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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Steve Earle

Waxed - Record Review from Issue #27 May-June 2000

Steve Earle – Transcendental Blues

Depending on how you keep track — that is, depending on how tight you want to wear your documentarian-geek beanie — Transcendental Blues is Steve Earle’s tenth album. Beginning in 1986, he blew the doors off Nashville with Guitar Town, blew their cover with Exit 0, and blew town with Copperhead Road. The Hard Way [...]

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The Long Way Around - Feature from Issue #20 March-April 1999

Steve Earle & the Del McCoury Band – Bring the Family

“The old write memoirs, the young do resumés. In midlife we keep a kind of diary that always begins with a discussion of the weather. The present is where we live, equidistant from our birth and death.…We see our history and future clearly. We sleep well, dream in all tenses, wake ready and able.” – [...]

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Miked - Live Reviews from Issue #18 Nov-Dec 1998

Steve Earle / Gillian Welch & David Rawlings – Chicago Folk Center (Chicago, IL)

After Steve Earle opened with “Christmas In Washington”, we could just about have gone home. “Come back, Woody Guthrie,” he sang, invoking the spirit and purpose formerly associated with American folk music that has since seemed to dissipate into introspection and historic reproduction. The song at once captured the sense of loss, as well as [...]

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Miked - Live Reviews from Issue #14 March-April 1998

Steve Earle / Buddy & Julie Miller – The Phoenix (Toronto, Ontario)

As dramatic spectacles go, it would be hard to top the opening moments of Steve Earle’s Toronto stop on the El Corazon tour. At 9 p.m. EST, U.S. President Bill Clinton was before Congress, delivering a State Of The Union address and fighting for his political life. At that same moment, Earle was onstage at [...]

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Not Fade Away - Reissue Review from Issue #14 March-April 1998

Steve Earle – Early Tracks

Sure are a lot of Steve Earle compilations on the market, especially what with them saying up on Music Row he’s a commercial failure and all, just another songwriter better out of sight and being covered by more polite folks wearing new hats. Yeah, well, he’ll outlast them yet. Part of that outlasting, though, means [...]

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Waxed - Record Review from Issue #12 Nov-Dec 1997

Steve Earle – El Corazon

Artists tend to work over safety nets that appear suspiciously like a charred mattress, hose-soaked at the edge of an unmowed lawn, a crowd on the corner standing and pointing. Reasons to fail, these are. Reasons to quit, to borrow from Willie Nelson. Excuses. There’s safety in that, and a deep hole; if you haven’t [...]

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Waxed - Record Review from Issue #7 Jan-Feb 1997

Steve Earle / V-Roys – “Johnny Too Bad”

Cacophonous and caffeinated, Claire is clicking at her clackety keyboard on the teensy end of a.m., fatiguing along like the good little spit-shined she-soldier she wishes she were. And the metaphor is aptly wrapped, for like a bulging bugler (heavily into reveille), Claire has something to trumpet up your sun-up. Just recent, my decent (I’d [...]

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Miked - Live Reviews from Issue #4 Summer 1996

Steve Earle – Town Hall (Birmingham, England)

Cadott, Wisconsin, 1994. Country Fest. Notebook in hand, I stand in darkness as six lovely boys who missed the White Lion reunion tour casting call get 30,000 drunken cheeseheads in a cow pasture to hoist their 35th beer of the day to the night sky and scream “God Blessed Texas!” It occurs to me that [...]

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The Long Way Around - Feature from Issue #3 Spring 1996

Steve Earle – Can’t keep a good man down

I can still hear them blaring in the back of my mind, those gleaming brass trumpets and trombones, thrusting right and left, toward one end zone and then the other, as the University of Texas marching band zipped through “The Wabash Cannonball”. Aside from “The Eyes of Texas” and the UT fight song, “The Wabash [...]

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Miked - Live Reviews from Issue #1 Fall 1995

Steve Earle – Vic Theater (Chicago, IL)

A performer receiving a standing ovation is something that happens all the time. But how many performers get a standing ovation for simply walking out onstage? That was the reception Steve Earle received from more than 1,200 wildly enthusiastic fans at the Vic Theater in Chicago. It was the first of many standing Os he [...]

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From the Blogs

  • A Tribute to The Doors Ray Manzarek 1939-2013
    "You don't make music for immortality, you make music for the moment, capturing the sheer joy of being alive on planet Earth... Everybody should live it that way."    Ray Manzarek   In the summer of 1967 The Doors played the Anaheim Convention Center. I was 12 years old. I was completely transfixed by the band. Having an older musician brother […]
  • Life At the Edge
    Brown Bird's Dave Lamb faces a crisis, and his fans have his back in a big way. Spend a few minutes hanging at the warm side of street musicians’ guitar case, lost in the rawness of word and melody, and a niggling sense will creep into your reverie: Playing for quarters and raggedy dollar bills is a scary way to make a living. That musician, however, mi […]
  • Down the Hiss Golden Messenger Stream: "Haw" and more
    Rivers flood broad expanses of the Southern imagination. The mythic Mississippi rolls through literature, our watery national spine, by turns torpid and apocalyptic. But there are countless intimate tributaries and every Southerner knows one. Flowing water provides blessed relief in summer, spiritual cleansing and profane recreation.  If you grew up messing […]
  • Freight Train Boogie podcast #211 featuring "The Moorings" by Andrew Duhon along with Deadstring Brothers, Samantha Crain and Free Range Folk
    FTB podcast #211 features The Moorings by New Orleans singer/songwriter ANDREW DUHON. Also new music from FREE RANGE FOLK, SAMANTHA CRAIN and HE’S MY BROTHER SHE’S MY SISTER. Here's the direct link to listen… […]
  • Roger Knox: Stranger in My Land (Bloodshot, 2013)
    Moving and socially significant Australian country music Though country music is most typically associated with the Southern United States, its impact has been felt all around the world. In addition to Nashville and Texas exports, a strong but little-known strain developed among Australian aboriginals in the second half of the twentieth century.… […]
  • The Great Escape, Brighton, 2013: day two
    It was definitely Billy Bragg's day, with a strong contender for performance of the year, not just of TGE. In comparison with the other stuff I saw, it's a bit like wondering how the rest got on when Mo Farah turned up for the dads' race at sports day... It was probably the fifth or sixth time I've seen Billy over the last 25 years or so […]

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