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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Howe Gelb

Waxed - Record Review from Issue #62 Mar-Apr 2006

Howe Gelb – ‘Sno Angel Like You

The impetus for Howe Gelb’s latest was an appearance he made a few years ago at the Ottawa Bluesfest. On a bill with numerous gospel choirs, he met the Voices Of Praise, who appear throughout on this disc. Recorded in Canada, these fourteen songs are a mix of new ones and earlier Giant Sand numbers [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Giant Sand – Is All Over the Map

Anyone even remotely familiar with the Giant Sand story knows what to expect by now. Howie Gelb and his ever-evolving collective of players continue to dance playfully around the periphery of American songcraft, prolifically delivering platters that veer from beatific to self-indulgent to ramshackle, taking in everything from bent Neil Young & Crazy Horse shadings [...]

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The Long Way Around - Feature from Issue #39 May-June 2002

Howe Gelb – It’s that sonic evolution

It’s all probably a Zen thing, or that resolution of crisis and opportunity promised by a single Chinese symbol. When Howe Gelb was flat broke with a baby on the way, he qualified for the City of Tucson to foot the bill to outfit his 1902 adobe with an indoor bathroom, and to rig it [...]

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Waxed - Record Review from Issue #37 Jan-Feb 2002

Howe Gelb – Lull (Some Piano)

Howe Gelb’s instrumental Lull (Some Piano) might just make believers of those put off by previous outlets for his mainline to the muse. Somehow, with Gelb turned loose on keys, the sonic meandering that occasionally jars and wrenches from his electric guitar turns serene, and his affinity for incidental noise — a fragment of idle [...]

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Waxed - Record Review from Issue #32 March-April 2001

Howe Gelb – Confluence

Howe Gelb’s career may seem intended to prove the adage that a million monkeys tapping on typewriters would, by sheer chance, produce one Shakespeare. Except Howe alone is the million monkeys. But that analogy sells the Giant Sandman short. His successes are careful gestures that only look like shrugs, the product of abundant talent in [...]

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Waxed - Record Review from Issue #27 May-June 2000

Giant Sand – Chore Of Enchantment

Photos in the liner notes of Chore Of Enchantment present Howe Gelb’s home, a spare, organically random assemblage of gear and everyday objects, within graceful, discreetly painted and inviting rooms, dated only by the lintels, which as much as stamp “genuine hardwood” on the door and window frames. The only unifying themes are structural angles, [...]

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Miked - Live Reviews from Issue #22 July-Aug 1999

Howe Gelb – Whelan’s (Dublin, Ireland)

Besides being a major part of Giant Sand and OP8, Howe Gelb has some stories he wants to tell on his own. Like Jeff Tweedy, he requires more than one entity for his vast musical output. What takes place tonight isn’t merely an acoustic set: In addition to a guitar, an electric piano and another [...]

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Waxed - Record Review from Issue #5 Sept-Oct 1996

Giant Sand – Official Bootleg Series, Vol. 1

Will Giant Sand ever be a smidgen more definable? Will they ever sound slightly more commercial? Will they ever behave in an ambitious manner that behooves their potential greatness? It doesn’t seem likely. Flying in the face of corporate assembly-line logic, Giant Sand records music, somehow manages to release the recordings and quietly moves on. [...]

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Waxed - Record Review from Issue #3 Spring 1996

Giant Sand – Backyard Barbecue Broadcast

What does one do with a band like Giant Sand? After 18 albums in various incarnations, everything has been said and not much has changed. Oh well, here we go again. Howe Gelb, leader of Giant Sand, is a freakin’ genius. His fluid guitar style and creaky voice frame an improvisational rock music, thinly disguised [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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