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Artist: Johnny Cash

Column from web archive December 16, 2008

Step aside, curmudgeon emeritus: It’s Maggie’s choice, for kids’ sake

Among the several things parenting manuals don’t prepare you for is this: Those rock ‘n’ roll hours, that going to bed between 2 and 4 a.m., and rising by lunch? Over, at least until she’s off to college. (Nobody smells weakness like a young child with an urgent agenda. And they’re all urgent.) And this: [...]

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Column from web archive November 24, 2008

Cash’s construct comes around

There’s a bonus interview attached to the brand new documentary DVD included the Legacy-edition box of Johnny Cash At Folsom Prison in which his daughter Rosanne confides, or at least tells us, that “I’m just not very interested in participating in the posthumous version of my dad’s career…Enough’s been said. I was gonna say no [...]

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Column from web archive October 16, 2008

Death, politics, and other bundles of joy

Cowpunk, Revisited: Anyone who thinks alt-country has suffered from an excess of delicacy and earnestness in the post-O Brother years can take heart: Two new upstarts are currently serving up authentic-ish approximations of classic cowpunk. The New York five-piece O’Death (named for the folk standard popularized most recently by Ralph Stanley, which is a good [...]

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Column from web archive October 1, 2008

Cash Remixed, Bruce Remade, Hope Revived, Pretenders Reinvented

Johnny Cash Remixed Not As Terrible As You Might Expect: Johnny Cash Remixed, on which various iconic Cash songs are reworked by a host of unlikely, predominantly British artists, isn’t as bad as it could have been, which is saying a lot. Remixed was executive-produced by John Carter Cash, whose attitude toward the licensing and [...]

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Not Fade Away - Reissue Review from Issue #71 Sep-Oct 2007

Johnny Cash – The Outtakes

He was one of America’s top-selling male vocalists in 2006, which could reflect an expanded audience from the success of the Walk The Line biopic and/or the dearth of decent contemporary fare. Bear Family, who extensively explored Cash’s Sun and early Columbia catalogues in the past, recently introduced a new series dedicated strictly to outtakes, [...]

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Not Fade Away - Reissue Review from Issue #70 July-August 2007

Johnny Cash – Ultimate Gospel

Reissues and repackagings of Johnny Cash’s recordings have multiplied like the biblical miracle of the loaves and fishes since his death in 2003. His inspirational material gets the anthology treatment on this collection of 24 songs recorded between 1957 and 1981, including three previously unreleased tracks. Gospel was an integral part of Cash’s musical DNA, [...]

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Waxed - Record Review from Issue #64 July-Aug 2006

Johnny Cash – American V: A Hundred Highways

Johnny Cash will have been gone three years this September, but not so much that you’d notice. His ghost lingers. Every time you turn around, there he is again…in an album-length goodbye from his daughter Rosanne, in an Oscar-winning major motion picture, in a newly unearthed Personal File of acoustic solo recordings, and in a [...]

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Not Fade Away - Reissue Review from Issue #63 May-June 2006

Johnny Cash – Personal File

Today Johnny Cash exists in our imagination largely as the young hellion of the 1950s and ’60s, or the grave and wise voice offered on his final American recordings. These recently unearthed tapes — very simply, Johnny Cash accompanying himself at his home studio on guitar — serve as a timely reminder that he was [...]

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Sittin' & Thinkin' - Essay from Issue #54 Nov-Dec 2004

That’ll Be Cash on the Auction Block, Son

Some time in the 1970s, while ensconced in the Hotel Graf Zeppelin in Stuttgart, Germany, Carl Perkins peeled off a couple sheets of hotel stationary and wrote his friend, Johnny Cash. “I’m lacking in ability to say what I feel, so here goes a shot at writing it down,” Perkins wrote. “Thank you, John, for [...]

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Not Fade Away - Reissue Review from Issue #49 Jan-Feb 2004

Johnny Cash – Unearthed

So many words spilled, already. All this wrestling with the body of work Johnny Cash left behind, for it is all we have left, and, like the songs of his friend Merle Haggard, it contains multitudes. Indeed, it is possible to see refracted through every discussion of Johnny Cash not simply the greatness of his [...]

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From the Blogs

  • Gonzo Country: How to Write a Hit Country Song (Tractors,Trucks, Fishing, Beer and Jesus)
    Turnstyled Junkpiled's How To Write A Hit Country Song Tractors, Trucks, Fishing, Beer and Jesusby Courtney Sudbrink, Editor Many of today’s young,up-and-coming Country 
songwriters may be scratching their heads, wondering why Nashville isn’t biting. Bobby Bare once sang of the “Sure Hit Songwriter's Pen,” but unless that pen bleeds… […]
  • Interview: Singer/Songwriter Keith Betti
    For all the bittersweet twang and folksy melodies on singer/songwriter Keith Betti’s latest album,
Company Loves Misery, the ghost of George Harrison haunts the premises like no other. Harrison isn’t named-checked on Betti’s biography and nor is he mentioned on his store page.
 Nevertheless, the soaring melodies of “Found a Love” and the sunny warmth of “It’ […]
  • The Birth of British Folk Rock - 45 Years On
    It is always dangerous to claim the birth of a particular genre of music, but a case can be made that 45 years ago on May 27 there was a major delivery -- the arrival of British 
folk rock. The midwives at this event were the members of  Fairport Convention, a group that is still wildly popular among aficionados of the genre and which spawned many others fro […]
  • Stackridge, Farncombe Music Club (UK, 5/18/12)
    I first started going to live gigs in my early teens. I was underage. I lied about my date of birth so that I could become a member of Friars, a music club based in Buckinghamshire and Bedfordshire. Life membership was 25p. I still have my member’s card. Wild Turkey in June 1971 was the first live band I saw and some forty one years later I am still occupyin […]
  • Bonnie Raitt, John Prine & Tom Waits at Opryland (circa '74)
    Bonnie, Johnny & Tom Visit Opryland, USA — an interview-article by W. Conrad for Buddy Magazine (March, 1976)

 
 
Backstage and on stage at Nashville's Opryland, Ben Fong-Torres, rock journalist from 
Rolling Stone, was shadowing Bonnie Raitt, the star of the evening's attraction. In the shadows, lurking inside his cheap suit and a cloud of to […]
  • The Last Time I Saw Gram Parsons
    By Bill Conrad (His Prep School Pal)

 Summer of 1969, I was in London when I saw a flyer advertising the Byrds at Royal Albert Hall. Melody Maker, the local music news, suggested that a few Beatles and Stones might attend. That was incentive enough for me.
  The Byrds took the stage and launched into "Turn, Turn, Turn."  Other than band leader Rog […]

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