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No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

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Artist: Tim Easton

Record Review from web archive May 1, 2009

Tim Easton

Tim Easton plays and sings like an old man. For the record, that’s meant as praise, not a taunt. He often sounds as if he’s channeling any number of discovered-late bluesmen, as well as Doc Watson and everybody’s favorite great-uncle Bob Dylan (especially right after Uncle Bob went electric in his younger days). His voice [...]

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Column from web archive December 15, 2008

Frank Jr., Oneida, and me

It’s December 8, 2008, and I just woke up in a hotel on the Oneida Indian Reservation outside freezing, frosty-cold Green Bay, Wisconsin. There’s a very large casino next door, and I’m here to play on a bill with Justin Townes Earle and the Sadies for three days straight. The Sadies and I had been [...]

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Miked - Live Reviews from Issue #67 Jan-Feb 2007

Steve Earle / Allison Moorer / Laura Cantrell / Tim Easton – Southpaw (Brooklyn, NY)

According to what he told the SRO crowd at this all-acoustic CMJ songwriter’s showcase, Steve Earle had never played in Brooklyn before. But he seemed happy to be here. The youngish audience (a lot younger than him, anyway) cheered his entrance and enthusiastically mouthed the words to songs new and old. They were on the [...]

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Waxed - Record Review from Issue #63 May-June 2006

Tim Easton – Ammunition

From the subway vocal echo to the scrappy acoustic settings, Tim Easton’s fourth album draws a back-to-busking baseline, as informal as his first album Special 20, and as lyrically blunt as anything he’s ventured. Easton recorded episodically and itinerantly, in Cleveland, Minneapolis, Alaska and Joshua Tree, getting assistance from Tom Waits’ engineer Mark Howard and [...]

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The Long Way Around - Feature from Issue #44 March-April 2003

Tim Easton – Keep on movin’

Watching Tim Easton perform solo acoustic at Los Angeles’ Getty Museum in January was like watching a top baseball pitching prospect finally hurl the game everyone knew he could. Easton has long offered considerable talent, but past appearances in Los Angeles, his home for two years until a recent move to Athens, Georgia, have been [...]

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Waxed - Record Review from Issue #32 March-April 2001

Tim Easton – The Truth About Us

Tim Easton steps up in a big way on The Truth About Us. Backed by an impressive cast that includes three-fourths of Wilco, Mark Olson and Victoria Williams, Easton fully delivers on the promise of his 1998 solo debut Special 20. Easton’s move from his native Ohio to Los Angeles provides a fertile source of [...]

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Waxed - Record Review from Issue #29 Sept-Oct 2000

Tim Easton – They Will Bury You (EP)

This four-song EP confirms the impression left by Easton’s full-length debut, Special 20 — that he’s one of the best young singer-songwriters working today. If Special 20 was a well-crafted slice of country/folk/rock, They Will Bury You is charmingly casual but no less brilliant. Its four terrific songs, all originals, were recorded in 1999 at [...]

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The Long Way Around - Feature from Issue #18 Nov-Dec 1998

Tim Easton – Not Waiting For Columbus

Sometimes the good breaks are lurking in the midst of disasters. When Tim Easton’s band, Columbus, Ohio, roots-rockers the Haynes Boys, made their first appearance at the South By Southwest Music Festival in Austin, Texas, in 1995, they were eagerly looking forward to their showcase slot — until they took a look at the schedule. [...]

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From the Blogs

  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]
  • Interview: José González Tells The Story of Junip
    Although José González may be best known for his acoustic solo albums (2007's In Our Nature and 2003's Veneer), his band Junip is not to be mistaken as a "José González and friends" kind of project. Instead, the trio has from the start,  always been equally composed of José Gonzaléz, Elias Araya, and Tobias Winterkorn. The Swedish group p […]

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