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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Slaid Cleaves

Record Review from web archive April 29, 2009

Slaid Cleaves

There’s something sleight-of-hand-ish about Slaid Cleaves’ new CD. While thematically and even in mood, the songs reflect the album’s dour title, it’s impossible to listen to these tracks and not feel a sense of uplift and hope. Part of that optimism stems from Cleaves’ voice, a boyish, casual, slightly scuffed tenor that belies the Austin [...]

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Waxed - Record Review from Issue #64 July-Aug 2006

Slaid Cleaves – Unsung

Give Slaid Cleaves credit. Though he’s not exactly a household name himself, his primary motivation in making this album of cover songs was to bring attention to worthy but little-known artists (many of them his friends) who in some instances have yet to secure a record deal. But Unsung is not simply an act of [...]

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Waxed - Record Review from Issue #50 March-April 2004

Slaid Cleaves – Wishbones

Slaid Cleaves has never met a down-and-outer he didn’t like or couldn’t work into a song. As much as, if not more than, his last full-length CD, 2000′s Broke Down, Cleaves’ new Wishbones sets up a desperate, occasionally despairing carnival: sinners and ghosts, a fallen-from-grace boxer and an aging jockey, a divorced farmer and an [...]

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Town and Country - Shorter Artist Feature from Issue #26 March-April 2000

Slaid Cleaves – Pastures of plenty of singer-songwriters

Slaid Cleaves calls his new Philo album Broke Down after its opening track, but also in tribute to his 1977 Dodge Van that carried him around the country in recent years. In a way, the van serves as a metaphor for Cleaves’ career. The Maine native moved to Austin eight years ago and has been [...]

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Miked - Live Reviews from Issue #15 May-June 1998

Slaid Cleaves – Schubas (Chicago, IL)

As evidenced by this entertaining but sparsely attended show, Slaid Cleaves is a songwriter’s songwriter. For this solo acoustic gig, the Maine native interspersed covers and older material with several songs from his recent Philo/Rounder disc No Angel Knows. Cleaves opened the show with the album’s title cut and then headed into the land of [...]

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Miked - Live Reviews from Issue #14 March-April 1998

Slaid Cleaves – Schubas (Chicago, IL)

As evidenced by this entertaining but sparsely attended show, Slaid Cleaves is a songwriter’s songwriter. For this solo acoustic gig, the Maine native interspersed covers and older material with several songs from his recent Philo/Rounder disc No Angel Knows. Cleaves opened the show with the album’s title cut and then headed into the land of [...]

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Waxed - Record Review from Issue #8 March-April 1997

Slaid Cleaves – No Angel Knows

The Philo debut by this Maine-to-Texas transplant benefits from the inviting warmth of Cleaves’ boyish tenor and the deft understatement of Gurf Morlix’s production, but suffers from an inconsistency of material. Too easily, Cleaves settles for folk clichés, in songs that reflect the influence of other songs more than the uniqueness of the writer’s experience [...]

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From the Blogs

  • Hearth Music Guide to Northwest Folklife Festival 2013
    We're back again with our annual guide to the hugely humongous Northwest Folklife Festival, this Memorial Day Weekend, May 24-27, 2013. This is the largest community music festival in the nation, with (last I checked) 800+ bands, 25+ stages, and so much music and dance that it's physically impossible to see even a small fraction of the things you […]
  • CD Reissue Review: Swamp Dogg - Gag a Maggott (Stone Dogg/Alive, 1973/2013)
    Funky soul from 1973, with two bonus tracks After his innovative 1970 debut, Total Destruction to Your Mind, Swamp Dogg (born Jerry Williams, Jr.) continued to cut fine soul albums, despite a lack of big label distribution, chart action or major sales. His deep… […]
  • Americana Music Association Honors and Award Nominations-A Rundown
    There is a subtle difference in the nominating categories for the Americana Honors & Award Nominations from the rest of the awards in the music industry. Most give a ranking, which usually begins with ‘best.’  No where in the nominations… […]
  • CD Review - Stacie Collins and the Al-Mighty Band "Shinin' LIVE!"
    SHININ’ LIVE is the DVD and the ass-kickin', hip-grinding and smile making soundtrack CD of the concert at Bootleggers Bar in Kendal, England is included as a free Extra. I can remember the night, as if it was yesterday, when I was standing in front of a packed crowd who had come from all over the UK to see this special gig in a Bar that appeared to hav […]
  • Interview: Kurt Marschke of Deadstring Brothers on "Cannery Row"
    In the spring of 2012, two years since his move to Nashville from Detroit, Kurt Marschke connected with another Motor City transplant, JD Mack (formerly of Whitey Morgan & the 78s). After searching for new musical blood to make a new record with, Kurt and JD partnered up with Brad Pemberton (Ryan Adams & The Cardinals), Mike Webb (Poco), Pete Finney […]
  • Wakarusa 2013: Just a Week Away!
    As you can imagine, I am getting very excited for Wakarusa. I would like to say thank you again to No Depression for making this adventure possible. I cannot wait to share my experiences with all of you. As the final countdown begins, I am hard at work researching and preparing so I can bring you the best coverage of the event. Through this process, I have s […]

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