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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Marlee MacLeod

Waxed - Record Review from Issue #40 July-Aug 2002

Marlee MacLeod – Like Hollywood

Marlee MacLeod’s resonant voice is reason enough to lend an ear to these eleven originals (and one cover), but her songwriting and lead electric guitar playing are two more reasons. We may as well throw in her mandolin, banjo, Wurlitzer and piano while were at it, as there is very little here not to like. [...]

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Town and Country - Shorter Artist Feature from Issue #28 July-Aug 2000

Marlee MacLeod – Couldn’t get arrested

One wall in Marlee MacLeod’s home office is dominated by a large, laminated map of the United States. Black, green and red markered paths denote tours. Self-stick stars adorn cities MacLeod has played; there are veritable constellations, the vast majority of which rest in the musician’s native Southeast. Atop the map, on the ledge of [...]

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Waxed - Record Review from Issue #12 Nov-Dec 1997

Marlee MacLeod – Vertigo

Marlee MacLeod’s third album, Vertigo, careens through an array of guitar-driven songs jammed with wry, sardonic lyrics, with deadpan delivery so engaging that you might overlook how good the music sounds. Vertigo opens at full tilt with “Mata Hari Dress”, an anticipated clandestine meeting of two spies that would make a great movie plot. The [...]

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Miked - Live Reviews from Issue #7 Jan-Feb 1997

Marlee MacLeod – Abbey Pub (Chicago, IL)

When No Depression last visited with Marlee MacLeod back in the second issue, she spoke of “playing for six to 10 people a night” and “converting the nation three people at a time.” She was still at it on this Saturday night gig at the Abbey Pub, a neighborhood tavern in a very untrendy neighborhood [...]

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The Long Way Around - Feature from Issue #2 Winter 1995

Marlee MacLeod – Miles and miles of music, far from the maddening crowd

It’s a warm September evening in Minneapolis. Because of the surprising resurgence of disco music, the famed First Avenue club has started to book their weekend live shows in the early evening, and it’s barely dinnertime when Marlee MacLeod hits the stage opening for Wilco. As a result, less than 10 percent of the sellout [...]

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Waxed - Record Review from Issue #1 Fall 1995

Marlee MacLeod – Favorite Ball and Chain

From Tuscaloosa to Athens to Minneapolis, Marlee MacLeod has covered a lot of ground in recent years. The road has made her music stronger for the wear: Like the frequent relocations of fellow singer-songwriters such as Lucinda Williams (Los Angeles, Austin, Nashville), Shawn Colvin (South Dakota, Austin, New York) and Lisa Mednick (New York, New [...]

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From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

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