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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Los Lobos

Miked - Live Reviews from Issue #73 Jan-Feb 2008

John Mellencamp / Los Lobos – Wells Fargo Arena (Des Moines, IA) Bob Dylan / Elvis Costello – Carver-Hawkeye Arena (Iowa City, IA)

Following the raucous reception for “Small Town”, one of John Mellencamp’s heartland anthems that have as much resonance in Iowa as they do in his native Indiana, the Hoosier populist mentioned there was a visitor backstage who was also from a small town. “I’ve had a friend for seven-eight years who just happens to be [...]

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The Long Way Around - Feature from Issue #65 Sep-Oct 2006

Los Lobos – Back to the future

“We try to take the music to different places, to challenge ourselves to come up with something we haven’t done before. But at the same time, everything we do is rooted in American music or Latin American music.” – David Hidalgo Once a veteran band marks its 30th anniversary, it can be difficult to distinguish [...]

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Waxed - Record Review from Issue #57 May-June 2005

Los Lobos – Live At The Fillmore

For a number of years I worked with one of the foremost tapers and traders of live concert bootlegs. He has a remarkable memory for nuance and can distinguish small details between performances of the same song throughout a tour. I could never figure out how he had time to listen, nor reason to care. [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Los Lobos – Ride This: The Covers EP

This EP comes quickly on the heels of the full-length The Ride, serving as a companion piece and providing further evidence of Los Lobos’ impressive versatility. The Ride featured guest collaborations from a variety of musicians, some of them idols, some peers. On Ride This, Los Lobos say thanks to seven of those collaborators in [...]

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Waxed - Record Review from Issue #51 May-June 2004

Los Lobos – The Ride

When a seasoned act gets around to releasing a cameo-filled album, it’s typically time for cynical critics to sharpen their carving knives. Maybe the album is stacked with lesser talents whose commercial fortunes have exceeded the principal artist. Or the marquee guests are only tangentially related to the artist in question, but their profiles overshadow [...]

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Waxed - Record Review from Issue #40 July-Aug 2002

Los Lobos – Good Morning Aztlán

It seems like just yesterday that Los Lobos soared out of East L.A. on a hot wind blast of Mexican-American roots music and punk-inspired DIY spirit. The fact that the lineup is the same as it’s been since the get-go — high school buddies Louie Perez, David Hidalgo, Conrad Lozano, and Cesar Rosas (plus Steve [...]

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The Long Way Around - Feature from Issue #30 Nov-Dec 2000

Los Lobos – Not Just Another Band from East L.A.

I’m going to write about East L.A. I’m going to write about the fruit vendors, the sewing women in the sweatshops, the smell of the tortilleria, the sounds that waft through the air on Saturdays from backyard parties, the Mexican music that was played, the dresser-top altars in Catholic homes. – Louie Perez, Los Lobos [...]

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Waxed - Record Review from Issue #3 Spring 1996

Los Lobos – Colossal Head

Are Los Lobos the best band in the land? Evidence for this position can be found on their moving concept album The Neighborhood (1990) and even more strongly on the quirky/brilliant Kiko (1992). On these records, Los Lobos did much more than synthesize an impressive array of influences; they created their own unique and important [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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