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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Lucinda Williams

Column from web archive December 16, 2008

Step aside, curmudgeon emeritus: It’s Maggie’s choice, for kids’ sake

Among the several things parenting manuals don’t prepare you for is this: Those rock ‘n’ roll hours, that going to bed between 2 and 4 a.m., and rising by lunch? Over, at least until she’s off to college. (Nobody smells weakness like a young child with an urgent agenda. And they’re all urgent.) And this: [...]

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Column from web archive November 20, 2008

Why do we marry?

People take inspiration from unexpected sources: Tales of burning shrubbery that spouts prophecy; those ridiculous “Hang In There, Baby” posters of endangered kittens. So I suppose I should not be flabbergasted that right now I am fired up by a Lucinda Williams song – even though her music has failed to resonate profoundly with me [...]

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Column from web archive October 1, 2008

How Lucinda Williams got her joy back

There are artists who believe it is necessary for them to suffer for their art. There are artists who believe it is necessary for us to suffer for their art. And then there’s Lucinda Williams. Though Williams may well be the flagship artist of this whole alt-country (whatever that is) anti-genre, she has also drawn [...]

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Miked - Live Reviews from Issue #72 Nov-Dec 2007

Lucinda Williams – El Rey Theater (Los Angeles, CA)

Lucinda Williams threw herself a big old party the beginning of September in her on-again-off-again-on-again home of Los Angeles. Over the course of six nights, she did five shows, devoting each one to performing a specific studio album in the first set, followed by a mix of songs in the second set. (She repeated the [...]

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The Long Way Around - Feature from Issue #67 Jan-Feb 2007

Lucinda Williams – Chimes of freedom

Freedom is a look in the eyes, a tone of voice…and it is that flash of freedom that you want to capture.… Freedom is not conferred, nor can it be bought, it is your awareness of life.…It can only be won by transcending the restrictions that are imposed on you by others.… Freedom can be [...]

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Waxed - Record Review from Issue #57 May-June 2005

Lucinda Williams – Live At The Fillmore

Live albums have a tortuous history, serving all too often as mere tour souvenirs, stopgaps between studio works, or fulfillments of contractual obligations. It’s a rare live album that stands on its own as a complete and significant artistic statement. Lucinda Williams’ first concert album, Live At The Fillmore, recorded over three nights at the [...]

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Waxed - Record Review from Issue #44 March-April 2003

Lucinda Williams – World Without Tears

Though she has a rare cackle for a laugh, and sparkler eyes, it is almost impossible to imagine Lucinda Williams sustaining any kind of joy, even whatever is to be found in West Memphis. Williams turned 50 on January 26. If the text of her seventh album is to be believed — and there is [...]

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The Long Way Around - Feature from Issue #33 May-June 2001

Lucinda Williams – Happy Woman Blues

It probably won’t surprise anybody to learn that Lucinda Williams drives a truck. A big ole truck — Chevy Silverado with a king cab and hard-shell bed-cover. She doesn’t take up much of the wide bench seat and sits close to the steering wheel. Magazine photographs make her look like a tall, gangly woman made [...]

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Miked - Live Reviews from Issue #20 March-April 1999

Lucinda Williams / Willie Nile / Tommy Womack – Sutler (Nashville, TN)

Lucinda Williams achieved a certain apotheosis in 1998, riding her arduously crafted Car Wheels On A Gravel Road to dozens of ten-best lists, breakthrough record sales and two Grammy nominations. So the intimate Saturday-night guitar pull she put together at the none-too-spacious Sutler was destined to turn away droves of folks. After a quick jab [...]

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Miked - Live Reviews from Issue #18 Nov-Dec 1998

Bob Dylan / Van Morrison / Lucinda Williams – Rose Garden Arena (Portland, OR)

Watching Lucinda Williams step on the Rose Garden Arena stage as the crowd of 14,000 filed in, I recalled the first time I saw her perform, in 1989 at a small club in Chapel Hill, North Carolina. Her tentativeness that night and almost Sally Field-ish reaction to the crowd’s applause was, at times, excruciating. If [...]

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From the Blogs

  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]
  • Crowd-sourcing to crowd-pleasing: The rise of Kat Edmonson
    If Kat Edmonson ever becomes a household name, she can put it down not just to her talent as a jazz singer, but to some decidedly modern financing as well. The 29-year-old Texan, an old-school chanteuse with a contemporary lilt, has funded production of her second album via a community workshop and through… […]
  • When to get your ass saved and when to drown
    How does the co-writing song process differ from the alone songwriting process you just wrote about? Co-writing is quite different from writing alone. When I'm working on something alone I have complete freedom. Freedom to experiment, to make mistakes, to try things I'm quite sure won't work and the freedom to reconstruct whatever has come bef […]
  • CD Review - Fiddleworms "See The Light"
    The ambitious new album See The Light, from Alabama quintet Fiddleworms is a cavalcade of styles with literally a parade of guest musicians including the University of North Alabama marching Band. The eleven original tracks are interspersed with snippets of radio sound effects and spoken word segments that flow from jazzy blues to stomping country rock fusio […]
  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]

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