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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Roger McGuinn

Not Fade Away - Reissue Review from Issue #55 Jan-Feb 2005

Roger McGuinn – Roger McGuinn & Band

Roger McGuinn’s first two post-Byrds solo albums were reissued in early 2004. The third, 1975′s Roger McGuinn & Band, while inherently flawed, is a marked improvement over its predecessor, the unfortunately titled Peace On You. As its title suggests, the album is built around a cohesive band, a transplanted trio that had been working in [...]

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Not Fade Away - Reissue Review from Issue #50 March-April 2004

Roger McGuinn – Self-Titled / Peace On You

The Byrds at their artistic peak were a fractious band with an uneasy chemistry, unable to sustain a balance for any significant duration. They were not alone in this. Some of the era’s other important bands had equally volatile combinations of personalities and inclinations, creating pivotal works but unsustainable careers (Jefferson Airplane and Procol Harum [...]

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Not Fade Away - Reissue Review from Issue #36 Nov-Dec 2001

Mcguinn, Clark & Hillman – Self-Titled

After more than a decade apart, these three founding Byrds reconvened at the end of the ’70s. Rather than echoing the classic early Byrds, their collaboration resembled the bands of diminishing potency who had followed in their wake — Poco, Manassas, Firefall. Roger McGuinn’s 12-string jangle is absent, though it really would have been completely [...]

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The Long Way Around - Feature from Issue #35 Sept-Oct 2001

Roger McGuinn – I Want to Preserve the Songs

There are many facets to Roger McGuinn. Among them, of course, is the durable rock icon whose fanciful songs, plaintive vocals and ringing 12-string Rickenbacker were the abiding glue in the myriad lineups of folk-rock pioneers the Byrds. More pertinent to these times, though, is the traditional folksinger who has bookended those electrified years, and [...]

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Miked - Live Reviews from Issue #24 Nov-Dec 1999

Roger McGuinn – Chicago Folk Center (Chicago, IL)

The artistic burden of carrying a mythic, pioneering band’s legacy on one’s shoulders can be overwhelming. Or, as David Crosby once put it, “The Byrds — that’s some heavy shit, man.” At this celebratory show, Chicago native and ex-Byrds frontman Roger McGuinn carried his legacy quite gracefully, performing Byrds classics with pride and panache. His [...]

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Miked - Live Reviews from Issue #12 Nov-Dec 1997

Roger McGuinn – Discovery Theatre (Anchorage, AK)

Former Byrds leader Roger McGuinn billed this concert as a “one-man play” based on his 1996 CD Live From Mars, which features a collection of live recordings that chronicle his career up to the dissolution of the Byrds in 1972. McGuinn seldom strayed from the music and banter of the CD, frequently changing guitars and [...]

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Waxed - Record Review from Issue #7 Jan-Feb 1997

Roger McGuinn – Live From Mars

Roger McGuinn’s pick prints are all over the tableau of pop music. Those 12-string jangles and cosmic hooks were the stuff that ignited the psychedelic folk-rock era. And from acts as diverse as Tom Petty to R.E.M., he also informed much of the rock and pop that followed. But McGuinn isn’t content to be some [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Jim Lauderdale: Americana's Country Journeyman Returns to L.A.
    With a career as diverse as the emerging genre we call ‘Americana,’ Jim Lauderdale continues on the same track toward collaboration, generosity and an imagination fused with the influence of Country and Bluegrass traditions. His December, 2012 release with musical cohort, Buddy Miller, is a collection of songs, some covers and some originals, that focuses on […]
  • CD Reissue Review: Irma Thomas - In Between Tears (Fungus/Alive, 1973/2013)
    Irma Thomas' lost early-70s soul sides After relocating from New Orleans to Los Angeles, soul queen Irma Thomas largely disappeared from public view for a few years. But a series of singles produced by Jerry Williams (a.k.a. Swamp Dogg) on the indie Canyon, Roker and Fungus labels led to this eight-track release in 1973. Williams had proven himself… […]
  • CD Reissue Review: Eddy Arnold - Complete Original #1 Hits (RCA / Real Gone, 2013)
    All twenty-eight of Eddy Arnold's chart-topping singles For most artists, a twenty-eight track collection of their biggest chart hits would be a fair representation of their commercial success. In Eddy Arnold's case, twenty-eight #1 singles only very lightly skims the surface of nearly thirty-nine consecutive years of chart success that stretched… […]
  • Emmylou Harris and Rodney Crowell at Sage Gateshead
    What can I tell you? I’ve been a fan of Emmylou Harris since I first saw The Last Waltz at the cinema in 1979 and Rodney Crowell ever since a friend gave me a copy of Diamonds and Dirt on cassette as a birthday present. So, finally seeing not only one of them in concert, but both together had made me nervously excited for weeks in advance. If you don’t know […]
  • Great Escape, Brighton, UK - Day Three
    By day three I'm starting to flag, but Canada House at the Blind Tiger looks intriguing: a line-up sponsored by music organisations from three of the western provinces. I'm off to Alberta at the end of July, so this could be a good warm-up. 'We're here to show you that Western Canada is about more than just wheatfields, gravel roads and k […]

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