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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Robert Earl Keen

Column from web archive November 5, 2008

Chicago, by way of Austin

If anyone knows the way from Austin to Chicago, it’s Alejandro Escovedo. The Texas veteran’s recent gig at Park West extended his amazing streak of playing more different venues in the Windy City than even most artists who live here have played. Since he first reached these shores with Rank And File in the early [...]

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Miked - Live Reviews from Issue #74 March-April 2008

Robert Earl Keen – Goode-Crowley Theater (Marfa, Texas)

Rowdy can be fun. There’s a place for rowdy, and sometimes that place is a Robert Earl Keen show at a beer hall favored by roofers and frat boys. The hook for the January 19 show in Marfa, Texas, however, was its Marfa-ness. The little 250-seat theater in this one-stoplight town meant this was a [...]

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Waxed - Record Review from Issue #65 Sep-Oct 2006

Robert Earl Keen – Live at the Ryman

The subtitle on the jacket is “The Greatest Show Ever Been Gave,” and darned if it might not just be. Keen and his longtime stalwarts played Nashville’s Ryman Auditorium for the first time in November 2004, and to hear them on this crystal-clear recording, they were playing for posterity, playing to the storied venue, and [...]

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The Long Way Around - Feature from Issue #57 May-June 2005

Robert Earl Keen – Can you patch together a feeling that’s going to stick with somebody ten years from now?

So here’s the setup: “Two Aggies walk into a bar…” Aggie jokes are a staple of humor in Texas, but the two A&M alumni who embraced in the lobby bar of the Four Seasons in Austin early one Thursday morning in mid-March could luxuriate in the fact that the joke was not on them. One [...]

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Waxed - Record Review from Issue #48 Nov-Dec 2003

Robert Earl Keen – Farm Fresh Onions

“It’s the little things,” Robert Earl Keen once sang with switchblade humor, “that piss me off.” Here, it’s the little things that elevate a typically solid selection of material from the veteran troubadour into the most musically compelling album of Keen’s career. Little things like the interweave of Marty Muse’s steel guitar and the organ [...]

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The Long Way Around - Feature from Issue #34 July-Aug 2001

Robert Earl Keen – The whole world’s out there to write about

From backstage at every show you can see them, pressed in tight with their faces turned up. The music goes out over them and holds them in sway, boys along with girls, women along with men. Some are wearing cowboy hats and cowboy shirts, and there are plenty of jeans and boots in whatever state [...]

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Miked - Live Reviews from Issue #33 May-June 2001

Robert Earl Keen / Kasey Chambers – Tennessee Theatre (Knoxville, TN)

At a glance, Robert Earl Keen and Kasey Chambers don’t have a lot in common. Not gender, obviously. Not nationality (she’s Australian, he’s from the Lone Star Republic). Not age, either; Keen, who’s now 45, is part of the generation of singer-songwriters the 24-year-old Chambers grew up listening to. But listen to their most recent [...]

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The Long Way Around - Feature from Issue #18 Nov-Dec 1998

Robert Earl Keen – Straight outta Bandera

In pondering the uniqueness of Robert Earl Keen, let’s compare him with his fellow Texan Lyle Lovett. College buddies and fellow Aggies, the two co-wrote “The Front Porch Song”, which each recorded early in their careers. They shared a circle of formative acquaintance and influence on the Houston/Austin axis, one that encompassed the likes of [...]

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Miked - Live Reviews from Issue #16 July-Aug 1998

Fred Eaglesmith / Robert Earl Keen – Be Here Now (Asheville, NC)

They may come from different parts of the continent and talk with different accents, but as songwriters and performers, Robert Earl Keen and Fred Eaglesmith speak the same language. Whether they’re relating tales of outlaws, losers, dispossessed migrant workers, big hair, and bigger fish, Keen and Eaglesmith share an affinity for the down-and-out and the [...]

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Waxed - Record Review from Issue #9 May-June 1997

Robert Earl Keen – Picnic

It was a telling statement that I recently saw attributed to Robert Earl Keen, the one in which he mentioned he “was kind of burned out on being the ‘yuck, yuck, pluck, pluck’ guy.” Now, Keen has always been much more than just a funny singer-songwriter from Texas, but the poignant yearning of such songs [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Jim Lauderdale: Americana's Country Journeyman Returns to L.A.
    With a career as diverse as the emerging genre we call ‘Americana,’ Jim Lauderdale continues on the same track toward collaboration, generosity and an imagination fused with the influence of Country and Bluegrass traditions. His December, 2012 release with musical cohort, Buddy Miller, is a collection of songs, some covers and some originals, that focuses on […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]

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