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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Tift Merritt

Record Review from web archive December 12, 2008

Tift Merritt

Another Country is an album of introspection and inspiration that came about, as Tift Merritt tells it from the stage, from a need for a change of scenery and a Google search of “Paris,” “piano,” “rental” and “flat” that led her to the City of Lights. Her extended sojourn brought with it cultural immersion, the [...]

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Waxed - Record Review from Issue #74 March-April 2008

Tift Merritt – Another Country

As indicated by the “free man in Paris” liner notes, the foreign land is France, though the rapturously romantic title ballad informs that the other country is also “love.” Fear not, Tift fans, she hasn’t turned chanteuse on us, except for the concluding “Mille Tendresses” (“A Thousand Tendernesses”). Musically and lyrically, Merritt’s third album is [...]

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Miked - Live Reviews from Issue #57 May-June 2005

Elvis Costello & The Imposters / Tift Merritt – Ryman Auditorium (Nashville, TN)

Elvis Costello was acutely aware of where he was. That was made plain in the middle of the show when he stepped forward, away from the microphone, and took a crack at a bit of his “Scarlet Tide” song from Cold Mountain a cappella. He’d reportedly tried this stunt elsewhere; with the Ryman’s famed acoustics, [...]

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The Long Way Around - Feature from Issue #53 Sept-Oct 2004

Tift Merritt – The big picture

Where do you file Dusty Springfield’s Dusty In Memphis? Most music historians classify the U.K. pop singer’s 1969 LP a masterpiece of R&B. But ask the clerk at any chain store, and he or she will likely dispatch you to the vocals or oldies section. What about Linda Ronstadt? Never mind her flirtations with operetta, [...]

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The Long Way Around - Feature from Issue #39 May-June 2002

Tift Merritt – A good country mile

It’s a long way from the front porch of the General Store in Bynum, North Carolina, to the small stage of the Borderline nightclub in London, England. The rooms are actually about the same size, but they’re a world apart in form and function. The Borderline is a dark, cozy bar, serving up liquor and [...]

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The Long Way Around - Feature from Issue #25 Jan-Feb 2000

Tift Merritt – Triple Threat

It figures that Tift Merritt is a native Texan. Oh sure, Merritt spent the better part of her formative years in North Carolina, and still lives there. But Houston is where she was actually born in 1975, and where the Merritt family lived — until her mother delivered her father what they refer to in [...]

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Waxed - Record Review from Issue #24 Nov-Dec 1999

Two Dollar Pistols With Tift Merritt – Self-Titled (EP)

As leader of the genuine honky-tonk band Two Dollar Pistols, John Howie has been spreading the words of folks such as Carl Smith and Roger Miller in North Carolina’s Triangle area for going on four years now. If Howie has a female counterpart in the region — that is, a woman who makes country music [...]

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Waxed - Record Review from Issue #22 July-Aug 1999

Townes Van Zandt / Dale Watson / Neko Case / Kelly Hogan / Tift Merritt And The Carbines

A decade ago the major labels decreed the death of vinyl, somehow setting off a flood of 7-inch singles that, at one point, arrived at the rate of 200 a month. It’s a slow trickle now, but there’s still reason to move the fax machine off the turntable and pay attention. “Riding The Range”/”Dirty Old [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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