thing you should notice is that she doesn’t sound like any of the singers she is often compared to. Not Margo Timmins, nor Aimee Mann, nor remotely Dusty Springfield, though she is as [...]
The Long Way Around - Feature from Issue #54 Nov-Dec 2004
Hem – All that useful beauty
It’s so succinct and sweet that it goes by in the blink of an eye, the title track of Hem’s new disc, Eveningland. Clocking in at 1 minute and 1 second, it begins with the lonesome drone of a clarinet, presently joined by a bed of soft, swirling strings, steadily swelling into a full swoon [...]
Waxed - Record Review from Issue #44 March-April 2003
Hem – I’m Talking With My Mouth
On its 2001 self-released debut Rabbit Songs (reissued with wider distribution by Bar/None in 2002), Brooklyn band Hem established itself as one of the most promising new acts of the decade. Their secret was simply the sheer beauty of the sound — pastoral folk-pop draped like velvet in richly melodic textures, couched in strings and [...]
