Artist: John Fogerty
The Long Way Around - Feature from Issue #72 Nov-Dec 2007
John Fogerty – Double fantasy
Has anybody this side of Keith Richards written more indelible riffs than John Fogerty? Think of all those songs that started with a lick. Think “Green River”, “Proud Mary”, “Born On The Bayou”, “Up Around The Bend”, “Down On The Corner”, “Centerfield”. And a dozen or so more. It’s almost impossible to think of any [...]
Not Fade Away - Reissue Review from Issue #61 Jan-Feb 2006
John Fogerty – The Long Road Home: The Ultimate John Forgerty-Creedence Collection
Because brothers, lawyers, and egos were involved, we’ll never really know what actually happened to Creedence Clearwater Revival. What they did during their spectacular five-year run was pretty simple: They topped the charts while writing and recording archetypal American rock that retains every little bit of vigor all these years after. These 25 tracks represent [...]
The Long Way Around - Feature from Issue #54 Nov-Dec 2004
John Fogerty – I have no problem with ‘Wooly Bully’ and ‘Blowin’ In The Wind’ sitting right next to each other
There was a time, oh, three-plus decades ago, when John Fogerty was making his mark like few rock artists could ever imagine. With Creedence Clearwater Revival, especially over a startlingly successful two-year burst beginning that saw the release of three classic albums in 1969, Fogerty meshed the sensibilities of ’50s and ’60s rock with country, [...]
Miked - Live Reviews from Issue #10 July-Aug 1997
John Fogerty – House of Blues (West Hollywood, CA)
Creedence Clearwater Revival’s Willie & the Poor Boys was probably the first rock music to sneak into my psyche. It was a reel-to-reel copy which, alongside tapes by Neil Diamond, O.C. Smith and Bread, comprised my father’s music collection. I remember spending hours staring at the cool album cover — four hippie white guys strumming [...]
The Long Way Around - Feature from Issue #9 May-June 1997
John Fogerty – Blue Moon Rising
Conspicuously absent during these recent years of country-rock renewal — and all the debt it owes to the renegade blending of Southern R&B and hillbilly music — has been the one man who virtually originated and defined that melding of musical styles. But with the release of Blue Moon Swamp, John Fogerty has suddenly reappeared [...]
