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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Kate Campbell

Record Review from web archive October 22, 2008

Kate Campbell

Kate Campbell often writes songs that read like short stories, and on Save The Day she acknowledges in the liner notes the literary inspirations for this new collection of story-songs, listing Frederic Buechner, Langston Hughes, Harper Lee and others. Where this set of tunes intersects with those authors’ work is in the assimilation of the [...]

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Waxed - Record Review from Issue #67 Jan-Feb 2007

Kate Campbell And Spooner Oldham – For The Living Of These Days

Accompanied by veteran Muscle Shoals keyboardist Spooner Oldham, singer-songwriter Kate Campbell offers up a bare-bones collection of hymns, both contemporary and traditional, distinguished by themes of unity and emphasizing the aspect of Christ’s teachings known as the Social Gospel. Campbell’s yearning soprano and Oldham’s eloquent accompaniment are perfect vehicles for this material. After kicking off [...]

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Waxed - Record Review from Issue #59 Sept-Oct 2005

Kate Campbell – Blues And Lamentations

Kate Campbell’s latest album sounds like a collection of dusty memories from a half-century ago. Maybe it is. Campbell writes in the liner notes about how, as a little girl, she loved listening to her mother play “St. Louis Blues” on piano. These eleven originals and two traditional covers reflect that old-time ethos with a [...]

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Waxed - Record Review from Issue #49 Jan-Feb 2004

Kate Campbell – Twang On A Wire

Those who have been fans of Kate Campbell for her penetrating songwriting as much for her compelling singing may be surprised to find that her new disc is almost all covers. Only one of the thirteen tracks is original — the brightly forlorn title song that closes the collection. Campbell’s idea was to do versions [...]

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Waxed - Record Review from Issue #45 May-June 2003

Kate Campbell – Monuments

The cover photograph of Monuments shows a collection of sculptures below a sign advertising tombstones for sale. It’s a fitting image for an album dealing with change and the mortality of people, places and ways of life. Campbell’s songs evoke strong images of her native south with a sharp eye for little details. “Petrified House” [...]

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Town and Country - Shorter Artist Feature from Issue #32 March-April 2001

Kate Campbell – Hymns and hers

Pilgrims, migrants, wayfaring strangers: recurring figures in the annals of Christianity and America. Their gaze fixed on far-distant shores, they are in a constant state of transition, never quite connecting with the world around them. A Southern Baptist and student of American history, Kate Campbell knows a little about sojourns. So it’s only natural that [...]

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Waxed - Record Review from Issue #8 March-April 1997

Kate Campbell – Moonpie Dreams

There’s no question Kate Camp_bell is proud of her roots. She’s a Southerner, and Moonpie Dreams plays like a veritable tour guide through Southern Americana: Galaxie 500 cars, drawls so thick cement is spelled “sea-mint,” the tourist trap Ruby Falls, wrought iron fences. The kudzu practically falls out of the CD booklet. That said, it’s [...]

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From the Blogs

  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]
  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]

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