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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Mark Lanegan

Record Review from web archive December 28, 2008

Isobel Campbell & Mark Lanegan

Any time interesting male and female singers team up, the comparisons are obvious and tempting: Lee Hazlewood & Nancy Sinatra, Johnny Cash & June Carter, George Jones & Tammy Wynette, and so on. Yet the differences between those famous duos and the pairing of Isobel Campbell & Mark Lanegan are more telling than the similarities. [...]

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Waxed - Record Review from Issue #74 March-April 2008

Gutter Twins – Saturnalia

Elegant gloom is the shared gene between the Gutter Twins, a new duo pairing two of the more enigmatic figures of the 1990s alternative nation: Mark Lanegan of the Screaming Trees, an early architect of grunge in the northwest, and Greg Dulli, who fronted the Afghan Whigs and later the Twilight Singers, a collective which [...]

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Waxed - Record Review from Issue #62 Mar-Apr 2006

Isobel Campbell & Mark Lanegan – Ballad Of The Broken Seas

Isobel Campbell is a doe-eyed chanteuse who used to sing and bow cello for the Scottish indie-pop sensation Belle & Sebastian. Mark Lanegan is a stone-faced and gravel-voiced American rock singer who led Screaming Trees and assisted Queens Of The Stone Age. Their joining looks strange on paper, but on Ballad Of The Broken Seas, [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Mark Lanegan – Bubblegum

If you have no tolerance for revolving-door “recovering” addicts who feel compelled to chronicle, on record after record, every opium-drenched near-death vision and every groveling plea for salvation, ex-Screaming Trees vocalist Mark Lanegan is not for you. Yet despite his embrace of the dark side, Lanegan’s redemption will always be that ruined, impossibly deep, Johnny [...]

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Waxed - Record Review from Issue #34 July-Aug 2001

Mark Lanegan – Field Songs

Mark Lanegan is what the late Bill Hicks would’ve called a ‘six-lighters-a-day man,’ sounding not only like he smokes cigarettes by the truckload, but eats the ashtrays too. When coupled with the heavy psychedelia of his former band the Screaming Trees, his ocean-deep, molasses-thick baritone resulted in sonic assaults of seismic proportions. However, his solo [...]

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Waxed - Record Review from Issue #23 Sept-Oct 1999

Mark Lanegan – I’ll Take Care Of You

Listening to Mark Lanegan on a bright, shimmering Saturday afternoon just seems so…wrong. Better to wait until you’re half shot-out at 2 a.m. the following Sunday morning and let the guy’s somber aura just wash over you. But since my days don’t regularly bleed into mornings, and I live in California, bright and sunny it [...]

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The Long Way Around - Feature from Issue #16 July-Aug 1998

Mark Lanegan – You might as well live

Razors pain you; Rivers are damp; Acids stain you; And drugs cause cramp. Guns aren’t lawful; Nooses give; Gas smells awful; You might as well live. – Dorothy Parker, “Résumé” The fingernails by which Mark Lanegan has been hanging these last few years — maybe his whole life — have been gnawed to the quick, [...]

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Miked - Live Reviews from Issue #1 Fall 1995

Johnny Cash / Mark Lanegan – Rose Gardens (Portland, OR)

Rosy-fingered dusk tripped slowly down green terrace steps, folding chairs, sculpted roses, and halfway through Mark Lanegan’s second solo show settled an indirect glow across the stage. All in the time it took Lanegan to work through a half-dozen songs from his two solo albums and Willie Nelson’s “She’s Not For You”, recorded a day [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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