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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Jay Farrar

Waxed - Record Review from Issue #66 Nov-Dec 2006

Gob Iron – Death Songs For The Living / Anders Parker – Self-Titled

It probably sounded like a good idea. During a two-day stretch in the fall of 2004, longtime friends Jay Farrar and Anders Parker, leaders of Son Volt and Varnaline, respectively, cobbled together the presumptive one-off Death Songs For The Living, an album of reworked folk standards that’s every bit as feel-good as its title suggests. [...]

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Waxed - Record Review from Issue #51 May-June 2004

Jay Farrar – Stone, Steel & Bright Lights

Jay Farrar’s appeal has always been as much in his sound as his songs. It’s a sound that has remained remarkably consistent through several bands and settings. Over his career, the musical backdrops have varied from traditionalist country to naked acoustic folk to raging, feedback-drenched rock. But a few things stay constant: his rugged, diesel-fueled [...]

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Miked - Live Reviews from Issue #48 Nov-Dec 2003

Canyon / Jay Farrar – Metro (Chicago, IL)

In the wake of Son Volt’s late-1999 split, Jay Farrar worked with artists ranging from Gillian Welch to Superchunk’s Jon Wurster, released two albums and an EP, and played a couple hundred shows across North America and Europe. He wrote songs in slack-key tunings, dabbled with tape manipulation, collaborated with a flutist, and — in [...]

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Waxed - Record Review from Issue #45 May-June 2003

Jay Farrar – Terroir Blues

A crude art historian might suggest that creative forms develop along a similar arc: They begin as rudimentary attempts to reproduce a natural account of life, but mature into complex, subjective re-creations of the artist’s worldview. So the earliest, simple storytelling paved the way for the formal daring of, say, James Joyce. Landscape and portraits [...]

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Waxed - Record Review from Issue #40 July-Aug 2002

Jay Farrar – ThirdShiftGrottoSlack

This five-song disc spotlights a new “Memphis Mix” of the song “Damn Shame” from Jay Farrar’s recent Sebastopol release, supplementing it with four outtakes from the album’s original recording sessions. The remix was a worthy endeavor, dangling a rhythmic hook that makes a strong song more alluring than it was to begin with. The real [...]

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The Long Way Around - Feature from Issue #36 Nov-Dec 2001

Jay Farrar – World wide open

Sebastopol: “A small semi-urban community located on the western edge of the Santa Rosa plain in Northern California. It is 50 miles north of San Francisco, and about 15 miles from the Russian River. The city, incorporated in 1902, currently has a population of about 7,900 people.” (Source: website for the City of Sebastopol.) Sevastopol: [...]

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From the Blogs

  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]
  • CD Review - The Cash Box Kings "Black Toppin’"
    It’s 2013, and most of the blues and R&B performers who once recorded for labels like Vee-Jay, Specialty, Chess, Aladdin, Duke and Peacock have departed for hopefully happier shores. However, the music that once emanated from these vintage labels – by Larry Williams, Louis Jordan, Wynonie Harris, Gatemouth Brown, Memphis Slim, Mama Thornton, Lightnin’ Ho […]
  • CD Review - Various Artists "Music Is Love (A musical tribute to CSN&Y)"
    For what it’s worth; long may they run. Crosby, Still, Nash and Young have been a part of my musical life since my early teenage years with my brother wearing out his first copy of DÉJÀ VU on the family radiogram. Subsequently I’ve become a tireless fan of Mr. Young and adding tracks from the others to VA recordings for sunny days in the garden. So; it was w […]
  • Willie & Lukas Nelson - Just Breathe
    Last June, with what felt like a last breath of grief, my brother, sister-in-law and I drove down the Abilene Highway that runs between Dallas and Abilene, Texas. With the hot summer wind on our backs, we rolled toward a small town, Winters, where my mother’s casket waited for burial between my 46 year-old brother and 34 year-old dad. It was a lonely trip.   […]

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