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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Peter Case

The Long Way Around - Feature from Issue #71 Sep-Oct 2007

Peter Case – A guitar makes a band

Oh, the excitement Peter Case must have been feeling, staring into a pop star future so bright, he had to wear industrial-strength Hollywood Ray-Bans. It was 1979. His Los Angeles band, the Plimsouls, had been signed to a big-time record deal. His days of scuffling were over. Scuffling? When singing for change down in San [...]

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Not Fade Away - Reissue Review from Issue #54 Nov-Dec 2004

Peter Case – Who’s Gonna Go Your Crooked Mile:Selected Tracks 1994-2004

Few singer-songwriters have wedded folk-rock traditions to pure pop bliss as effectively as Peter Case. The latter component is plenty evident in the work he’s done with the Plimsouls, but the richness of this fusion surfaces most fully on his solo albums. This generous sampling of Case’s work for the Vanguard label during the past [...]

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Waxed - Record Review from Issue #41 Sept-Oct 2002

Peter Case – Beeline

It is Peter Case’s blessing that he makes everything look easy, and also his curse — his seeming ease can make it difficult to appreciate just how skilled a craftsman he is. Beeline is Case’s ninth solo album and third straight solid extra-base hit, a hot streak that includes 2000′s Flying Saucer Blues and 1998′s [...]

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Miked - Live Reviews from Issue #34 July-Aug 2001

Peter Case – Pine Hill Farm (Durham, NC)

With an ease and confidence most likely born during his busker days, an unplugged Peter Case dove into “Travellin’ Light” and fed off the rapt attention of the 75 people crowded into the living room at Pine Hill Farm. Four songs later, when he again reached back to 1989′s Blue Guitar for the poignant character [...]

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Miked - Live Reviews from Issue #29 Sept-Oct 2000

Peter Case / Chuck Prophet – Schubas Tavern (Chicago, IL)

On paper, the pairing was a perfect package: Two troubadours who’ve followed equally vagabond muses down similar sidetracks. But Peter Case and Chuck Prophet weren’t touring together; this double bill was a one-night-only result of right-place/right-time good fortune. Prophet took the stage first. Like Case, whose seven solo albums since the dissolution of the Plimsouls [...]

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Waxed - Record Review from Issue #27 May-June 2000

Peter Case – Flying Saucer Blues

The American pop credo of “live fast, die young, leave a beautiful corpse” is tired and tried beyond cliché, but the “live fast for a little while, circle the wagons, cut yer losses and come back with a long-distance plan that eschews easy categorization” approach has yet to show proven results. Peter Case nearly busted [...]

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Miked - Live Reviews from Issue #19 Jan-Feb 1999

Freedy Johnston / Peter Case / Alejandro Escovedo – McCabe’s Guitar Shop (Santa Monica, CA)

Freedy Johnston, Peter Case, and Alejandro Escovedo — “a three-headed folk monster,” to use Johnston’s phrase — concluded their cross-country tour with a loose but sharp performance in the intimate backroom of McCabe’s Guitar Shop that underscored their significant yet distinctly different talents as songwriters. Johnston began the show with an acoustic version of “Western [...]

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Miked - Live Reviews from Issue #17 Sept-Oct 1998

Buddy & Julie Miller / Peter Case – Kentucky Folk Festival (Bardstown, KY)

“We’re in D, Buddy — we’re playing in D,” Peter Case hollered between songs from the sidestage where he was playing over to the mainstage, where Buddy & Julie Miller were performing at the same time. “We send this song out to Peter Case,” came the playing-along response from Julie Miller. It was a surreal [...]

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The Long Way Around - Feature from Issue #14 March-April 1998

Peter Case – Street Legal

“When I start writing,” allows Peter Case, “it’s not like I have something that I really want to say. It’s more like there are a million things to say. And I’m just trying to find my way into the world of the songs.” The world of the songs is where Case has lived most of [...]

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Miked - Live Reviews from Issue #8 March-April 1997

Peter Case’s First Flight – Ash Grove (Santa Monica, CA)

Peter Case has stumbled across a monthly stint at the once storied and recently revived folk haven known as the Ash Grove with a bold concept: Cram raw, unfiltered singer-songwriterdom down the throats of those curious fans willing to open wide. It’s called Peter Case’s First Flight, a no-frills, no-pretensions gig that includes Case and [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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