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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Paula Frazer

Waxed - Record Review from Issue #68 Mar-Apr 2007

Paula Frazer & Tarnation – Now It’s Time

This album is being billed as the return of Tarnation, which is odd for two reasons. The first is that the two albums released under that name on 4AD a decade ago are remembered fondly, but not widely. The second is that Tarnation was and remains primarily one person: Paula Frazer. And while she dropped [...]

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Waxed - Record Review from Issue #60 Nov-Dec 2005

Paula Frazer – Leave The Sad Things Behind

Although Paula Frazer removed the spell of the band moniker Tarnation in 2001, the potion she brewed back then — raw honey shot through with tumbleweeds, desert winds and western skies — remains potent and significantly mysterious. Yet Leave the Sad Things Behind, Frazer’s third album under her own name, strengthens the earthiest part of [...]

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Not Fade Away - Reissue Review from Issue #49 Jan-Feb 2004

Paula Frazer – A Place Where I Knew: 4-Track Songs 1992-2002

Blame Springsteen, maybe, for Nebraska suggested anew the possibilities of raw home recordings. Paula Frazer’s soaring vocals (it’s tempting to call her the country Kate Bush, and doubtless many have) were the focal point of Tarnation, a band that eventually became a foil simply for her work, and so she has more recently recorded under [...]

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Town and Country - Shorter Artist Feature from Issue #39 May-June 2002

Paula Frazer – Straight outta tarnation

“I guess I’ve always liked…not hugely dark, but mysterious things,” says Paula Frazer. “Mysterious, or even sad music. It’s really moving.” She smiles warmly, her hands cupped around a mug of tea, the sun streaming into the kitchen of her home in San Francisco’s Bernal Heights neighborhood. Frazer is speaking of Indoor Universe, her first [...]

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Waxed - Record Review from Issue #1 Fall 1995

Tarnation – Gentle Creatures / Paula Frazer – The Hand (7-inch)

Paula Frazer’s voice swoops like a barn swallow on the last day of fall, riding hot currents for the pleasure of swooping and dipping, and not altogether concerned with destination. Hers is a beautiful voice, pure and limber. Gentle Creatures is the second offering from the San Francisco quartet, though six of the fifteen tracks [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Jim Lauderdale: Americana's Country Journeyman Returns to L.A.
    With a career as diverse as the emerging genre we call ‘Americana,’ Jim Lauderdale continues on the same track toward collaboration, generosity and an imagination fused with the influence of Country and Bluegrass traditions. His December, 2012 release with musical cohort, Buddy Miller, is a collection of songs, some covers and some originals, that focuses on […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]

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