Jump to Content

Welcome! You’re browsing the No Depression Archives

No Depression has been the foremost journalistic authority on roots music for well over a decade, publishing 75 issues from 1995 to 2008. No Depression ceased publishing magazines in 2008 and took to the web. We have made the contents of those issues accessible online via this extensive archive and also feature a robust community website with blogs, photos, videos, music, news, discussion and more.

Close This

Artist: Vic Chesnutt

Live Reviews from web archive November 10, 2008

Vic Chesnutt & Elf Power

Does Vic Chesnutt apologize wherever he goes? Or was there some embarrassment last time he came to town? At the brink of launching their set, Chesnutt signaled for Elf Power to hold back as he riffed, solo, a musical apology: “Hello, everybody. It’s good to be here, again. Last time I got too drunk. Sorry.” [...]

Read More…

Waxed - Record Review from Issue #72 Nov-Dec 2007

Vic Chesnutt – North Star Deserter

Vic Chesnutt has always had a good ear for collaborators, from Michael Stipe to Bill Frisell. North Star Deserter finds him in Montreal working with his most unlikely crew of players yet: Punk scenester/photographer Jem Cohen arranged sessions involving members of disparate groups including Fugazi and Godspeed You Black Emperor. What comes out this mix [...]

Read More…

The Long Way Around - Feature from Issue #56 March-April 2005

Vic Chesnutt – The life you save may be your own

Fate has been good to me You may not understand how I can be thankful to be where I am To be where I am. – Vic Chesnutt, “Ignorant People” Vic Chesnutt wheels himself into the room, gliding over the wooden floorboards with a sudden whoosh. “Hey,” he says, stifling a stray yawn under his [...]

Read More…

Not Fade Away - Reissue Review from Issue #53 Sept-Oct 2004

Vic Chesnutt – Little/West of Rome/Drunk/Is the Actor Happy?

If his songwriter peers were in charge of the music industry, Vic Chesnutt would no doubt be a major star. Beloved and championed by artists more commercially successful than he, the Athens, Georgia, artist boasts a body of work that ranks among the most formidable of any singer-songwriter currently active. These beautifully produced reissues testify [...]

Read More…

The Long Way Around - Feature from Issue #45 May-June 2003

Vic Chesnutt – Little big man

In a closer-to-perfect world, Vic Chesnutt would be played on the radio, and it would happen not because of committee calculations but as a result of free-willed DJ across the country independently choosing to air his finicky, endearing art-folk. In a closer-to-perfect world, a majority of American radio stations wouldn’t be disinformative monstrosities controlled by [...]

Read More…

Waxed - Record Review from Issue #35 Sept-Oct 2001

Vic Chesnutt – Left To His Own Devices

Over a recording career that dates to 1990 and now spans nine full-length albums, the gleeful gadfly of Athens has proven himself both a songwriter of immense talent and a slave to a particularly restive muse. These traits have yielded a handful of minor masterpieces — darkly comic records that gleam with mischief and glint [...]

Read More…

Waxed - Record Review from Issue #29 Sept-Oct 2000

Vic Chesnutt and Mr & Mrs Keneipp – Merriment

Everyone’s favorite Georgia-based paralympian once deadpanned to a Spin interviewer, “Vic Chesnutt is an autodidactically pretentious writer of pseudo-symbolic, text-centered dirge-ballads…singing in a distinctive but ever decreasingly gruff and folksy voice.” That voice, of course, is located somewhere between heaven and hell. His sixth album, last year’s Chesnutt-Lambchop teamup The Salesman And Bernadette, represented a [...]

Read More…

Waxed - Record Review from Issue #18 Nov-Dec 1998

Vic Chesnutt – The Salesman And Bernadette

“I just want to be Aaron Neville,” deadpanned Vic Chesnutt, the consummate wag, on “Sad Peter Pan”, a song from his 1995 album Is the Actor Happy? Here, one suspected, was Chesnutt — a quirky cracker whose creaky warble is but a chirp compared to Neville’s numinous tenor — having fun at his own expense. [...]

Read More…

Miked - Live Reviews from Issue #14 March-April 1998

Vic Chesnutt / Lambchop / Paul Burch / Cyod – Lucy’s Record Shop (Nashville, TN)

With a mischievous half-smile, Lambchop’s Kurt Wagner cut right to the point: “Why the long faces?” Why indeed. The capacity crowd on this Friday night was there to mourn the passing of Lucy’s Record Shop, the all-ages venue that for six years made Nashville a stop on indie rock’s underground railroad. In 1992, when the [...]

Read More…

Miked - Live Reviews from Issue #9 May-June 1997

Vic Chesnutt / Scud Mountain Boys – 7th House (Pontiac, MI)

With the show just over 50 minutes old, scattered grumbles were heard when Vic Chesnutt announced, “we have one or two more.” Well, it did turn out to be four more, and in hindsight, this Detroit audience can count themselves fortunate to get 14 songs from Chesnutt. Two days later, the mercurial songwriter went AWOL [...]

Read More…

From the Blogs

  • Interview with Raul Malo from the Mavericks
    May 2013 There are very few singers or bands that have a 100% distinctive Trademark sound; but The Mavericks achieved that very early in their career and in the UK you still can’t go to a Wedding without being corralled onto the dance-floor as soon as you hear the opening bars to Dance The Night Away. After breaking up in 2004 lead singer and songwriter, Rau […]
  • The Great Escape, Brighton, 2013: day one
    So, here we are again, tramping the streets of Brighton, squeezing into someunfeasibly small spaces to see bands we've never heard of... I'd been feeling somewhat underexcited by this year's Great Escape because it the only one of hundreds of names on the bill that I knew I liked was Billy Bragg, who appears at the Dome tonight. But a quick bu […]
  • Gary Atkinson of Document Records – Keeping the Blues Alive!
    DATC: Gary, tell us what Document Records is and what makes it special? Gary: It is rather unique! I was a CD reviewer when I first encountered it. From the 1970s onwards there were labels that were reissuing pre-war country blues. Artists’ works… […]
  • CD Reissue Review: David Allan Coe - Texas Moon (Plantation/Real Gone, 1977/2013)
    Outlaw country three years before RCA named it There may never have been as iconoclastic a country artist as David Allan Coe. Though his rejection of Nashville norms drew parallels with the outlaw movement, he always seemed a notch wilder and less predictable than Waylon, Willie and the boys. Reared largely in reform schools and prisons through his… […]
  • CD Review: Ashley Monroe - Like a Rose (Warner Brothers, 2013)
    The Pistol Annies' Ashley Monroe shines brightly in the solo spotlight As part of the Pistol Annies, Ashley Monroe's star power was obscured by the outsized shine of her bandmate, Miranda Lambert. Though the Annies share lead vocals, they present themselves as a trio, with only Lambert's fame standing out individually. But stepping out for her […]
  • Show Review: Steve Earle & The Dukes (& Duchesses) At The Music Hall Of Williamsburg May 8, 2013
    GRAMMY winner Steve Earle is one of America's greatest living storytellers, but he's not stopping there. Earle's 15th studio album, 2013's The Low Highway, is a road record written about what he experienced from the window of his tour bus while traveling across the United States. His latest tour stop landed him in the heart of one of the […]

Shop Amazon by clicking through this logo to support NoDepression.com. We get a percentage of every purchase you make!


Subscribe To the No Depression Newsletter

Subscribe to the No Depression Newsletter