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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Paul Westerberg

Record Review from web archive December 11, 2008

Paul Westerberg

Paul Westerberg is probably not going to make the album that some of us have been waiting for since whenever you think his last great record was. (Pleased To Meet Me if you’re being honest, All Shook Down if you’re being generous, 14 Songs if you’re me.) And there’s a reason for that. His burning [...]

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Waxed - Record Review from Issue #66 Nov-Dec 2006

Paul Westerberg – “Open Season” Soundtrack

Throughout Paul Westerberg’s career as frontman for garage-pop band the Replacements and then as a solo artist, a sense of childlike fun has more than occasionally infused his songwriting. It should come as no surprise, then, that Westerberg, who has also been a dad for a few years now, jumped at the chance to score [...]

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Miked - Live Reviews from Issue #58 July-Aug 2005

Paul Westerberg – Music Farm (Charleston, SC)

When Paul Westerberg dashed out onto the stage at the Music Farm and ignited a lighter fluid-soaked green polyester jacket like some sort of freakish tribute to Hendrix at Monterey, it marked the end of one truly bizarre night of music and mayhem. It was Westerberg’s first visit to Charleston since the cross-country trek in [...]

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Waxed - Record Review from Issue #53 Sept-Oct 2004

Paul Westerberg – Folker

Paul Westerberg really should just go ahead and make an album called Hamlet and get it over with. Going all the way back to the Replacements, Westerberg has spent his career obsessing over commitment issues involving loyalty, romance and fame. He rarely makes a declaration without some sort of qualifier, usually leaving himself a back-door [...]

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Waxed - Record Review from Issue #48 Nov-Dec 2003

Paul Westerberg – Come Feel Me Tremble

Unlike many of his postpunk counterparts, Paul Westerberg never seemed to mind, at least in theory, the idea of writing catchy, perfectly constructed pop songs, and his early solo work (1993′s 14 Songs, a handful of tracks on the Singles soundtrack) bore this out. Westerberg spent most of the last decade in what used to [...]

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Miked - Live Reviews from Issue #40 July-Aug 2002

Paul Westerberg – Easy Street Records (Seattle, WA)

It takes a special musician to perform a shambolic, flub-laden solo set in an unopened, unfinished record store with a shitty PA and send 600 people home happy. Easy Street Records’ new location, which didn’t formally open until a few weeks later, was the setting for Paul Westerberg’s first live performance in six years, the [...]

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The Long Way Around - Feature from Issue #20 March-April 1999

Paul Westerberg – Beyond misanthropy

“Father. Artist. Midwesterner. Eccentric. Walker…” So begins Paul Westerberg’s noun-filled description of himself in the bio for his new album, Suicaine Gratifaction. The order of the words is important, for not only is Westerberg an astute judge of his own character, he’s also a stickler about prioritizing. As always, he relishes the notion of mixing [...]

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From the Blogs

  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]
  • Brittany Holljes on the Origins of Delta Rae and Her Healthy Fleetwood Mac Obsession
    Delta Rae might sound like the down-home name of a backwoods country singer but it’s really just Greek to Brittany Holljes. “I think there are a lot of ‘Delta’ bands out there, too, so we kind of get that ... people get confused,” said Holljes, the whip-smart singer of the North Carolina-based sextet (like Deborah Harry used to say about Blondie, Delta Rae i […]

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